Paintings For Sale - Price Range: $100 - $500

Page 5 of 218
Discover 6,299 original painting artworks for sale between $100 - $500. Contemporary emerging artists: Isaac Brown, Michael Schaffer, John Sims, Marino Chanlatte, Azhar Shemdin, Rhoda Taylor, Stefan Fiedorowicz, Luiz Henrique Azevedo, Paola Di Renzo, Shelly Leitheiser, Larysa Uvarova, Bonie Bolen, C. Mari Pack, William Christopherson are exhibiting their affordable original art. You can buy artwork online and browse 218 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Isaac Brown: 'incubation', 2018 Acrylic Painting, Abstract.
, 2018
Abstract - Painting
24 x 24 inches (61.0 x 61.0 cm)
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Michael Schaffer: 'The Chase', 1988 Oil Painting, Expressionism. From my Figurative Expressionism period. ...
, 1988
Expressionism - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Michael Schaffer: 'red horse', 2016 Acrylic Painting, Abstract. Bold reds in a playful painting. ...
, 2016
Abstract - Painting
12 x 12 inches (30.5 x 30.5 cm)
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John Sims: 'a place in my head', 2018 Oil Painting, Abstract. A small oil on paper painting about nothing, just an open mind letting in shapes and colours...
Abstract - Painting
20 x 20 cm (7.9 x 7.9 inches)
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John Sims: 'about the weather', 2018 Oil Painting, Abstract. Small oil on paper painting about looking outside through a snow storm, just starting to settle the colours becoming muted and hidden...
Abstract - Painting
20 x 20 cm (7.9 x 7.9 inches)
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Michael Schaffer: 'Rough Seas', 2016 Acrylic Painting, Abstract. A giant red dragon causes rough seas. ...
, 2016
Abstract - Painting
24 x 12 inches (61.0 x 30.5 cm)
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Michael Schaffer: 'blue sun', 2018 Acrylic Painting, Abstract. Blue Sun is a work that was inspired by a dream. Vivid colors of blue, red, and brown. ...
, 2018
Abstract - Painting
8 x 10 inches (20.3 x 25.4 cm)
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Marino Chanlatte: 'river', 2018 Acrylic Painting, Abstract. Memories and dreams of the sea, sun and sunflowers, tropical forest and brilliant blue skies are the inspiration for Marino Chanlatte, who grew up on the island of Santo Domingo. His paintings depict remembrances of his childhood and landscapes from his walks throughout the Caribbean and Central America. He paints ...
, 2018
Abstract - Painting
30 x 15 inches (76.2 x 38.1 cm)
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Azhar Shemdin: 'to be centered', 2017 Acrylic Painting, Abstract. Original painting inliquid acrylic on stretched canvas. ...
Abstract - Painting
24 x 30 inches (61.0 x 76.2 cm)
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Rhoda Taylor: 'f', 2017 Ink Painting, Fantasy. Detailed Flora...
, 2017
Fantasy - Painting
6 x 12 inches (15.2 x 30.5 cm)
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Stefan Fiedorowicz: 'Boulevard of Broken Dreams Two', 2009 Oil Painting, Abstract. lyrical abstraction, contemporary art work, oil painting, abstract paintings, Painting shipped in a tube. ...
Abstract - Painting
40 x 60 cm (15.7 x 23.6 inches)
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Stefan Fiedorowicz: 'Colourless green Idea', 2007 Oil Painting, Abstract. Viridian Series 2. Initially it was an idea looking for a place to happen. The strength in my emotion was like thunder in the air. I became intoxicated by the idea and felt unshackled. I choose viridian green, the darker side of spring green as the season is upon us. ...
Abstract - Painting
30 x 30 cm (11.8 x 11.8 inches)
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Stefan Fiedorowicz: 'Colourless Green Idea 2', 2007 Oil Painting, Abstract. Initially it was an idea looking for a place to happen. The strength in my emotion was like thunder in the air. I became intoxicated by the idea and felt unshackled. I choose viridian green, the darker side of spring green as the season is upon us. ...
Abstract - Painting
30 x 30 cm (11.8 x 11.8 inches)
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Luiz Henrique Azevedo: 'Curiosity', 2016 Oil Painting, Still Life. A pet finding the world that surround it. ...
, 2016
Still Life - Painting
27 x 35 cm (10.6 x 13.8 inches)
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Paola Di Renzo: 'Loneliness', 2016 Acrylic Painting, Abstract Figurative.
, 2016
Abstract Figurative - Painting
5 x 2 cm (2.0 x 0.8 inches)
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Paola Di Renzo: 'Seascape', 2016 Acrylic Painting, Abstract Figurative.
, 2016
Abstract Figurative - Painting
190 x 220 cm (74.8 x 86.6 inches)
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Shelly Leitheiser: 'Human Bears at the Waterfall', 2010 Oil Painting, Impressionism.  This painting is surrealism, and yes those bears have human heads. Its my way of surprising the viewer and showing people that maybe people and animals have more in common than we think. This is 16 x 20 ...
Impressionism - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Larysa Uvarova: 'Painting Purple Sunset', 2016 Oil Painting, nature.  Original oil painting, signed on the back will be great asset to your private collection. This painting was made with brushes and palette knife, multi- layers. It is perfect for the stylish modern interiors. This painting is unframed, so you can choose the frame size and color by yourself to...
