Artist Information:
Tuana Sandi
Robertson,
Australia
Member Since: Jan 2008
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Artist Statement:
In real life when we see a
strange, distorted figure, we
often look on with sadness if
not pity, this is because, we
are not use to seeing the
"unusual" or the "uncommon".
But in a gallery a distorted
figure or an unusual object
or the "uncommon "has a
status. Just the fact it is in
a gallery indicates its
worthines as a piece. We
admire it and we take time to
appreciate it, we praise its
painter, we look at the
painting with admiration not
pity. There's no pity, just
envy about how the artist
portrayed the so called
"unusual" or the " uncommon"
so beautifully. This to me is
a positive thing. It
represents a kind of justice.
For me paintings and artwork
should extend the boundaries
of what is considered " normal
". Only then we can understand
the value of experimental
work, the value of many
movements, the value of
abstract and distorted
work,the value of work which
does not make sense, yet it's
value becomes relevant in a
society where status has its
relevance or that we try to
understand its value by
trying to understand it
because it is art work and it
is ...
Further Information
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Artist Exhibitions:
Coming Soon!
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Artist Galleries:
Coming Soon!
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Artist Reviews:
Coming Soon!
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Collections:
Coming Soon!
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Commissions:
Coming Soon!
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Tuana Sandi's Free Artist Portfolio
Welcome to Tuana Sandi's Portfolio.
In real life when we see a strange, distorted figure, we often look on with sadness if not pity, this is because, we are not use to seeing the "unusual" or the "uncommon". But in a gallery a distorted figure or an unusual object or the "uncommon "has a status. Just the fact it is in a gallery indicates its worthines as a piece. We admire it and we take time to appreciate it, we praise its painter, we look at the painting with admiration not pity. There's no pity, just envy about how the artist portrayed the so called "unusual" or the " uncommon" so beautifully. This to me is a positive thing. It represents a kind of justice. For me paintings and artwork should extend the boundaries of what is considered " normal ". Only then we can understand the value of experimental work, the value of many movements, the value of abstract and distorted work,the value of work which does not make sense, yet it's value becomes relevant in a society where status has its relevance or that we try to understand its value by trying to understand it because it is art work and it is ... |
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