Paintings For Sale - Price Range: $2000 - $2999

Page 4 of 87
Discover 2,520 original painting artworks for sale between $2000 - $2999. Contemporary emerging artists: Isaac Brown, Marino Chanlatte, Grace Auyeung, William Christopherson, David Larkins, Becky Soria, Michal Ashkenasi, Marsha Bowers, Charles Cham, Shoshannah Brombacher, Donna Gallant, Richard Lazzara, John Powell, Nicholas Down, Jim Lively, Francisco Landazabal are exhibiting their affordable original art. You can buy artwork online and browse 87 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Marino Chanlatte: 'ocean 78', 2018 Oil Painting, Abstract. With this new series of painting aEURoeOceansaEURtm ice meltingaEUR I am calling the attention to the climate change and the global warming effects that are happening. We need to do something, but not deny the evidence.Some of the thickest sea ice in the entire Arctic, with ridges of ice ...
, 2018
Abstract - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Grace Auyeung: 'retreat', 2012 Other Painting, Landscape. MENTAL PORTRAYAL OF A LANDSCAPE DEPICTING A MONASTERY, A SPIRITUAL SYMBOL FOR THE MUNDANE  CHINESE INK, COLOUR ON XUAN PAPER...
, 2012
Landscape - Painting
69 x 138 cm (27.2 x 54.3 inches)
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Grace Auyeung: 'canyonscape 2', 2017 Other Painting, Landscape. MENTAL PROTRAYAL OF CANYON LANDSCAPE WITH ENSUEING BEAUTY AND TRANQUILITY...
Landscape - Painting
69 x 138 cm (27.2 x 54.3 inches)
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Grace Auyeung: 'canyonscape 1', 2017 Other Painting, Landscape. MENTAL PROTRAYAL OF LANDSCAPE OF CANYONS, THE BEAUTY AND TRANQUILITY  CHINESE INK, WATER COLOUR ON XUAN PAPER...
Landscape - Painting
69 x 138 cm (27.2 x 54.3 inches)
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William Christopherson: 'sisters island lighthouse', 2018 Oil Painting, Landscape. Original oil artwork on stretched canvas from the St.  Lawrence River, 4 miles north of Alexandria Bay, in the Thousand Islands.  Historic lighthouse on the US- Canadian international boundary.  Completed in broad- brush oil stroke technique.  Professionally framed in beechwood, wall ready. ...
Landscape - Painting
26 x 14 inches (66.0 x 35.6 cm)
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David Larkins: 'venice blue', 2018 Acrylic Painting, Architecture. Venice owns its unique blue, maybe because of the Adriatic Sea surrounding the city or the constant clear cloudless skies. The blues compliment the ochre and sienna stucco buildings creating a complimentary composition of hues. All of this makes Venice an easy choice to study and paint ...
Architecture - Painting
20 x 30 inches (50.8 x 76.2 cm)
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Becky Soria: 'In your absence', 2017 Acrylic Painting, Abstract Figurative. From the series The Essence...
Abstract Figurative - Painting
36 x 48 inches (91.4 x 121.9 cm)
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Michal Ashkenasi: 'sails', 2017 Acrylic Painting, Seascape. An abstract - minimalistic painting of the Sea and three small Sails  It is a kind of showing the smallness of Men in the Nature . ...
, 2017
Seascape - Painting
80 x 60 cm (31.5 x 23.6 inches)
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Marino Chanlatte: 'ocean 73', 2018 Oil Painting, Abstract. This Ocean series is a challenge and a joy for me, I choose which colors I am going to mix directly on the canvas, getting multiple layers of new tones and texture, describing shapes, lights, and shades of the oceans. Being born in an island the ocean has always been ...
, 2018
Abstract - Painting
36 x 48 inches (91.4 x 121.9 cm)
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Marsha Bowers: 'magnolias', 2018 Oil Painting, Floral. Oil on canvas, large scale floral painting...
, 2018
Floral - Painting
36 x 48 inches (91.4 x 121.9 cm)
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Charles Cham: '2531 DECISION TIME', 2018 Oil Painting, Political. aEURoeI believe that drawing is thinking and painting is feeling.  Therefore, I draw what I think and paint what I feel. aEURoeCharles CHAM s works are based on the philosophy of Yin and Yang - the duality of life and the attraction of opposites.  The Yin and Yang paintings are actually...
Political - Painting
51 x 61 cm (20.1 x 24.0 inches)
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Charles Cham: '2528 angels of the night', 2018 Oil Painting, Life. aEURoeI believe that drawing is thinking and painting is feeling.  Therefore, I draw what I think and paint what I feel. aEURoeCharles CHAM s works are based on the philosophy of Yin and Yang - the duality of life and the attraction of opposites.  The Yin and Yang paintings are actually...
Life - Painting
61 x 61 cm (24.0 x 24.0 inches)
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Shoshannah Brombacher: 'between heaven and earth', 2000 Oil Painting, Judaic. Said the Karliner RebbeA Jew should be like the ladder of Jacob, with his head in Heaven and his feet firmly planted on the ground.  In other words, a Jew should study Torah and think of spiritual things while taking care of his livelihood, business and family, etc.  here and ...