nature - Painting
35 x 18 cm (13.8 x 7.1 inches)
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Larysa Uvarova: 'Painting Honey Sunset', 2016 Oil Painting, Sky.  Original oil painting, signed on the back will be great asset to your private collection. This painting was made with brushes, multi- layers. It is perfect for the stylish modern interiors. This painting is unframed, so you can choose the frame size and color by yourself to your interior. This...
Sky - Painting
35 x 30 cm (13.8 x 11.8 inches)
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Larysa Uvarova: 'Abstract Colors of summer', 2016 Acrylic Painting, Abstract.  Original multi- layers acrylic painting was done on canvas size 40A--30 cm. Great for the modern interiors. Perfect idea for present. ...
Abstract - Painting
40 x 30 cm (15.7 x 11.8 inches)
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Azhar Shemdin: 'Secret Getaway', 2016 Acrylic Painting, Abstract Landscape. Original painting on stretched canvas. ...
Abstract Landscape - Painting
24 x 24 inches (61.0 x 61.0 cm)
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Azhar Shemdin: 'Colours of Your Mind', 2016 Acrylic Painting, Abstract. Liquid acrylic on thick canvas paper.  Original painting. ...
Abstract - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Bonie Bolen: 'Greenland', 2016 Oil Painting, nature.  Oil on aluminum. Original image used from National Geographic 2010 article about Greenland's changing face due to global warming. ...
, 2016
nature - Painting
24 x 36 inches (61.0 x 91.4 cm)
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C. Mari Pack: 'Playfully Intimate', 2015 Acrylic Painting, Abstract.      One of a kind original poured acrylic painting on a gesso boardsurface, using: Ultramarine blue, Teal, Yellow, Orange and Titanium White.  All materials used are archival. Abstract art, abstract, energy, colorful, abstract expressionism, motion painting, original artwork, acrylic, spiritual.          ...
Abstract - Painting
18 x 24 inches (45.7 x 61.0 cm)
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C. Mari Pack: 'Once Upon a Dream', 2014 Acrylic Painting, Abstract.      One of a kind original poured acrylic abstract painting on a canvas panel surface, using: Magenta, Lime Green and Titanium White.  All materials used are archival. Abstract, energy, fluid, pouring, movement, spiritual          ...
Abstract - Painting
8 x 8 inches (20.3 x 20.3 cm)
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C. Mari Pack: 'Energy and Movement', 2014 Acrylic Painting, Abstract.  One of a kind original poured abstract acrylic painting on a canvas surface, using: Yellow, Orange, Green, and Purple. All materials used are archival. energy, fluid, bold, spiritual....
Abstract - Painting
8 x 8 inches (20.3 x 20.3 cm)
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William Christopherson: 'Syracuse Onondaga Park Winter Oil Canvas', 2015 Oil Painting, Landscape.         TITLE:
Landscape - Painting
14 x 11 inches (35.6 x 27.9 cm)
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Luiz Henrique Azevedo: 'Vases', 2010 Oil Painting, Still Life. The chinese jars from my parents and my home jars....
, 2010
Still Life - Painting
41 x 33 cm (16.1 x 13.0 inches)
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C. Mari Pack: 'Meditative Perception', 2014 Acrylic Painting, Abstract.       Original poured acrylic painting. Deep earth tones, with contrasting metallics. Coated with acrylic medium to create a resin like, surfboard finish. All materials used are archival.      ...
Abstract - Painting
20 x 20 inches (50.8 x 50.8 cm)
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Andree Lisette Herz: 'old  birch', 2015 Ink Painting, nature.                                             . alcohol ink  painted with q tips on yupo                                                       ...
, 2015
nature - Painting
16 x 20 inches (40.6 x 50.8 cm)
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(Page 5 of 218) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Isaac Brown - ISAAC S. BROWN As his day job Isaac is president and CEO of Baltic Street AEH Inc. A non-for profit agency that helps people coping with mental health issues deal with advocacy, employment and housing based in New York city. Mr. Brown has been painting for over 35 years. This self-taught artist has been previously employed in a variety of jobs including lumberjack, diamond cutter, welder and sergeant in the Israeli Defense Forces. It was during his time in the IDF as a young sergeant during periods of down time that he first picked up a brush and paints to begin to express his artistic creativity. Later in between maneuvers, during his time in the first Lebanese War, he began experimenting with whatever materials were available to a young soldier, creating sculptures and roadside art along the way from one camp to another as a release from the daily pressures and responsibly of caring for his fellow soldiers. After leaving the army he traveled the world extensively continuing painting and sculpting along the way. He spent a considerable time amount living in Europe and thus bringing to his art a unique worldwide perspective. His artwork reflects the passion...

