Paintings For Sale - Price Range: $100 - $500

Page 6 of 218
Discover 6,299 original painting artworks for sale between $100 - $500. Contemporary emerging artists: Andree Lisette Herz, Tom Lund-lack, Bonie Bolen, William Christopherson, Cathy Dobson, Rickie Dickerson, Ron Anderson, Shelly Leitheiser, Jim Lively, Becky Soria, Harry Weisburd, Lucille Rella, Luise Andersen, Heather Hyatt are exhibiting their affordable original art. You can buy artwork online and browse 218 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Andree Lisette Herz: 'koi madness', 2015 Ink Painting, nature.                                            . alcohol ink  painted with q tips on yupo                                                      ...
nature - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Tom Lund-lack: 'Oil Sketch Blue and Yellow Jockey', 2012 Oil Painting, Equine.     Pace, colour & movement of racehorse and jockey are the subject of this oil on board.     ...
Equine - Painting
30 x 60 cm (11.8 x 23.6 inches)
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Bonie Bolen: 'Sunrise Sonset Sonrise Sunset Sonrise', 2014 Oil Painting, Spiritual.
Spiritual - Painting
30 x 48 inches (76.2 x 121.9 cm)
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Andree Lisette Herz: 'butterfly fun', 2014 Ink Painting, nature.                                     . alcohol ink  painted with q tips on yupo                                               ...
nature - Painting
16 x 20 inches (40.6 x 50.8 cm)
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William Christopherson: 'Florida Ponce Inlet Boats Atlantic Coast Christopherson', 2014 Oil Painting, Seascape.      TITLE:
Seascape - Painting
18 x 14 inches (45.7 x 35.6 cm)
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Cathy Dobson: 'Magic Butterfly', 2013 Oil Painting, Magical. Original Illuminous Oil Painting.  The Butterflies and Unicorns Collection.  Phosphorescent ButterflyGlows in the dark or under black lights.  Dark Wood Frame.  Primed cotton canvas. ...
Magical - Painting
9 x 12 inches (22.9 x 30.5 cm)
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Rickie Dickerson: 'Episode', 2000 Acrylic Painting, Abstract.
, 2000
Abstract - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Rickie Dickerson: 'FreeMountain', 2005 Acrylic Painting, Landscape.   Destroyed in a fire recently. . . as were
Landscape - Painting
10 x 8 inches (25.4 x 20.3 cm)
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Rickie Dickerson: 'Lighthouse', 1997 Oil Painting, Landscape.      One of my 'learning to paint' works. . . my friend Jenafer liked it.  ...
, 1997
Landscape - Painting
24 x 30 inches (61.0 x 76.2 cm)
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Rickie Dickerson: 'Feng Shui Gone Bad', 2007 Acrylic Painting, Abstract.     My red door for luck, prosperity etc. is melting. Bombarded by the inner demons of self loathing and abandonment. . . by the outer demon of betrayal. . . nothing can stand up to the strength of the emotion. It all falls away. . . soul running like a river away from the scene of the...
Abstract - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Ron Anderson: 'Familiar Places', 2013 Oil Painting, Landscape.  Original oil painting by Ohio artist Ron Anderson. Painting entitled Familiar Places. Painting is priced and sold unframed. Buyer is responsible for all shipping fees, insurance costs and any applicable sales tax and duties. Artist reserves all rights to reproduction and copyright. ...
Landscape - Painting
12 x 9 inches (30.5 x 22.9 cm)
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Shelly Leitheiser: 'Sky Blue Sky', 2013 Acrylic Painting, Abstract Landscape.  Sky Blue Sky is an acrylic abstract from my imagination. It's chaotic and expressionistic, yet with intensely blue and white impressions of clouds. ...
Abstract Landscape - Painting
12 x 24 inches (30.5 x 61.0 cm)
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Jim Lively: 'Metallic Abstract Eight', 2013 Acrylic Painting, Abstract.        acrylic and metallic acrylics on 2
Abstract - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Andree Lisette Herz: 'fancy pants', 2013 Ink Painting, nature.                                  . alcohol ink  painted with q tips on yupo                                            ...
nature - Painting
12 x 14 inches (30.5 x 35.6 cm)
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William Christopherson: 'Acadia Maine Bar Harbor Beech Mountain Desert Island', 2013 Oil Painting, Landscape.     Title:
