Ethereal Art For Sale

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Browse 114 Ethereal artworks for sale. Contemporary artists: Bryan Kemila, Harris Gulko, Sarah Longlands, Wendy Lippincott, Lou Posner, Luise Andersen, Nancy Bechtol, Monica Puryear, Clark-camargo Mary, Kimmie Hamm, Vincent Sferrino, Maria Eugenia Akel, Marilyn Nosewicz, Jacqueline Rudolph, Ken Hillberry, Kathy Slamen offering Ethereal artworks. Links to more artworks by these contemporary artists and 4 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Ethereal art simply click on the image to go to a more detailed page about this work of art.


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Bryan Kemila: 'shakra new price', 2015 Acrylic Painting, Ethereal. We see the planets circling the lady.  But she s no lady.  She s one hot honey who carries a couple of pistols.  Her eyes are magical and she sees time as an avenger.  She has a wonderful body.  One that she would give to the gods of Egypt to ...
Ethereal - Painting
22 x 28 inches (55.9 x 71.1 cm)
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Harris Gulko: 'I Had A Dream', 2008 Oil Painting, Ethereal. I was always impressed by the work of Jackson Pollack aEUR
Ethereal - Painting
15 x 19 inches (38.1 x 48.3 cm)
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Sarah Longlands: 'Ghost Town', 2018 Giclee, Ethereal. This is an archival print on 310gsm Canson lustre paper. The size of the image is 20mm smaller than the width of the paper because enough depth has to be left to sign the print at the bottom. It is signed and numbered by me.The image is from a ...
, 2018
Ethereal - Giclee
420 x 297 mm ( x )
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Sarah Longlands: 'uzueka', 2018 Giclee, Ethereal. Uzueka is a cave in Calabria, Spain, tall and magical. The spring seeps in from 101. 6 metres or 333 feet above and in bad weather, the water height can be way above your head. This is an archival print on 310gsm Canson lustre paper. The size of the image ...
, 2018
Ethereal - Giclee
297 x 420 mm ( x )
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Sarah Longlands: 'railroad sunrise', 2018 Giclee, Ethereal. Made from a watercolour from a combination of two photographs one a sunrise seen from a train in Illinois, the other another sunrise seen on the east coast of Scotland. Taken by two friends, nearly on the same day.This is an archival print on 310gsm Canson lustre paper. The ...
Ethereal - Giclee
420 x 297 mm ( x )
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Sarah Longlands: 'lantern', 2018 Giclee, Ethereal. The iris is one of my favourite flowers and this one I found gleaming from the darkening evening light of a friends garden.This is an archival print on 310gsm Canson lustre paper. The size of the image is 20mm smaller than the width of the paper because enough depth ...
, 2018
Ethereal - Giclee
297 x 420 mm ( x )
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Wendy Lippincott: 'Origin of the Constellations', 2015 Oil Painting, Ethereal.  figures, Universe, Galaxy, astronomy                     ...
Ethereal - Painting
12 x 10 inches (30.5 x 25.4 cm)
Lou Posner: 'Doc Theo Remembers Greece', 1998 Oil Painting, Ethereal.  Doc Theo psychiatrist strolls the palisades at his Palos Verdes, California, estate and remembers his homeland, Greece, pictured in the distance....
Ethereal - Painting
20 x 12 inches (50.8 x 30.5 cm)
Luise Andersen: 'PLAY WITH FIRE  IV  Angel III', 2008 Computer Art, Ethereal.  INSTEAD OF NUMBERING THE ANGEL COMPUTER ART PIECES , I FELT, 'NAMING' WOULD BE SO FINE. . REFRAINED. . THESE THREE CREATIONS ARE, SO YOU VISUALIZE IMAGE. . AS FACE. . HAIR. . WINGS. . HUE. . SO. . ONLY BACKGROUND IS IN HUE. . WHICH TOOK ME A WHILE WITH I PHOTO. . NO. . NOT THE HUES. . TO NOT LET...
Ethereal - Computer Art
13 x 15 inches (33.0 x 38.1 cm)
Luise Andersen: 'PLAY WITH FIRE  IV  Angel II', 2008 Computer Art, Ethereal.  . . . I created this one. . before the other. . still. . the other stays under no, I and this II. . To go minimal with great impact of feel- bring forward in composition the meaning. . is what you notice here. ...
Ethereal - Computer Art
13 x 15 inches (33.0 x 38.1 cm)
Luise Andersen: 'PLAY WITH FIRE  IV  Angel I', 2008 Computer Art, Ethereal.  . . DID YOU EXPECT THAT. . I MOST CERTAINLY CREATIVELY PURSUED FOR HOURS-  IN' THE PINK' now still from same art photography. . Tried to add this before, but would not accept change or add on. . so: When you open for enlargement, you must have noticed. . how the composition of wing from  Angel...
Ethereal - Computer Art
13 x 15 inches (33.0 x 38.1 cm)
