Paintings For Sale - Price Range: $1000 - $1999

Page 6 of 168
Discover 4,857 original painting artworks for sale between $1000 - $1999. Contemporary emerging artists: Azhar Shemdin, Marino Chanlatte, Sangeetha Bansal, Rhoda Taylor, Tom Lund-lack, Luiz Henrique Azevedo, Bonie Bolen, Tiziana Fejzullaj, Harry Weisburd, Shelly Leitheiser, Lou Posner, Franziska Turek, Ron Anderson, Raul Canestro Caballero, John Powell, C. Mari Pack, Jane Mcnichol are exhibiting their affordable original art. You can buy artwork online and browse 168 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Azhar Shemdin: 'Flowering', 2016 Acrylic Painting, Abstract.  Liquid acrylic on stretched canvas using resist materials to spread the paint and control its flow. ...
, 2016
Abstract - Painting
36 x 48 inches (91.4 x 121.9 cm)
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Marino Chanlatte: 'Labyrinth 2', 2016 Oil Painting, Abstract. I started working on this series of abstract paintings guided by my instinct, from the inside out. Leaving my hand flow with the pallet knife as a sculpting tool, mixing colors directly on the canvas until I get the results that make me feel pleased. UNSTRETCHED CANVAS ROLLED IN A ...
Abstract - Painting
36 x 46 inches (91.4 x 116.8 cm)
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Sangeetha Bansal: 'Celebrating the goddess', 2016 Oil Painting, People.  Original oil painting celebrating the Hindu festival of Navratri. These nine days of festivities celebrate the various forms of the goddesses. This art is my interpretation of the goddess. Shes at the center of the art as Sita in a scene from the Ramayana. Shes seen as Laxmi- the giver...
People - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Rhoda Taylor: 'CAILLEACH', 2016 Ink Painting, Fantasy. Detailed pen work and colour gouache. Fantasylegenddetailedfemalethoughtproking...
, 2016
Fantasy - Painting
22 x 30 inches (55.9 x 76.2 cm)
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Rhoda Taylor: 'AGES OF MONROE', 2016 Ink Painting, Figurative. Detailed pen work and colour gouache. ...
Figurative - Painting
22 x 30 inches (55.9 x 76.2 cm)
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Tom Lund-lack: 'Racing Colours', 2016 Acrylic Painting, Equine. This very contemporary painting was completed very quickly about 4 hours the aim being to use simple shapes combined together to make a figurative image.  The subject matter - horse racing becomes obvious the further away from the painting one gets.  The energy I put into this piece I hope reflects ...
Equine - Painting
45 x 60 cm (17.7 x 23.6 inches)
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Azhar Shemdin: 'Golden Marine', 2016 Acrylic Painting, Fish. Free flowing marine figures in golden atmosphere. Liquid acrylics. Original painting on stretched canvas. ...
Fish - Painting
48 x 48 inches (121.9 x 121.9 cm)
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Luiz Henrique Azevedo: 'Memories', 2012 Oil Painting, Abstract Landscape.  Memories of my youth. ...
, 2012
Abstract Landscape - Painting
40 x 50 cm (15.7 x 19.7 inches)
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Bonie Bolen: 'Christmas Eve', 2016 Oil Painting, nature.
nature - Painting
48 x 72 inches (121.9 x 182.9 cm)
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Tiziana Fejzullaj: 'Leaning by the Tree', 2016 Oil Painting, nudes.  Leaning by the Tree ...
nudes - Painting
36 x 48 inches (91.4 x 121.9 cm)
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Harry Weisburd: 'The Other Woman ', 2016 Acrylic Painting, Figurative.        Envious woman looking at sensual sexy woman in red gown with man looking on  ...
Figurative - Painting
11 x 14 inches (27.9 x 35.6 cm)
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Tiziana Fejzullaj: 'Spring', 2016 Oil Painting, nudes.  Spring ...
, 2016
nudes - Painting
36 x 48 inches (91.4 x 121.9 cm)
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Marino Chanlatte: 'Ocean 37', 2016 Oil Painting, Abstract Landscape.  This Ocean series is a challenge and a joy for me, I choose which colors I am going to mix directly on the canvas, getting multiple layers of new tones and texture, describing shapes, lights, and shades of the oceans. Being born in an island the ocean has always been...
, 2016
Abstract Landscape - Painting
48 x 36 inches (121.9 x 91.4 cm)
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Tiziana Fejzullaj: 'In Shower', 2016 Oil Painting, nudes.
, 2016
nudes - Painting
36 x 70 inches (91.4 x 177.8 cm)
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Tiziana Fejzullaj: 'In the Woods', 2016 Oil Painting, nudes.
