Paintings For Sale - Price Range: $100 - $500

Page 7 of 218
Discover 6,299 original painting artworks for sale between $100 - $500. Contemporary emerging artists: Michael Pickett, Pilar Pérez-prado, Ron Ogle, Lorrie Williamson, Judith Fritchman, Lucille Coleman, Rita Levinsohn, Tamara Sorkin, Emilio Merlina, Tary Socha, Storm Hammond are exhibiting their affordable original art. You can buy artwork online and browse 218 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Michael Pickett: 'Snowcap Mountain', 2008 Acrylic Painting, Landscape.
Landscape - Painting
11 x 14 inches (27.9 x 35.6 cm)
Pilar Pérez-prado: 'Reality and Memory VI Memory', 2005 Acrylic Painting, Geometric.   60. 0 ...
Geometric - Painting
60 x 80 cm (23.6 x 31.5 inches)
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Pilar Pérez-prado: 'Reality and Memory VI Reality', 2005 Acrylic Painting, Geometric.   0. 0 ...
Geometric - Painting
0 x 0 cm (0.0 x 0.0 inches)
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Pilar Pérez-prado: 'Reality and Memory IV Memory', 2005 Acrylic Painting, Geometric.   60. 0 ...
Geometric - Painting
60 x 80 cm (23.6 x 31.5 inches)
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Pilar Pérez-prado: 'Reality and Memory III Reality', 2005 Acrylic Painting, Geometric.   60. 0 ...
Geometric - Painting
60 x 80 cm (23.6 x 31.5 inches)
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Michael Pickett: 'Ripley', 2008 Acrylic Painting, Cats.   Ripley is a 20 pound cat, his owners, Dave and Rose, and family. One day Rose couldn' t find Ripley anywhere, you can' t loose a 20 pound cat. Then, finely she turned around and there he was snuggled in the middle of the stuffed animals.   ...
, 2008
Cats - Painting
11 x 14 inches (27.9 x 35.6 cm)
Ron Ogle: 'the moment you realize you are not present you are present', 2008 Oil Painting, Abstract.
Abstract - Painting
32 x 26 inches (81.3 x 66.0 cm)
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Ron Ogle: 'Purple Landscape', 2005 Oil Painting, Abstract Landscape.   Woman is in her whole existence an appeal to the kindness of man. [ Karl Barth ] ...
Abstract Landscape - Painting
14 x 11 inches (35.6 x 27.9 cm)
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Ron Ogle: 'Shiny Abstract', 2004 Oil Painting, Abstract. [ I do not expect anything from others, so their actions cannot be in opposition to wishes of mine. Swami Sri Yukteswar, in AUTOBIOGRAPHY OF A YOGI by Paramahansa Yogananda ]...
Abstract - Painting
14 x 11 inches (35.6 x 27.9 cm)
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Michael Pickett: 'Great Crested Flycatcher', 1982 Acrylic Painting, Birds.
Birds - Painting
8 x 10 inches (20.3 x 25.4 cm)
Lorrie Williamson: 'Two Solitudes', 2005 Acrylic Painting, Seascape.  The seaweeds on the beach are truly at the mercy of the elements as these toilers show us.  ...
Seascape - Painting
10 x 8 inches (25.4 x 20.3 cm)
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Lorrie Williamson: 'Mixed Emotions', 2000 Oil Painting, Representational.  Emotional conflict and indecision.  I know them well. ...
Representational - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Judith Fritchman: 'Chrysanthemums in the Window', 1971 Other Painting, Still Life.  A crock of chrysanthemums on a sunny window sill. ...
Still Life - Painting
11 x 14 inches (27.9 x 35.6 cm)
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Judith Fritchman: 'Grannies', 1987 Oil Painting, Still Life.  Still life of Granny Smith apples. ...
, 1987
Still Life - Painting
8 x 10 inches (20.3 x 25.4 cm)
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Judith Fritchman: 'Peaches and Chianti', 1987 Oil Painting, Still Life.  Still life of peaches and Chianti Bottle. ...
Still Life - Painting
9 x 12 inches (22.9 x 30.5 cm)
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Judith Fritchman: 'Dance of The Peppers', 2000 Oil Painting, Still Life.  Peppers seem to create their own rhythm. ...
Still Life - Painting
6 x 12 inches (15.2 x 30.5 cm)
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Lucille Coleman: 'Jumpstreet', 2006 Oil Painting, Figurative.  Hip Hop Jazz Dancing - from my small works series.  ...
