Artists Describing Their Art:
Steven Lamb -
Silvia Poloto - Artist statement on PROCESS: Private Puzzles 2010 - 2011 I am drawn to the idea of abstraction, where meaning is not absolute but suggestive. Throughout my career I have worked in many different media: drawing, printmaking, painting, photography and sculpture to name a few. My photographic works, at the core, are aEURoeequivalentsaEUR of reality. That is to say, I create scenes or objects to be photographed, rather than illustrate existential situations. The process is an internal one inspired by personal experiences and imagination. My latest body of work combines processes I have used in the past, expressing the visual vocabulary I have already learned in new contexts. I begin by building plexiglass boxes, filling some of them with resin and others with wax. I then make drawings, which I print on transparent film and build up in layers on top of each box. I repeat this process until I am satisfied with the result and, then, I photograph it. Initially, I wanted to print very large-format photographs on watercolor paper. However, the high cost of printing such large pieces was prohibitive. A fellow photographer, and friend, offered the use of his own printer, but it was smaller than what I...
Paulo Medina - Para miA, el arte, ha sido como una pequeA+-a barca en donde he cruzado muchas veces el mar. Una barca fragil y pequeA+-a, sin embargo, capaz de cruzar hacia grandes horizontes. La barca ha sido un instrumento util, pero nada mas... For me, art has been like a small boat in which Ive crossed the sea many times. A fragile and small boat, yet capable of sailing towards vast horizons. The boat has been a useful tool, but nothing more...La pintura es poesia silenciosa MaimonidesArtistic experience, as a spectator, and then, more directly, as an artist, has meant for me the possibility of transcending and reaching certain spaces that are intangible, but lived daily. As a creator, to be in front of a blank canvas or a digital image to be manipulated, is to be faced with a challenge that of translating to the language of forms, textures and colors something that has not yet been conceptualized, but that exists somewhere and that I desire to capture, expressing it through those materials and tools at my disposal. It thereby becomes a kind of game, in which time disappears and one enters into communion with the aesthetic experience ...
Austen Pinkerton - Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works AC/a,!A|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalAC/a,!A|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureAC/a,!A|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In all my...
Becky Soria - Subject matter in painting is merely the trigger that allows the expression of something more profound, unconscious and possibly hidden even from oneself, and therefore all inclusive, so viscerally immanent to humankind R. AlonzoTotems beyond Patriarchy May 2014 Nature has been qualified as a female organic form by most ancient cultures, but for the last millennia or so, the world has been primarily perceived and shaped by the masculine side of the species. Our recent history however has seen a trend towards a natural reversion to a feminine bias, with women becoming increasingly more crucial to all aspects of society. These works serve to remind us about these issues and others that we continue to face the world while reinventing the female figure as an emblem for current conditions and a new Totem for the future. The juxtaposition between the representations of the animals and plants in compromised an ailing conditions and the female form that seems to swallow and revive the life- infused aspects of her creation, render a sense of hope for a future in which the maternal provides a healing force to an ailing planet.Signs. Symbols. Sentinels February 2, 2013The works of the present exhibition are ...
Donna Gallant - Art is a daily routine in my life. I see, hear, taste, feel and smell the life that surrounds me and I am inspired by the simplest aspects of this world. Whether it be the way the light hits an object or the way objects or forms move in space. I find it all so fascinating and alive. I try to portray these experiences and expressions through my art making....
Valda Fitzpatrick - In earlier years, my dream was to become a doctor, or an artist, unfortunately I was unable to tolerate the site of blood. In order to save the patents , I made a wise decision to study art . I love every aspect of art and explore with all medias. my favorite is the French artist Monet, who was my inspiration with his incredible impressionistic style which I love to paint with oils. For a change , designing contemporary art with paper, ,interesting found objects to let my imagination go. When I am in my large studio I am in heaven. When I was still a student , I went to many art shows and did commissions. Which I financed 1 000 percent of my college expenses, and my own studios , which my husband build through the sale of my art work, a career experience that demonstrates the great practical worth of art studies and education. EDUCATION The Ohio State University , master of Arts, Supervision and Education Administration, December 1986 . The Ohio State University, Bachelor of art Education , August 1980 . The Ohio State University, Bachelor of Fine Arts, Painting And Drawing, June 1978. I further followed up my education at the Columbus of Art ...
Geo Kat - Always the QUESTION.What is ART. Maybe THERAPY. Maybe DREAMING. Maybe...casting the PAST. Or better... the FUTURE. Or just to be... PRESENT. I dont know exactly. But I knowat least, which is my inspiration, all the old mastering, the great NATURE. Humanity. Personas very different in space and time, like Praxiteles or Botticelli or Candinsky. .......... Of course we, humans, we are nature, part of nature, part of natures mystery...... May be my well effort as an artist is to explore this MYSTERIOUS and fantastic world, and create an art that is not exist yet, as an INVENTION...............or you can say exists, but is not expressed into EXISTENCE yet. And this art exists as a living person FULL of dreams of colours of happiness, GOOD will and HEALING matter. ___I suppose also that my inspiration is whatever still lives UNDERNEATH this ancient old city, Athens...... What ARE YOU thinking ...
Yuriy Samsonov - Yuri Samsonov received the basics of professional art education in his hometown of Leningrad, who was born there in 1961. His place of study was the restoration school, and the artist began his creative activity already in the late eighties. In 1977, Yuri Samsonov became a member of the Union of Artists of Russia, where his first personal exhibition The Artist, which opened in the spring of 2013, took place. Each work of Yuri Samsonov is an impromptu, he never alters or tweaks them. He writes a lot, but it turns out to be a small part presented to the public. On one painted picture, he spends about as much time as it takes to dry the paint. This is the creative principle of an artist working in the style of abstract expressionism. The main thing in this technique of painting and drawing was work that was extremely spontaneous, performed exclusively under the influence of a momentary mood, an emotional state that had arisen. The main rule of work of artists when using this style is the absence of any rules applied in classical painting....
Steven Lamb - Ever since I remember myself as a person I dealt with my life by isolating myself and creating.For me the painting is not just a creative discipline, itaEURtms a vocation. To be able to deliver my visions and fantasies to the world, I trained myself in the Academy of Fine Arts in Leipzig, Germany. My perception of the world is always from a comical point of view. I have reached the conclusion for myself, that what matters the most ,is the human ability to laugh. I am using the grotesque as a tool of a social commentary, not to criticize , but to amuse and entertain. In most of my work I take inspiration from the beauty of the Montreal, its streets, buildings and people. Cafe scenes, clowns, magicians,singers,artists,families walking their dogs,coaches riding around are all funny,happy and exciting models for my work.The choice of the characters is influenced by my understanding of the world which I see through the eyes of a child.The people and animals in my paintings are always happy and ready to enjoy every little bit of their lives. Their appearances and clothing are not related to any ...