nudes - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Luiz Henrique Azevedo: 'The chinese vase in my parents house', 2015 Oil Painting, Still Life. An old Chinese vase bought by my father as a present to my mother when I was a child. Is still there and I really appreciate the care of its elaboration. ...
Still Life - Painting
50 x 40 cm (19.7 x 15.7 inches)
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Shelly Leitheiser: 'Turbulence', 2015 Acrylic Painting, Impressionism.  This is a turbulent cloud and ocean landscape scene in natural, moody colors. Painted in 2015, it is 24
, 2015
Impressionism - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Lou Posner: 'Nude of Abby', 1982 Oil Painting, nudes.  Reclining studio nude.  ...
nudes - Painting
16 x 10 inches (40.6 x 25.4 cm)
Rhoda Taylor: 'Expect the Unexpected', 2015 Ink Painting, Fantasy.      Detailed pen work and colour gouache.  Cats/ dogs/ animals and clowns, flowers abound and people mischievous.       ...
Fantasy - Painting
22 x 30 inches (55.9 x 76.2 cm)
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Luiz Henrique Azevedo: 'Vases and khakis', 2013 Oil Painting, Still Life. My chinese vases and khakis....
Still Life - Painting
40 x 50 cm (15.7 x 19.7 inches)
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Franziska Turek: 'hiding place', 2015 Other Painting, Abstract.
Abstract - Painting
55 x 75 cm (21.7 x 29.5 inches)
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Franziska Turek: 'woman and shadow', 1999 Other Painting, Abstract.
Abstract - Painting
47 x 65 cm (18.5 x 25.6 inches)
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Ron Anderson: 'Palm House in Summer', 2014 Oil Painting, Landscape. Original oil painting by artist Ron Anderson. Painting entitled Palm House in Summer. Painted en plein air at Franklin Park in Columbus, Ohio. Painting is priced and sold unframed. Buyer is responsible for all shipping fees, insurance costs and any applicable sales tax and duties. Artist reserves all rights to...
Landscape - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Ron Anderson: 'Franklin Park Across The Way', 2014 Oil Painting, Landscape.  Original oil painting by Ohio artist Ron Anderson. Painting entitled Franklin Park Across The Way. Painted en plein air at Franklin Park in Columbus, Ohio. Painting is priced and sold unframed. Buyer is responsible for all shipping fees, insurance costs and any applicable sales tax and duties. Artist reserves all...
Landscape - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Raul Canestro Caballero: 'SPRING', 2015 Oil Painting, Surrealism.  Spring2015 Oil on Linen ...
, 2015
Surrealism - Painting
46 x 33 cm (18.1 x 13.0 inches)
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John Powell: 'Cactus Spirit top front view ', 2015 Acrylic Painting, nature.  From nature seriespainting is completedwatch for it on POD to order printspainting in process ...
nature - Painting
5 x 3 inches (12.7 x 7.6 cm)
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Raul Canestro Caballero: 'MOON LIGHT', 2017 Oil Painting, Surrealism. Pintura al A3leo sobre lienzo de lino fino de gran calidad. Obra de arte original y exclusiva...
, 2017
Surrealism - Painting
50 x 61 cm (19.7 x 24.0 inches)
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C. Mari Pack: 'Tierra Misteriosa', 2013 Acrylic Painting, Abstract.      Original poured diptych acrylic painting. Deep tones, with contrasting black, white, turquoise and gold. All materials used are archival.     ...
Abstract - Painting
48 x 36 inches (121.9 x 91.4 cm)
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Jane Mcnichol: 'Bathouse', 2013 Oil Painting, Architecture.  This is a view of the Bathouse located next door to my Manhattan apartment ...
, 2013
Architecture - Painting
20 x 20 inches (50.8 x 50.8 cm)
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Jane Mcnichol: 'Six Flights Up', 2012 Oil Painting, Still Life.   This is a view to the East of my Manhattan apartment ...
Still Life - Painting
20 x 20 inches (50.8 x 50.8 cm)
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(Page 6 of 168) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Azhar Shemdin - I am interested in experimenting with liquid acrylic, using resist material which is anything that is placed on the surface of the painting that impedes the flow of liquid paint. When the resist is lifted, an unexpected outcome is revealed. Sometimes the outcome is not what I wanted, and I cover the surface with paint and go for a second, third or even a fourth try, until I am completely satisfied with the outcome. The end result is a wonderous world that comes from somewhere and is revealed on a canvas surface!...