, 2006
Figurative - Painting
11 x 14 inches (27.9 x 35.6 cm)
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Lucille Coleman: 'Drop Flare', 2006 Oil Painting, Figurative.  Salsa Dancing from my small works series. . .I had no idea my dancermodels were going to do this.  I just told them to do what you feel like doing to the music. . . .  and this was the result.  They are so talented and STRONG.  ...
, 2006
Figurative - Painting
11 x 14 inches (27.9 x 35.6 cm)
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Lucille Coleman: 'Green Spinner', 2006 Oil Painting, Figurative. Salsa Dance Painting from mySMALL WORKS SERIES.Also See paintings Drop and Jumpstreet in the small works series. ...
Figurative - Painting
11 x 14 inches (27.9 x 35.6 cm)
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Rita Levinsohn: 'Legacies Old and New 3', 2004 Acrylic Painting, Political.  Images of the ancient Mayan world ...
Political - Painting
24 x 24 inches (61.0 x 61.0 cm)
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Rita Levinsohn: 'Sacrifices Old and New', 2005 Acrylic Painting, Political.  Images of sacrifices in an ancient world juxtaposed with scrifices in our modern world. ...
Political - Painting
24 x 24 inches (61.0 x 61.0 cm)
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Rita Levinsohn: 'Sacrifices Old and New 2', 2005 Acrylic Painting, Political.  Images of the ancient Mayan World. ...
Political - Painting
24 x 24 inches (61.0 x 61.0 cm)
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Rita Levinsohn: 'Legacies Old and New Part 2', 2004 Acrylic Painting, Political.  Images of ancient mayan culture ...
Political - Painting
24 x 24 inches (61.0 x 61.0 cm)
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Tamara Sorkin: 'Meirs cow', 1990 Ink Painting, Animals.
, 1990
Animals - Painting
21 x 30 cm (8.3 x 11.8 inches)
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Emilio Merlina: 'my soul like a desert storm', 2006 Oil Painting, Inspirational. oil on plywood...
Inspirational - Painting
90 x 65 cm (35.4 x 25.6 inches)
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Tary Socha: 'Aroura', 2005 Other Painting, Abstract. Mixed media on Strathmore board. An abstraction and impression of the northern light reflected in water. ...
, 2005
Abstract - Painting
15 x 20 inches (38.1 x 50.8 cm)
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Tary Socha: 'Two Palms', 2005 Acrylic Painting, Botanical. A contemporary interpretation of palms....
, 2005
Botanical - Painting
36 x 18 inches (91.4 x 45.7 cm)
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Storm Hammond: 'Italian Light', 2005 Oil Painting, Inspirational.
Inspirational - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Storm Hammond: 'Evening Sky', 2005 Oil Painting, Inspirational.
Inspirational - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Paola Di Renzo: 'nel paese delle fate', 2005 Other Painting, Abstract.
Abstract - Painting
80 x 80 cm (31.5 x 31.5 inches)
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(Page 7 of 218) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Michael Pickett - I donaEURtmt know how IaEURtmm able to do all of this, but somewhere inside me I know that I stand out from the rest, IaEURtmm unique and have some powers that are beyond comprehension. I stay pretty much to myself and I feel like someone who is not from this planet and that there are differences that I readily perceive. All of this makes me self-conscious and also makes me more critical of myself. I judge and criticize myself a lot which I should not, but I do because I feel alienated at times. IaEURtmm vary humble and definitely not better than anyone else. I have so much to achieve, and thataEURtms why I take my own time to do so, there are times when I get irritated and agitated because of keeping a lot of expectations for myself, and when IaEURtmm not able to execute it, I feel low. However, I have to make sure that all these expectations are achievable, not impractical and unfeasible. As a result, I trust my intuition more which allows me to communicate with others. Self-expression and originality are also associated with me. There is a ...