Judaic - Painting
24 x 36 inches (61.0 x 91.4 cm)
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Donna Gallant: 'glimpse', 2017 Oil Painting, Floral. This piece is part of a large series called Close UP. ...
, 2017
Floral - Painting
48 x 24 inches (121.9 x 61.0 cm)
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Richard Lazzara: 'cross fade', 2015 Acrylic Painting, Abstract.
, 2015
Abstract - Painting
66 x 66 inches (167.6 x 167.6 cm)
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Richard Lazzara: 'whirling swerlling', 2015 Acrylic Painting, Abstract.
Abstract - Painting
66 x 66 inches (167.6 x 167.6 cm)
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Richard Lazzara: 'peacock eye', 2015 Acrylic Painting, Abstract.
Abstract - Painting
66 x 66 inches (167.6 x 167.6 cm)
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Richard Lazzara: 'that pink painting', 2015 Acrylic Painting, Abstract.
Abstract - Painting
66 x 66 inches (167.6 x 167.6 cm)
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Marino Chanlatte: 'river', 2017 Acrylic Painting, Abstract. The Blue Bird represent a series of painting inspired on the book Azul. . . it is a book of stories and poems by Nicaraguan poet RubA(c)n DarAo. This work was painted in 2007 in Managua, Nicaragua. UNSTRETCHED CANVAS, SHIPS ROLLED IN A TUBE, from Miami, FL. ...
, 2017
Abstract - Painting
36 x 48 inches (91.4 x 121.9 cm)
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John Powell: 'Swan lake', 2019 Acrylic Painting, Figurative. From Swan Lake ballet series.  ORDER PRINTS AT
, 2019
Figurative - Painting
18 x 22 inches (45.7 x 55.9 cm)
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Nicholas Down: 'autumn whispered', 2017 Oil Painting, Abstract Landscape. Oil on Gesso Panel...
Abstract Landscape - Painting
36 x 24 inches (91.4 x 61.0 cm)
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Jim Lively: 'topographical error', 2017 Acrylic Painting, Abstract Landscape. topography, abstract, contemporary...
Abstract Landscape - Painting
48 x 36 inches (121.9 x 91.4 cm)
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Isaac Brown: 'beyond the force', 2017 Oil Painting, Abstract.
Abstract - Painting
40 x 30 inches (101.6 x 76.2 cm)
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Isaac Brown: 'halleluya tribute to lcohen', 2017 Oil Painting, Abstract.
Abstract - Painting
36 x 36 inches (91.4 x 91.4 cm)
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Isaac Brown: 'cosmic interface', 2017 Oil Painting, Abstract.
Abstract - Painting
36 x 36 inches (91.4 x 91.4 cm)
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Francisco Landazabal: 'Blue Train', 2017 Acrylic Painting, Abstract Figurative.
, 2017
Abstract Figurative - Painting
150 x 100 cm (59.1 x 39.4 inches)
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Jim Lively: 'what might have been', 2017 Acrylic Painting, Abstract. contemporary, abstract, a priori...
Abstract - Painting
48 x 36 inches (121.9 x 91.4 cm)
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Jim Lively: 'fashion tribe', 2017 Acrylic Painting, Abstract. a priori, contemporary, fashio...
Abstract - Painting
30 x 51 inches (76.2 x 129.5 cm)
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Jim Lively: 'all tomorrows parties', 2017 Acrylic Painting, Abstract. a priori, contemporary, painting...
Abstract - Painting
30 x 56 inches (76.2 x 142.2 cm)
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Wayne Wilcox: 'Winter1', 2016 Acrylic Painting, Abstract.  Winter Seasonal ...
, 2016
Abstract - Painting
36 x 48 inches (91.4 x 121.9 cm)
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(Page 4 of 87) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Isaac Brown - ISAAC S. BROWN As his day job Isaac is president and CEO of Baltic Street AEH Inc. A non-for profit agency that helps people coping with mental health issues deal with advocacy, employment and housing based in New York city. Mr. Brown has been painting for over 35 years. This self-taught artist has been previously employed in a variety of jobs including lumberjack, diamond cutter, welder and sergeant in the Israeli Defense Forces. It was during his time in the IDF as a young sergeant during periods of down time that he first picked up a brush and paints to begin to express his artistic creativity. Later in between maneuvers, during his time in the first Lebanese War, he began experimenting with whatever materials were available to a young soldier, creating sculptures and roadside art along the way from one camp to another as a release from the daily pressures and responsibly of caring for his fellow soldiers. After leaving the army he traveled the world extensively continuing painting and sculpting along the way. He spent a considerable time amount living in Europe and thus bringing to his art a unique worldwide perspective. His artwork reflects the passion...