    Marino Chanlatte - I started painting a long time before I realized it was my passion, and that I would be a painter. I felt the inner need to express through painting, in a freely and spontaneous way, my feelings, thoughts, ideas and fantasies that appeared as visions ... I use color, texture, shapes, light, and shadows to express myself. If my work communicates any emotion or feeling to the viewer, then I accomplished my purpose....

    Sangeetha Bansal - I am a self taught artist, Public health dentist, a trained Indian classical dancer and love to express myself through my dance and art. I enjoy travel and have lived in different countries. During the course of my travels and work, I have had the privilege of interfacing with people across all levels of society, specially with women. I have heard their many stories. I have heard of their struggles, their joys, their beliefs, their love, their superstitions..and I have wanted to shareable of this. So, my work provides an emotional window to this beautiful creation - woman and is an ode to her. aEUR
    Rhoda Taylor - Every day I work in my studio and every day I look forward to creating artwork. Painting is my passion.... I wouldn't know what to do without it. The studio that I work in is situated on the grounds of our house in beautiful Southern Ireland, surrounding me are the mountains with their soft mists, the rolling hills and ancient coastline, it all fills me with happiness and inspiration, I can gaze from my window at the amazing views, the Atlantic ocean, fields, cattle, birds and trees, this truly is a mystical and magical place. Over the years I have worked with various mediums, glass painting, silk screen, oils, pen and ink, gouache and watercolour, but my ultimate choice is my pen and ink work which I truly adore, I know I can put into the paintings a tremendous amount of detail that would be almost impossible using another medium. I am fortunate to of had a lot of my work purchased and exhibited worldwide, England, Ireland, France, Germany, Malta, Hong Kong, Vienna, Japan, and America, with works including Portraiture, Design and Illustration, not to mention the countless private commission requests ranging from transforming memorable photographs into paintings for ...

    Tom Lund-Lack - I am an experienced artist whose work uses the power of imagination to find find the essence of the subject.A It is grounded in the need to celebrate life, and to portray the subject through the transforming power of colour and light. Arrangements of shape, line, pattern and colour are brilliant at conjuringA up powerful expressions, sometimes these can be dreamlike and at peace sometimes exciting and dramatic. My work does not always represent an actual moment, place or object in time, but they areA the result of a process of reflection, recollection and reinvention, a distillation of experience. Art is a very small word having the widest possible meaning appreciation is a subjective judgement and no artist or workA can please everyone.A My aim is to please at least some of you and I am very confident that this aspiration is achievable ...