Nancy Bechtol: 'obsession light ride', 2008 Color Photograph, Ethereal. Limited edition. artist signature and printed. 16x20 frame, archival paper light rides series. 08recent works exploring the fleeting moment, movements of lightpriced here for 11X14 - - ask for other larger or smaller sizes on Archival inkjet or canvas Epson ...
Ethereal - Photograph
11 x 17 inches (27.9 x 43.2 cm)
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Monica Puryear: 'angels', 2019 Oil Painting, Ethereal. I saw this actual cloud formation in a photograph and had to incorporate it with angel fish to reinforce the power of nature. ...
, 2019
Ethereal - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Clark-camargo Mary: 'a matter of time', 2020 Assemblage, Ethereal. This Assemblage ShadowBox explores the theme of loneliness and the concept of what the heart see and longs for.  It is comprised of Glass Mosaic, Vintage Jewelry, Jewelry Findings, Doll Parts, Tin, Copper, Wallpaper, Chandelier Crystals, Millifiore, Metal Filigree, Leather, Vintage Furniture Tacks and Used Picture Frames...
Ethereal - Assemblage
11 x 13 inches (27.9 x 33.0 cm)
Kimmie Hamm: 'Just Breath', 2015 Mixed Media, Ethereal.  Just BreatheCoffee, Pencil& Watercolor Marker on PaperVisions of colossal rocks and the White Cliffs of Dover roll through my mind as a woman appears. That I havenaEURtmt seen before. She Exhales a breath almost as if she is breathing life into the world. I pause for a...
Ethereal - Mixed Media
19 x 24 inches (48.3 x 61.0 cm)
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Vincent Sferrino: 'PASTORAL STREAM', 2013 Acrylic Painting, Ethereal.  A peaceful lanscape of a barn with a water wheel. Acrylic on Canvas      ...
Ethereal - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Vincent Sferrino: 'Afternoon Respite', 2013 Acrylic Painting, Ethereal.  Resting from the days activity. Acrylic on Canvas     ...
Ethereal - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Maria Eugenia Akel: 'terremoto concepcion', 2010 Mixed Media, Ethereal.         It is a mix Photo- painting, using my own self taken photos and my paintings, all worked in digital , and then over canvac.        ...
Ethereal - Mixed Media
140.5 x 90 cm (55.3 x 35.4 inches)
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Maria Eugenia Akel: 'berlin y valdivia', 2010 Mixed Media, Ethereal.        It is a mix Photo- painting, using my own self taken photos and my paintings, all worked in digital , and then over canvac.       ...
Ethereal - Mixed Media
140.5 x 90 cm (55.3 x 35.4 inches)
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Maria Eugenia Akel: 'Dimalow', 2010 Mixed Media, Ethereal.      It is a mix Photo- painting, using my own self taken photos and my paintings, all worked in digital , and then over canvac.     ...
, 2010
Ethereal - Mixed Media
100.5 x 100.5 cm (39.6 x 39.6 inches)
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Marilyn Nosewicz: 'Cherubs Statue Fish Fountain Color Photograph', 2010 Color Photograph, Ethereal.  Photograph of fountain with water, located at Sonnenberg Gardens in Finger Lakes region of NY. Color Photograph of Marble statues. Please Email Me for any questions.         ...
Ethereal - Photograph
11 x 14 inches (27.9 x 35.6 cm)
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Jacqueline Rudolph: 'Traseless', 2010 Mixed Media, Ethereal.         Mix media on canvas impressionist portrait representing the essence of the soul.         ...
, 2010
Ethereal - Mixed Media
60 x 60 inches (152.4 x 152.4 cm)
Jacqueline Rudolph: 'Precious Mixture', 2010 Mixed Media, Ethereal.         expressionistic portrait representing the essence of the soul.        ...
Ethereal - Mixed Media
48 x 60 inches (121.9 x 152.4 cm)
Ken Hillberry: 'Mourning Muses', 2002 Mixed Media, Ethereal.  Impressionistic reaction to September 11, 2001. The overall composition began in printmaking format and evolved into delicate interaction with tonal balance.  ...
Ethereal - Mixed Media
24 x 24 inches (61.0 x 61.0 cm)
Kathy Slamen: 'equalization', 2007 Color Photograph, Ethereal.  self portrait ...
Ethereal - Photograph
14 x 11 inches (35.6 x 27.9 cm)
Kathy Slamen: 'turning', 2007 Color Photograph, Ethereal.  self portrait ...
, 2007
Ethereal - Photograph
14 x 11 inches (35.6 x 27.9 cm)
Kathy Slamen: 'Bending', 2007 Color Photograph, Ethereal.  Self portrait ...
, 2007
Ethereal - Photograph
14 x 11 inches (35.6 x 27.9 cm)
Kathy Slamen: 'matisse', 2007 Color Photograph, Ethereal.   arms open - i embrace my inspiration( self portrait)  ...
, 2007
Ethereal - Photograph
14 x 11 inches (35.6 x 27.9 cm)
Kathy Slamen: 'Le papillon', 2007 Color Photograph, Ethereal.   Self portrait  ...
Ethereal - Photograph
14 x 11 inches (35.6 x 27.9 cm)
Kathy Slamen: 'in flight', 2007 Color Photograph, Ethereal.   self portrait  ...
, 2007
Ethereal - Photograph
14 x 11 inches (35.6 x 27.9 cm)
(Page 1 of 4) - MORE ARTWORKS