    Michael Schaffer - Exploring the realms of color, texture, drama, and feelings are the main ingredients of my art work. To inspire the viewer to deal with the issues presented to him is my goal. To inspire the viewer to interpret and react is my passion. I hope you have been inspired... or at least have an opinion. Art and life have many of the same ingredients for us to enjoy....

    John Sims - Following some thirty years working as a graphic designer and illustrator I began stone carving in 2000 and in 2002 I returned to college at Christ Church Canterbury in England to study BA Fine Art. In 2007 I went to the Cyprus College of Art to study for a Post Grad Diploma in Fine Art under the great Cypriot artist, Stass Paraskos. At the end of the course I was asked to stay on and run the Summer Schools and to be tutor on the Post Grad course. An incredible experience and an enormous influence on my work. My work now involves less stone carving more often found timber or kebab sticks My drawing in some respects has turned a full circle in the sense that prior to sculpture my illustration work was colourful but painstakingly detailed and stylised. At college I concentrated on measured observational life drawing in pencil which fed into the simple lines of my mainly figuratively based stone carvings. Whilst in Cyprus I re-discovered colour in both my drawing and sculpture. Dreams and mythology filled my waking and sleeping hours. Oil pastel and oil sticks became my favourite mediums to quickly capture these glimpses of ...

    Marino Chanlatte - I started painting a long time before I realized it was my passion, and that I would be a painter. I felt the inner need to express through painting, in a freely and spontaneous way, my feelings, thoughts, ideas and fantasies that appeared as visions ... I use color, texture, shapes, light, and shadows to express myself. If my work communicates any emotion or feeling to the viewer, then I accomplished my purpose....

    Azhar Shemdin - I am interested in experimenting with liquid acrylic, using resist material which is anything that is placed on the surface of the painting that impedes the flow of liquid paint. When the resist is lifted, an unexpected outcome is revealed. Sometimes the outcome is not what I wanted, and I cover the surface with paint and go for a second, third or even a fourth try, until I am completely satisfied with the outcome. The end result is a wonderous world that comes from somewhere and is revealed on a canvas surface!...

    Rhoda Taylor - Every day I work in my studio and every day I look forward to creating artwork. Painting is my passion.... I wouldn't know what to do without it. The studio that I work in is situated on the grounds of our house in beautiful Southern Ireland, surrounding me are the mountains with their soft mists, the rolling hills and ancient coastline, it all fills me with happiness and inspiration, I can gaze from my window at the amazing views, the Atlantic ocean, fields, cattle, birds and trees, this truly is a mystical and magical place. Over the years I have worked with various mediums, glass painting, silk screen, oils, pen and ink, gouache and watercolour, but my ultimate choice is my pen and ink work which I truly adore, I know I can put into the paintings a tremendous amount of detail that would be almost impossible using another medium. I am fortunate to of had a lot of my work purchased and exhibited worldwide, England, Ireland, France, Germany, Malta, Hong Kong, Vienna, Japan, and America, with works including Portraiture, Design and Illustration, not to mention the countless private commission requests ranging from transforming memorable photographs into paintings for ...