    Luiz Henrique Azevedo - Luiz Henrique da Rocha Azevedo born in Rio de Janeiro, Brazil in 1955 living in Petropolis city their youth; soon developed their fondness for drawing, sustained mainly by comics illustrated by Alex Raymond, Harold (Hal) Foster and Ray Moore. During the year of 1975 this fondness goes to the oil painting where their first works occurred oriented by a lovely old madam, Dona Marina, how he called her in the afternoon of their youth, among occasional colleagues. There will born their figurative painting. But their painting lost its space to professional career for more than 23 years until return to its place. Emerge the necessity to take the old painting case and just work where he feels better. Attended the course of realistic painters (Jose Geraldo Fajardo and Renato Ferrari) where learn and mature their technical skill associated, initially, to Rembrandt and Ruisdaels Flemish school, to Spanish painter Melendez and impressionist esteem . He chase for technical expertise and also for thematic identification that gives to him at the same time a private and plural sense to their works. Isn't an easy task but, in this process, retracting to a state that feels better to him: worried with lines, shadows, ...

    Tiziana Fejzullaj - My paintings are mostly oil and acrylic on canvas. My work consists of bright, bold colors and is mostly concentrated on nude paintings, human body, and silent nature. The bright reds and yellows make my stand out from the darker background. I always mix my colors before I begin my painting to make sure that the colors on my palette are harmonious. Before I start painting I always make sure I have at least three colors on my palette that are in the red, blue, and yellow tones. Color is what makes a painting stand out to me. Sometimes IaEURtmm drawn to bold color that vibrantly describes the elements in the composition. Other times I am fascinated by the muted palette of a quieter scene. Color is a natural extension rather than the basis of my painting. My creations mainly have the human figure as subject, which is mysterious in its nature. It is not just a face to a body. It is about the body itself, conveying the beauty it has. Showing male figures dressed as females is a strategy to challenge the tradition of the objectification of women. I love the mystique that men have and which ...

    Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,

    Shelly Leitheiser - Art comes from my head and my heart. I care deeply about the environment and often do artwork expressing my interest in environmental topics. I also use my art work to tell stories and uncover truths. Water and paint are sometimes used but often I will use photography and digital painting programs to get the images I envision. I am a formally trained artist in fine art, and have recently left the world of painting realism as my interest in photography grows. Why should art and photography look the same? Now I do more impressionist art and also abstracts, many of them inspired by other worlds. The realistic painting I do these days is very contemporary. Art is a lot of work but it's also very rewarding for me when someone inquires further into the meaning of my art....

    Lou Posner - FLASH New offer on the classic 1982 Posners Pocket Guide to Oil Painting. Hand-written, then reproduced by offset process. Hand-assembled. Original, unique art attached to EVERY cover. No two alike. Some in oil paint, some in other media. Collectors item. Best pocket guide to oil painting, ever. For beginners as well as advanced artists. 450 dollars each plus first class postage. Indiana residents add 7 percent sales tax to merchandise not including postage and shipping. Selection of cover art offered, but not guaranteed. Use email messaging here to contact the artist. No postage if you pick it up about 10 mi. north of Tell City, Indiana. Not set up for credit card sales. Check or cash only. Buy one or more, OR later on, kick yourself in the behind for passing up a real bargain and an investment opportunity. After you reach the main or first Posner portfolio page, the tour is pretty intuitive. Please click on an image to enlarge it and bring up further details about the piece of art and a description or story about it. Once you have done this, you may also click on zoom-in, a function, which may or may not...

    Franziska Turek - This painting is individual, without any compromise, it combinates the occurence with intuition. The pictures are intrinsic of a special magic, which is not intended or planned, its resulting out of the painting process. The organic impressioned spaces and worlds of this pictures lead to associations and they will contemplate the art of painting themselves, they open a fascinating spectrum of color, area, line, which combines to mythical compactness. ...

    Ron Anderson - Working as an illustrator and painter for more than 20 years, I have often utilized the figure in narratives to communicate the nature of the human condition. I give each of my characters a role in my paintings that plays out like a scene from a motion picture. Carefully scripted by a personal experience, these characters go about their lives like you and me. Many of my paintings depict tension or energy in some way. The tension is exhibited in an attitude, an action or in some activity on the canvas. The tension is either overt or more kinetic, but is almost palpable in each piece of artwork. The size of my paintings, along with some personal connection, pulls you into the canvas. The drag of an alto saxophone fills the room in one painting while the noise deafens you the smoke chokes you. A fight breaks out in the corner of the room on another canvas while a pool hustler wins a round. The subjects are infinite. Henry O. Tanner, John Sloan, and George Bellows were masters at observing and translating these types of human conditions onto a canvas in oil. My technique, drawn from what I have observed ...