    Lorrie Williamson - As time passes and history is made, it is exciting to try and capture a special moment of life in a painting. It might be inspired by an earth-shaking event or just an ordinary daily experience. More often it comes as a result of looking for something meaningful to say about life as it is today by painting a picture of it. I have a passion for painting, and a ongoing desire to master the never-ending possibilities that are inherent in making art. I hope to express a mood or tell a story that will grab and hold your attention and make you want to see more....

    Judith Fritchman - I cannot remember a time when I did not want to draw or paint. From my earliest childhood days I have found great joy in depicting my surroundings. Compelling images call out to be examined and expressed: a lone oak tree starkly outlined against a curve of corn stubble, a Cezanne-like arrangement of objects on a table as I walk through a room. But of all God's infinitely varied creations, it is the human face and form which most fascinates and humbles me; the possibility of capturing a fleeting aspect of humanity unique to that individual is an endlessly exciting pursuit. After studying at Beaver College, Cedar Crest College, and Lehigh University, I have also studied classical drawing and design for many years with Myron Barnstone at his studios in Coplay, Pennsylvania. There I have learned to examine the work of great artists of the past as instruction and inspiration. Knowing they have pursued similar interests is a gratifying experience, offering the potential for learning something new, and using it to express my own personal images, values, and emotions. It is my hope that each of my works will reflect, in some small way, a facet of the ...

    Lucille Coleman - Although I'm able to produce other imagery, the figure has been my main subject. I believe that if an artist can capture and express the figure well, he can master any subject. I have explored the following themes to name a few: chic erotica, forms of dance such as latin and hip-hop, the family, conceptual themes pertaining to people in business, men and women in positive leadership roles and societal issues. I enjoy painting subjects and themes by using a loose, bold, direct and painterly brushstroke or flat graphite strokes over a solid drawing. Spontaneity and making visual statements by the "less is more" method is very gratifying for me. In addition, the chiaroscuro lighting of subjects fascinates me and I never tire of its effects of light and shadow. I am influenced by the works of Joaquin Sorolla, John Singer Sargeant, Caravaggio and other painters of his era, Wassily Kandinsky, Phillip Corey, Impressionism, and many great illustrators. ...

    Rita Levinsohn - Welcome to my world of Other Realities. I am a painter of mystical figurative paintings and abstractions composed of acrylic paint and found objects. My concern is for the future of our planet. The animate and inanimate objects within the paintings reflect many incarnations. The message being that it is possible to create rather than destroy....

    Tamara Sorkin - I have always worked from organic subjects- plants, animals, or the human body, but usually I arrive at an abstract, "zoomorphic" description, that enables me a wider perspective. ...

    Emilio Merlina - I was born in 1950 in the North East of Italy from a polish mother and a sicilian father. I toured the world until I was 35, then I returned to Italy and picked up again my old passion painting and sculpture. As for myself, I can only say thoughts and paintings, paintings and thoughts. Everything maybe useless, however everything is life. i?1/2The human being leaves its signs, graffiti, indian dreams and imagination. Now I only have left a few more possibilities to express the colors which are not. Only the sign, scratched, angry or brushed is the witness. The sign has passed from there and there it has lived.i?1/2 Emilio Merlina Some hear if a door opens Others hear a latch which opens or closes Others more they hear the Angel when he turns over a page of the Great Book From the novel Missa Sine Nomine By Ernst Wiechert I have words which relegate my hunger And the hunger which owns my body but which do not confine them I have words which are both my confined hunger and body By the Italian poetess Paola Lovisolo ...

    Tary Socha - I am an innovative contemporary artist, exploring unconventional images and techniques in mixed media, collage, acrylic painting, pastel and textile and surface design. I am committed to experimentation and a unique and dynamic expression of my own view of the natural environment, with unexpected color, texture and energy. Through my work, I intend to uplift and brighten the spirit of the viewer, and cause them to question their own perspective of nature and life. My paintings exhibit a fascination with the physical properties of life and science involved in transforming our environment, such as the power of electrical storms, oceans, volcanoes, oxidation, and the process of renewal and rebirth that arises from deterioration and regeneration. Reverence for life, its phenomena and the interconnectedness of all things are the foundation of my work. Primarily, my images are abstractions and impressions of earth, sky, sea and other mysterious phenomena. However, I also continue to work in pastels, drawing, printmaking, and textile design, and I explore all types of imagery, to expand my creative insight and skills. ...

    Storm Hammond - In many of the paintings, my intention was to give the viewer a glimpse into a peaceful moment in the Italian sense of capriccio. In others, particularly those which make use of funerary statuary, one is left questioning aspects of human solitude. It has been said that a landscape does not come alive until there is a figure in it. By using sculptures of human forms, I offer the viewer an identity within the painting. As they are stone, subtly a coldness permeates and a peculiar isolation sets in emotionally. This shifts the pastoral mood to a quiet thoughtful meloncholia. This gives some observers a surrealistic impression of my work. In the architectural alleys, the viewer stands alone on the path. There is always the unseen, something more, a mystery around the corner or through the gate. I use an indirect Old Master's method of oil painting. The process begins with the application of an abstract acrylic ground. Next, an oil grisaille is painted defining the light and dark areas. Then, multiple layers of oil glazes and varnishes finish the piece. The first drawing, painted as the ground utilizes the divine geometry of the Golden Section. The divine ratio, ...