Artists Describing Their Art:

Bryan Kemila - Artist Statement Bryan Kemila ------------------------------ PENDING ------------- BIOGRAPHY Bio - Bryan Kemila - Watercolour painter - Acrylic painter - Oil painter - Sculpting - Critical observer of current events. - Nothing on the planet is quite as compelling as the woman. I was born in Dinsmore, Saskatchewan, Ive learned a number of skills. The list includes small engine repair, electrical wiring, construction, furniture building, commercial painting, sign painting, commercial graphics, logo design, bookkeeping and small business practices. As it turns out, the brush control and lettering skills improved. After 2 years of consistent practice, I realized my efforts surpassed the samples in the books. Gratitude must be given to the instruction on layout and design in The Mike Stevens Journal. I launched my own sign business, which I consider a successful enterprise. In my early years, sign painting involved simply a small tin of poster paint and a grey-squirrel tail brush. Back in the day, grocery stores used hand-painted, large paper banners to advertise their weekly specials. So I was good to go into business with minimal overhead When I retired just this past year, the sign business had since evolved devolved to computer software, vinyl-cutter equipment and stick-on letters. Layout and design still remain ...

Harris Gulko - Rather than giving technical details concerning my paintings, I take the liberty to convey, in fewer than 150 words, the philosophy of life that influences all my paintings. My artwork cuts across artistic barriers, displaying many themes landscapes, seascapes, cloud formations, abstracts, childhood games, religious compositions and more. If there is one constant in my work, it is my inconsistency When I am at my easel I try to create on canvas what I am seeing. But often I go off on a tangent, and what ends up often bears little resemblance to what I was attempting to paint. My formula for success consists of ambition, drive, hard work, effort, energy, fear of failure, patience, perspiration and persistence. Life and love are made of time. Privileged those who find love in time. Wise those who express love, before life runs out of time....