    Raul Canestro Caballero - Raul CaA+-estro Caballero was born in Ronda, one of the oldest and most historic Spanish cities, located in Andalusia a land where famous artists, writers and philosophers have found inspiration for their work. For many years he lived in Cantabria, a region in northern Spain whose wild mountains, sea and people influenced his personal quest for excellence and authenticity. During his youth, he made an adventurous trip to India that marked him deeply and fueled the process of self-reflection. The early artistic inquisitiveness developed by RAUL CANESTRO flourished in a family of artists and artisans painters, book illustrators, wood carvers and leather workers, but his paintings require more than innate talent they require hardwork, energy, effort, passion and above all, conviction. As a child, he enjoyed drawing and soon began to experiment with different textures and techniques such as oil, watercolor, ink, pyrography, colored pencil, as well as with different styles including cubism, realism, abstraction and surrealism. It was an ongoing effort to better himself and find new ways of expression twisting, destroying and re-building, creating new movements in Art that he calls A<< The Power of Form A>> in a constant search for improvement. Equilibrium, order and harmony...

    John Powell - Artist Statement This body of work comes from a community of ideas. My art evoke a dialogue, a message as a language I speak, to create peace in a cosmic dialogue. It speaks in the future tense in a context of time that evoke a feeling of aEUR~time passesaEURtm... The emotional and psychological content of my subject, the way the body expresses its emotion, it contextualizes the concepts of the duality of the meaning of the imagery. My style is an expression of my philosophy which becomes a language using, Post Modern, Expressionism, Latin American Tradition, Surrealism, and soft Classism. It expresses my deep awareness of global issues and is counterbalanced with my cultural heritage. My inspiration originates from lifenature, itaEURtms too spiritual to express. However, it is the same expressive energy as the work transfused between energies which awaken the realms of these energies and evoked them in dialogueaEUR| . I use a certain iconography, which becomes a language. My art has helped me to see that nothing on earth is solitary, all things are interlinked. The unique expression in my art, is an attitudelanguage of my style but is easily understood in itaEURtms emotion. My art Carries ...

    C. Mari Pack - I paint with the conviction that color can manipulate the mind; it can make the heart beat faster, whet the appetite, or spark a memory. Much of our reaction to color is subliminal, and we are generally unaware of its pervasive and seductive effects. The colors we see are invariably influenced by what we feel; therefore, we can never really separate what we see from what we know. Contrast and color are essential in my process. I start by selecting two or three colors; I work the canvas from all angles discovering new forms of composition through the use of movement and gravity. I push the paint to its chemical limit allowing it to mutate and evolve. My work is based on the fact that we have become imprinted with a reaction to colors, shapes, and patterns. Through the use of both color psychology and geology, and executed through chemistry I have created visual colorscapes that engage both the conscious and subconscious, provoking the audience to find imagery through movement. Everyone sees something different! What do you see?...

    Jane Mcnichol - What inspires me? Many things. Earlier in my career I was drawn to the post impressionists work - Cezanne, Matisse, and Bonnard. I was inspired by their Plen Air painting and I was drawn to the outside also. I had a French Easel, and daily packed my paints up and found my way to the closest arboretum or park to work directly from life. It was hard work but learning to interpret and paint the light directly from nature, while drawing inspiration from masters from the past was a great combination. A trip across country by car led me to the vast open spaces of the mid west. I found these vast open and very simple spaces to pare the observation of nature to its most basic elements. Living in New York City seemed to provide the opposite experience - very little sky and tall buildings blocking out the light. I moved my work into my studio on Williamsburg, Brooklyn and continued working on landscapes and still lifes. Working in my studio allowed my canvases to grow larger, being able to more deeply express the vastness of the landscape. I worked on series of paintings from Ireland and Provence. Still trying to ...