    Marino Chanlatte - I started painting a long time before I realized it was my passion, and that I would be a painter. I felt the inner need to express through painting, in a freely and spontaneous way, my feelings, thoughts, ideas and fantasies that appeared as visions ... I use color, texture, shapes, light, and shadows to express myself. If my work communicates any emotion or feeling to the viewer, then I accomplished my purpose....

    Grace Auyeung - Landscape painting is my artistic gravity, and I mainly use Chinese ink, colour and Xuan paper as media. I like to explore various techniques and styles, but I place strong emphasis on the use of lines to express my feelings and thoughts about the landscape I try to recreate. I see my art as a vision of my inner self and my spiritual self as well....

    William Christopherson - The viewer sees a finished canvas. The artist relishes its journey of creation. A thought, a feeling, an experience, a place. These are the most essential of supplies as the artist tasks to expand, explore, and evolve along the path. All are welcome here, to view, appreciate contemplate, and possess the journeys I have made, and the journeys yet to come. Over the past several years I have explored the oil medium, borrowing technique from both historical and present day impressionism. Its a medium I love to work in, even though my wardrobe and studio surfaces have suffered immensely. Much of my work now reflects the pallet knife, and explores a prolific use of heavy colorful brush stroke. Everything continues to evolve, and thats a good thing Enjoy. William Christopherson, 2017 ...

    David Larkins - Ii?1/2ve always been intrigued by the luminosity and transparencies found in watercolor, Oil and acrylic mediums. I believe an artist must experience the painting i?1/2 to absorb the surroundings, the atmosphere, to have a oneness with the subject matter before the first brush stroke is applied. My style is described as i?1/2Abstract Realismi?1/2 and my strength is found in the composition. Ii?1/2m drawn to diverse subject matter that challenges the viewer to see abstraction in the ordinary i?1/2 to meld the i?1/2reali?1/2 world with the i?1/2abstracti?1/2. ...

    Becky Soria - Subject matter in painting is merely the trigger that allows the expression of something more profound, unconscious and possibly hidden even from oneself, and therefore all inclusive, so viscerally immanent to humankind R. Alonzo Totems beyond Patriarchy May 2014 Nature has been qualified as a female organic form by most ancient cultures, but for the last millennia or so, the world has been primarily perceived and shaped by the masculine side of the species. Our recent history however has seen a trend towards a natural reversion to a feminine bias, with women becoming increasingly more crucial to all aspects of society. These works serve to remind us about these issues and others that we continue to face the world while reinventing the female figure as an emblem for current conditions and a new Totem for the future. The juxtaposition between the representations of the animals and plants in compromised an ailing conditions and the female form that seems to swallow and revive the life- infused aspects of her creation, render a sense of hope for a future in which the maternal provides a healing force to an ailing planet. Signs. Symbols. Sentinels February 2, 2013 The works of the present ...

    Michal Ashkenasi - Welcome to my Portfolio! If you are wondering if this is just another floral/landscape artist,I am not! My work is abstract-figurative and ,as you see,I love color!!I work directly on the canvas and the images come out of my imagination or from my memory . I do Collages and Watercolor too , but for me , the most deep feelings come out with Oil or Acrylic.With those media I can fulfill the strong contrastes I work with , and which are part of my style....

    Marsha Bowers - Marsha Bowers was born and raised in the Central Valley of California. She is a classically trained fine artist, skilled in the old Masters techniques of Flemish/Bistre and Venetian method using a grisaille underpainting and glazing with many layers. Most of her fine art paintings are rendered in oil. She sometimes applies real gold leaf into the artworks. Marsha finds inspiration in the old masters of the past. She spends many hours visiting Museums studying their work. Gothic and Renaissance are her favorite periods along with the Pre-Raphaelites artists. The artist loves the blending of the classical painting techniques with a more contemporary approach to her paintings. Her recent fine art paintings are of women, both figurative and portraiture. The inspiration for her paintings comes from her observations of life itself and through her own experiences. Each painting shares a message, story or emotion. Its what the artist herself describes as a "flowing" of the spirit, a creative process through which the artist paints a story unto the canvas, realizing that each viewer of her work may have their own interpretation of what the art is conveying. Most recently Marsha was invited to be included into the International ...