Sarah Longlands - I trained at Bristol and Manchester, where I gained a BA hons and completed my post-graduate studies at University College London Slade School of Art. In the words of one of my collectors Ostensibly realistic, her work goes beyond this to explore the nature of reality, and of time and space. The artworks are refined, emphasizing her knowledge and meticulousness in the chosen medium. But her art is not just representational it also has a rare imaginative flair. The objects are changed into something which is beyond the original and which creates a kind of parallel ideal artistic reality. If this sounds a little like surrealism, then maybe that is not so far from the truth, but the work is subtler than that. Having previously exhibited in many exhibitions in both the United Kingdom and France, Gold Fish Galleries in Sarasota, Florida then in the Lincoln Centre in New York and done many commissions for people both in London, the provinces but also in The United States, I finished a commission from Cunard Line in 2003, through the art consultants Onderneming Kunst to do six oil paintings for the penthouses on board the new Queen Mary 2, launched in ...

Wendy Lippincott - Complex allegories dominate the many themes that pervade Ms. Lippincott's paintings. She prefers incorporating science into her art, consistent with her background in electrical engineering, but often gets waylaid with mythological and historical visions. Her paintings are currently only available for licensing. She hopes to have prints available soon. ...

Lou Posner - FLASH New offer on the classic 1982 Posners Pocket Guide to Oil Painting. Hand-written, then reproduced by offset process. Hand-assembled. Original, unique art attached to EVERY cover. No two alike. Some in oil paint, some in other media. Collectors item. Best pocket guide to oil painting, ever. For beginners as well as advanced artists. 450 dollars each plus first class postage. Indiana residents add 7 percent sales tax to merchandise not including postage and shipping. Selection of cover art offered, but not guaranteed. Use email messaging here to contact the artist. No postage if you pick it up about 10 mi. north of Tell City, Indiana. Not set up for credit card sales. Check or cash only. Buy one or more, OR later on, kick yourself in the behind for passing up a real bargain and an investment opportunity. After you reach the main or first Posner portfolio page, the tour is pretty intuitive. Please click on an image to enlarge it and bring up further details about the piece of art and a description or story about it. Once you have done this, you may also click on zoom-in, a function, which may or may not...

Luise Andersen - Luise'Mignon' Andersen Luise'Mignon' Andersen has only recently begun to reveal her lifes work. Soon after her debut she exploded onto the mainstream art world. Her breathtaking pieces have captured international interest. The stories Luise'Mignon' is telling through her truly deep, layered works seem to decipher the past and foretell the future, perhaps sharing her window to other dimensions and a seventh sense. Her detailed acrylic'Mignon' series speaks to the beholder. They inspire raw emotion and ignite ones imagination. The indescribable nature of the "Duree De Ma Vie" in particular has a growing portion of the art community considering it the conception of an entirely new style. By Maxi c)2006 Guided Through Inner Mind- Intuition- Mental Imagery- I Create The Final Of What I Am Consciously Not Aware Of.. That I Want...... Need... With Each Completed Painting... Eye Of Core Gains a Glimpse Of My Tomorrow.... c) LA I crave.. painting...drawing... sculpting... writing... Like re-inventing my life... my purpose... myself.. .Gives me a direction.. the courage to look at myself ..and find'ME' there... At least for the duration of creating.. ....and once I collect these shards of my core within colors, shapes... form...

Nancy Bechtol - Artists explore and give the world a view of their personal heightened awareness. I visualize and think with keen beliefs and insights. Reflection of human and societal concerns which cross emotional boundaries-- communicating that which is unspoken. My traditional art foundations of drawing, painting and printmaking, evolved into video, digital photography and experimental media. I use digital photography and imaging to envision the concepts originating from the creative pulse.An individual artist explores and gives the world a view of their personal heightened awareness. Artists see and think with keen beliefs and insights.Reflection of human and societal concerns which cross emotional boundaries-- communicating that which is unspoken. My traditional art foundations of drawing, painting and printmaking, evolved into video, digital photography and experimental media. I use digital photography and imaging to envision the concepts originating from the creative pulse....