    Stefan Fiedorowicz - The emotion in my work comes from somewhere deep down, and can speak to the inner part of each person... My work is intuitive and color is the language that I use to express an emotion. It is the interaction of colour that interests me. Painting does not come easy all the time, the more I paint the more difficult it becomes, or more exactly, the more I get stage fright. Sometimes anxiety can reach a high intensity that I get sick with it. I offer my work so that people can perhaps see some parts of themselves reflected in the work. I donaEURtmt ever stop painting in my mind.When I am lying in bed and cannot sleep I see paint moving across the ceiling and imagine it spilling and pouring as it flows through the cracks and converging in every corner. THESIS INTERVIEW WITH LYRICAL ARTIST STEFAN FIEDOROWICZ Personal Influence 1. Who are the artists both contemporary and historical that you can truly say have been a significant influence on your personal work Describe why for each artist. I would have to say that Kandinsky would be my all time inspirational artist. I have seen many exhibitions ...

    Luiz Henrique Azevedo - Luiz Henrique da Rocha Azevedo born in Rio de Janeiro, Brazil in 1955 living in Petropolis city their youth; soon developed their fondness for drawing, sustained mainly by comics illustrated by Alex Raymond, Harold (Hal) Foster and Ray Moore. During the year of 1975 this fondness goes to the oil painting where their first works occurred oriented by a lovely old madam, Dona Marina, how he called her in the afternoon of their youth, among occasional colleagues. There will born their figurative painting. But their painting lost its space to professional career for more than 23 years until return to its place. Emerge the necessity to take the old painting case and just work where he feels better. Attended the course of realistic painters (Jose Geraldo Fajardo and Renato Ferrari) where learn and mature their technical skill associated, initially, to Rembrandt and Ruisdaels Flemish school, to Spanish painter Melendez and impressionist esteem . He chase for technical expertise and also for thematic identification that gives to him at the same time a private and plural sense to their works. Isn't an easy task but, in this process, retracting to a state that feels better to him: worried with lines, shadows, ...

    Paola Di Renzo - Born in Abruzzo, I live and work in Sardinia .Pure amateur artist,I used to work with paper,mainly magazine paper,sand,acrylic and tempera.Nowadays I look for the pleasure of playing with colours with which I try to express feelings and emotions. If I was able to express in words what I try to convey with colours.......I would be a writer!...

    Shelly Leitheiser - Art comes from my head and my heart. I care deeply about the environment and often do artwork expressing my interest in environmental topics. I also use my art work to tell stories and uncover truths. Water and paint are sometimes used but often I will use photography and digital painting programs to get the images I envision. I am a formally trained artist in fine art, and have recently left the world of painting realism as my interest in photography grows. Why should art and photography look the same? Now I do more impressionist art and also abstracts, many of them inspired by other worlds. The realistic painting I do these days is very contemporary. Art is a lot of work but it's also very rewarding for me when someone inquires further into the meaning of my art....

    C. Mari Pack - I paint with the conviction that color can manipulate the mind; it can make the heart beat faster, whet the appetite, or spark a memory. Much of our reaction to color is subliminal, and we are generally unaware of its pervasive and seductive effects. The colors we see are invariably influenced by what we feel; therefore, we can never really separate what we see from what we know. Contrast and color are essential in my process. I start by selecting two or three colors; I work the canvas from all angles discovering new forms of composition through the use of movement and gravity. I push the paint to its chemical limit allowing it to mutate and evolve. My work is based on the fact that we have become imprinted with a reaction to colors, shapes, and patterns. Through the use of both color psychology and geology, and executed through chemistry I have created visual colorscapes that engage both the conscious and subconscious, provoking the audience to find imagery through movement. Everyone sees something different! What do you see?...

    William Christopherson - The viewer sees a finished canvas. The artist relishes its journey of creation. A thought, a feeling, an experience, a place. These are the most essential of supplies as the artist tasks to expand, explore, and evolve along the path. All are welcome here, to view, appreciate contemplate, and possess the journeys I have made, and the journeys yet to come. Over the past several years I have explored the oil medium, borrowing technique from both historical and present day impressionism. Its a medium I love to work in, even though my wardrobe and studio surfaces have suffered immensely. Much of my work now reflects the pallet knife, and explores a prolific use of heavy colorful brush stroke. Everything continues to evolve, and thats a good thing Enjoy. William Christopherson, 2017 ...