    Marsha Bowers - Shoshannah Brombacher - Art makes the world within the artist visible. Classical music, poetry, Jewish and Chassidic stories, traveling, the love for people and memories of eras gone but not forgotten, cities where I lived and worked, like Amsterdam, Berlin, Jerusalem, New York, or visitedm, lie Prague and Sicily, are the main ingredients of my art. My art is like the water of the canals of my native Amsterdam, Rembrandts city, the deeper you look into it, the more you see. A reflection of a reflection of a reflection...look, what you see is not what you see. My art contains texts and letters, lets writing come alive, and reflects my deep connection with the Dutch 17th century Masters, German expressionism, Russian art and medieval miniatures. My art is also a tribute to music and the world of the great Chassidic masters of Eastern Europe. The Kotzker Rebbe listened to a Chassidic storyteller in the street and stated He told what he wanted and I heard what I needed. That is Art. ...

    Donna Gallant - Art is a daily routine in my life. I see, hear, taste, feel and smell the life that surrounds me and I am inspired by the simplest aspects of this world. Whether it be the way the light hits an object or the way objects or forms move in space. I find it all so fascinating and alive. I try to portray these experiences and expressions through my art making....

    John Powell - Artist Statement This body of work comes from a community of ideas. My art evoke a dialogue, a message as a language I speak, to create peace in a cosmic dialogue. It speaks in the future tense in a context of time that evoke a feeling of aEUR~time passesaEURtm... The emotional and psychological content of my subject, the way the body expresses its emotion, it contextualizes the concepts of the duality of the meaning of the imagery. My style is an expression of my philosophy which becomes a language using, Post Modern, Expressionism, Latin American Tradition, Surrealism, and soft Classism. It expresses my deep awareness of global issues and is counterbalanced with my cultural heritage. My inspiration originates from lifenature, itaEURtms too spiritual to express. However, it is the same expressive energy as the work transfused between energies which awaken the realms of these energies and evoked them in dialogueaEUR| . I use a certain iconography, which becomes a language. My art has helped me to see that nothing on earth is solitary, all things are interlinked. The unique expression in my art, is an attitudelanguage of my style but is easily understood in itaEURtms emotion. My art Carries ...

    Nicholas Down - During the past few years I have had the privilege of visiting some of the most beautiful landscapes on earth including California's Sequoia National Forest, Yosemite and Joshua Tree National Parks, the red rocks of Sedona Arizona, the tough deserts of Canyonlands and Arches in Utah, Monument Valley in Navajo Nation, and of course the Grand Canyon. I was awestruck with the beauty and silences of these places and deeply inspired to create a number of new paintings and films which attempt to capture the essence of what I felt both as an artist and as a human being. I am increasingly aware of the threats to these landscapes, not just in the short term, but in the future, as the effects of climate change begin to alter rain patterns, glaciers and local ecologies in ways we are only just beginning to comprehend. My paintings are part of my extended homage to nature and are my abstract impressions of colour, mystery, and the spirit of place. My recent paintings have been hugely influenced by the winter here in New York State... frozen waterfalls, ice, snow drifts and landscapes blazing in winter hues. Technical Notes I continue to use the ...

    Jim Lively - Whether portrayed in the abstract, realism, or somewhere in between, I am most influenced by both the beautiful and unattractive components of contemporary urban culture. Many times, one painting will reflect both components. My art tends to focus upon interesting juxtapositions of close-up images of human faces. Often, the larger images border upon realism and are caught expressing a panoply of emotions usually directed at the other images that share the canvas. Several of my recent works such as the tongue in cheek entitled "Lenin and Things" contain unlikely combinations of images such as a statue of Lenin which is dwarfed by a billboard size fashion model displaying a vacuous stare. A number of works contain both large images and interrelated small images. For example in the painting "Staring at Natalie", all the smaller images are a depiction of a collective group of voyeurs staring at a larger image of a posed fashion model. I want those viewing the painting to be the ultimate voyeur. The viewer is not only drawn initially to the larger image in its own right but also cannot help but then notice the relationship of the smaller images to the large image. Works displayed ...

    Francisco Landazabal - In a world where life passes too quickly and the instant runs away suddenly I chose to live calmly to study the inner nature of things. I have been my entire life enquiring about the whole reality, and hence my journey through various disciplines like fine arts, philosophy and even technology. My art is a human art, where being in touch with people and nature is extremely important, but then, I always return to the silent retreat of my Atelier in the mountains of Colombia to find the essence of things on the tip of my brushes and painting knives which results in the form of colorful and vibrant compositions, where a sort of magic is revealed. Sometimes it is very close to impressionism or expressionism, and sometimes it is fully abstract, a dance of the mere color masses and shades changing to allow the watcher to dream and complete the artwork. ...