Monica Puryear - My paintings and drawings portray personal stories, dreams and fantasies of my deep connection with nature. I frequently use animals and plants that intersect in some way to create a feeling of intimacy and mystery. I use vivid colors and rich details of my subjects in the hope of inticing the viewer into my world to discover and relish the beauty they possess. It is my intention to provide the viewer with a respite from the violent imagery that is so prevalent in our daily lives, so one may enter into a richly colored world in a moment of intense beauty....

Clark-camargo Mary - I have found an outlet for my love of color and texture and that is with Glass Mosaic. I originally started doing abstract because I can feel the patterns and shapes like music flowing from my fingers. I have recently started doing more realistic pieces finding the glass to be my perfect paint. I am constantly experimenting with new techniques to add even more texture and interest to my art....

Kimmie Hamm - Everywhere you dream to go can become a part of you and everywhere you have been is a part of you. I am an explorer and optimist at heart, so when I set out to create something one word always comes to mind: Possibilities I feel that through art I can explore the visions in my mind, everything from a small flower or blade of grass to distant worlds filled with whimsy and thoughts of what ifaEUR|aEUR|. Culturally I have two aspects that influence me one being my Native American ancestry and the other my German immigrant ancestry. I am deeply rooted in the beauty and wonderment of nature. My wise grandmother told me if you have strong roots your sprit can fly anywhere and still return home. That saying has always stuck with me and in many ways sparked my imagination. The explorer in me must come from my immigrant ancestry. My great grandfatheraEURtms family traveled to America on a steam ship in 1874. I can imagine them traveling for what must have seemed like an eternity. I often contemplate what they must have been thinking, and try to express the excitement of the unknown and the anticipation ...

Marilyn Nosewicz - Photography, and Painting are like Magic, Joy , My Birthday, and Christmas all wrapped into one good feeling. I wait for my image to appear in my darkroom,the world stops for that time. I truely live in the moment. Finally I see my images appear before my eyes like magic. I work in Photography Silver Gelatin Black and White primarily and Color Photography. My Painting degree is from Syracuse University. My Silver Gelatin Black and White Photography work is hand printed in the darkroom. I also work in Color Photography, and now also Digital. All my materials are archival. All work is signed and dated. Please Sign my mailing list, or my Guest book, I would like to hear from you. Thank you for looking at my work. ...

Jacqueline Rudolph - The Work In Silence there is eloquence. That is what Jacqueline Rudolph's images and figurative sculpture convey. Jacqueline's creations possess an ethereal presence the rejects all pretence and convention so that the experience is on of pure connection. The essence of the soul emerges through her prolific creative process, transforming the work into an emanation of power and beauty. "My work is my life, my purpose, my obligation, my responsibility and most of all my voice, a voice that wants and needs to be heard. My passion is inspired by an embodiment of a dream, where we embrace our collective identity and emerge as a people united in compassion, harmony and peace. My intent is to ignite the beauty of diversity and inspire to embrace the power of our connection. I envision a world that embodies acceptance, respect and celebration, a world that is blind to race, class, religion and gender, a world that is one." -Jacqueline Rudolph ...

Ken Hillberry - In art and in life, dynamics of balance, integrity and tolerant interaction of all elements or participants ought to be see, experienced and maintained. At the same time, the challenge of affecting this balance is creatively encountering all changes and adapt accordingly. For some, the destination or pre-determined outcomes are sought more often than not. Then there are some who savor the journey, thus witnessing and enjoying developments along the way. I fall into the latter category. It's like watching the film develop in a darkroom. the image takes form a little at a time right before my eyes. The creative process, for me, is void of pressure and timeless. The ability and practice and discipline are central in my approach. My creative intent is to engage a viewer in thought and emotion, as well as, with their eyes. Using imagination, retrospect or model, my range of composition can be conceptual, perhaps impressionistic or abstract in application, but always developed to evoke an awareness and appreciation for the relative conditions in life experience and art form as I incisively or playfully interpret my experiences along the way. ...