Landscape - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Ron Anderson: 'Palm House in the Shade', 2011 Oil Painting, Landscape.  Original oil painting by artist Ron Anderson. Painting entitled Palm House in the Shade. Painted en plein air at Franklin Park in Columbus, Ohio. Painting is priced and sold unframed. Buyer is responsible for all shipping fees, insurance costs and any applicable sales tax and duties. Artist reserves all rights...
Landscape - Painting
12 x 9 inches (30.5 x 22.9 cm)
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Ron Anderson: 'Winding Path in Franklin Park', 2011 Oil Painting, Landscape.  Original oil painting by artist Ron Anderson. Painting entitled Winding Path in Franklin Park. Painted en plein air at Franklin Park in Columbus, Ohio. Painting is priced and sold unframed. Buyer is responsible for all shipping fees, insurance costs and any applicable sales tax and duties. Artist reserves all rights...
Landscape - Painting
12 x 9 inches (30.5 x 22.9 cm)
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Ron Anderson: 'Blue Skies on a Sunny Day', 2011 Oil Painting, Landscape. Original oil painting by artist Ron Anderson. Painting entitled Blue Skies on a Sunny Day. Painted en plein air at Franklin Park in Columbus, Ohio. Painting is priced and sold unframed. Buyer is responsible for all shipping fees, insurance costs and any applicable sales tax and duties. Artist reserves all ...
Landscape - Painting
9 x 12 inches (22.9 x 30.5 cm)
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William Christopherson: 'Singer Castle Thousand Islands Saint Lawrence', 2011 Acrylic Painting, Seascape.  Titled
Seascape - Painting
14 x 11 inches (35.6 x 27.9 cm)
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Bonie Bolen: 'Gravity', 2011 Oil Painting, Love.
, 2011
Love - Painting
14 x 14 inches (35.6 x 35.6 cm)
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Becky Soria: 'Animal Gods', 2011 Acrylic Painting, Abstract Figurative.  from the series Primitive...
Abstract Figurative - Painting
18 x 20 inches (45.7 x 50.8 cm)
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Harry Weisburd: 'Redux  1950s', 2011 Acrylic Painting, Figurative.  Redux 1950s Sexy erotic woman in 1950s style clothes with 1950s car at the beach with an umbrella         ...
Figurative - Painting
14 x 11 inches (35.6 x 27.9 cm)
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Harry Weisburd: 'Woman In Pink Shirt', 2008 Acrylic Painting, Landscape.  painted , ceramic, low relief, sculpture,  realism, figurative , female, erotic   , wall hanging ,                               ...
Landscape - Painting
12 x 9 inches (30.5 x 22.9 cm)
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Lucille Rella: 'Rebirth', 2009 Oil Painting, Theater.
, 2009
Theater - Painting
7 x 5 inches (17.8 x 12.7 cm)
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Lucille Rella: 'Glass Candies', 2009 Oil Painting, Still Life.
Still Life - Painting
7 x 5 inches (17.8 x 12.7 cm)
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Bonie Bolen: 'Moonflower', 2009 Oil Painting, Music.
, 2009
Music - Painting
13 x 11 inches (33.0 x 27.9 cm)
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Luise Andersen: 'UNTITLED STILL  Choice of view I  FebTwlve', 2009 Oil Painting, Undecided.  oil on canvas and board. . noticed, has other choice of view too. . core demands. . always true. . so I creatively proceeded with original beginnings. . painted heavier on black lines. . forwards feel more clear. .  other forms. . symbolism . . completed and available for collection. Make offer....
Undecided - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Heather Hyatt: 'Red Chinese Boxers', 2008 Oil Painting, Still Life.  'Red Chinese Boxers' is oil on canvas mounted in a shadow box.  The style is trompe l' oeil. ...
Still Life - Painting
9 x 17 inches (22.9 x 43.2 cm)
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Heather Hyatt: 'White Bustier', 2008 Oil Painting, Still Life. ' White Bustier' is trompe l' oeil style.  ...
Still Life - Painting
15 x 19 inches (38.1 x 48.3 cm)
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Michael Pickett: 'Ugly Mutt ', 2008 Acrylic Painting, Dogs.  This Dog is so ugly he's cute ...
, 2008
Dogs - Painting
8 x 10 inches (20.3 x 25.4 cm)
(Page 6 of 218) - MORE ARTWORKS
  • MORE »
  • Artists Describing Their Art:

    Tom Lund-Lack - I am an experienced artist whose work uses the power of imagination to find find the essence of the subject.A It is grounded in the need to celebrate life, and to portray the subject through the transforming power of colour and light. Arrangements of shape, line, pattern and colour are brilliant at conjuringA up powerful expressions, sometimes these can be dreamlike and at peace sometimes exciting and dramatic. My work does not always represent an actual moment, place or object in time, but they areA the result of a process of reflection, recollection and reinvention, a distillation of experience. Art is a very small word having the widest possible meaning appreciation is a subjective judgement and no artist or workA can please everyone.A My aim is to please at least some of you and I am very confident that this aspiration is achievable ...

    William Christopherson - The viewer sees a finished canvas. The artist relishes its journey of creation. A thought, a feeling, an experience, a place. These are the most essential of supplies as the artist tasks to expand, explore, and evolve along the path. All are welcome here, to view, appreciate contemplate, and possess the journeys I have made, and the journeys yet to come. Over the past several years I have explored the oil medium, borrowing technique from both historical and present day impressionism. Its a medium I love to work in, even though my wardrobe and studio surfaces have suffered immensely. Much of my work now reflects the pallet knife, and explores a prolific use of heavy colorful brush stroke. Everything continues to evolve, and thats a good thing Enjoy. William Christopherson, 2017 ...

    Rickie Dickerson - I work from the core, I smear my guts on the canvas, all the pain and confusion...joy, lust and anger...right before your very eyes. I have to paint, I have no choice. My mentor, Luise "Mignon" Andersen, introduced me to acrylic paint and threw me deeper into the river of creativity. Everything I do is just to keep me from drowning... As for the photography, that's compulsive as well....

    Ron Anderson - Working as an illustrator and painter for more than 20 years, I have often utilized the figure in narratives to communicate the nature of the human condition. I give each of my characters a role in my paintings that plays out like a scene from a motion picture. Carefully scripted by a personal experience, these characters go about their lives like you and me. Many of my paintings depict tension or energy in some way. The tension is exhibited in an attitude, an action or in some activity on the canvas. The tension is either overt or more kinetic, but is almost palpable in each piece of artwork. The size of my paintings, along with some personal connection, pulls you into the canvas. The drag of an alto saxophone fills the room in one painting while the noise deafens you the smoke chokes you. A fight breaks out in the corner of the room on another canvas while a pool hustler wins a round. The subjects are infinite. Henry O. Tanner, John Sloan, and George Bellows were masters at observing and translating these types of human conditions onto a canvas in oil. My technique, drawn from what I have observed ...

    Shelly Leitheiser - Art comes from my head and my heart. I care deeply about the environment and often do artwork expressing my interest in environmental topics. I also use my art work to tell stories and uncover truths. Water and paint are sometimes used but often I will use photography and digital painting programs to get the images I envision. I am a formally trained artist in fine art, and have recently left the world of painting realism as my interest in photography grows. Why should art and photography look the same? Now I do more impressionist art and also abstracts, many of them inspired by other worlds. The realistic painting I do these days is very contemporary. Art is a lot of work but it's also very rewarding for me when someone inquires further into the meaning of my art....

    Jim Lively - Whether portrayed in the abstract, realism, or somewhere in between, I am most influenced by both the beautiful and unattractive components of contemporary urban culture. Many times, one painting will reflect both components. My art tends to focus upon interesting juxtapositions of close-up images of human faces. Often, the larger images border upon realism and are caught expressing a panoply of emotions usually directed at the other images that share the canvas. Several of my recent works such as the tongue in cheek entitled "Lenin and Things" contain unlikely combinations of images such as a statue of Lenin which is dwarfed by a billboard size fashion model displaying a vacuous stare. A number of works contain both large images and interrelated small images. For example in the painting "Staring at Natalie", all the smaller images are a depiction of a collective group of voyeurs staring at a larger image of a posed fashion model. I want those viewing the painting to be the ultimate voyeur. The viewer is not only drawn initially to the larger image in its own right but also cannot help but then notice the relationship of the smaller images to the large image. Works displayed ...

    Becky Soria - Subject matter in painting is merely the trigger that allows the expression of something more profound, unconscious and possibly hidden even from oneself, and therefore all inclusive, so viscerally immanent to humankind R. Alonzo Totems beyond Patriarchy May 2014 Nature has been qualified as a female organic form by most ancient cultures, but for the last millennia or so, the world has been primarily perceived and shaped by the masculine side of the species. Our recent history however has seen a trend towards a natural reversion to a feminine bias, with women becoming increasingly more crucial to all aspects of society. These works serve to remind us about these issues and others that we continue to face the world while reinventing the female figure as an emblem for current conditions and a new Totem for the future. The juxtaposition between the representations of the animals and plants in compromised an ailing conditions and the female form that seems to swallow and revive the life- infused aspects of her creation, render a sense of hope for a future in which the maternal provides a healing force to an ailing planet. Signs. Symbols. Sentinels February 2, 2013 The works of the present ...

    Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,

    Lucille Rella - Color, I can't imagine life without it. We are surrounded by it. Our attention is drawn to it and it creates a variety of moods in our environment. It motivates me to paint. A spectrum of lights and darks, high colors and muted tones get me involved in a painting. The wonderful transparency and spontaneity of the watercolor medium, helps me to utilize these qualities in expressing my art work. ...

    Luise Andersen - Luise'Mignon' Andersen Luise'Mignon' Andersen has only recently begun to reveal her lifes work. Soon after her debut she exploded onto the mainstream art world. Her breathtaking pieces have captured international interest. The stories Luise'Mignon' is telling through her truly deep, layered works seem to decipher the past and foretell the future, perhaps sharing her window to other dimensions and a seventh sense. Her detailed acrylic'Mignon' series speaks to the beholder. They inspire raw emotion and ignite ones imagination. The indescribable nature of the "Duree De Ma Vie" in particular has a growing portion of the art community considering it the conception of an entirely new style. By Maxi c)2006 Guided Through Inner Mind- Intuition- Mental Imagery- I Create The Final Of What I Am Consciously Not Aware Of.. That I Want...... Need... With Each Completed Painting... Eye Of Core Gains a Glimpse Of My Tomorrow.... c) LA I crave.. painting...drawing... sculpting... writing... Like re-inventing my life... my purpose... myself.. .Gives me a direction.. the courage to look at myself ..and find'ME' there... At least for the duration of creating.. ....and once I collect these shards of my core within colors, shapes... form...

    Heather Hyatt - In my work as a fine artist, I use the mediums of graphite, coloured pencil and oil, in the styles realism, photo-realism, trompe l'oeil and portraiture, Ideas come from literature, metaphors, and the real world. Rather than the imitation of appearance, my concern is with the essence of the subject. In trompe l'oeil, it is the hardness and softness of guns and lingerie, which, when mounted in shadow boxes, become real. In the series,'Dante's Divine Comedy', executed in graphite, the object was to depict the universality of his ideas as they appear today. In all of my work, realism is my focus and goal. ...