Paintings For Sale - Price Range: $500 - $1000

Page 4 of 216
Discover 6,242 original painting artworks for sale between $500 - $1000. Contemporary emerging artists: David Larkins, Peter Seminck, Jim Lively, Daniel Clarke, Tom Lund-lack, Judith Fritchman, Austen Pinkerton, Luiz Henrique Azevedo, Andrea Mulcahy, Harris Gulko, Jennifer Bailey, Azhar Shemdin, Mario Ortiz Martinez, Michael Schaffer, Valda Fitzpatrick are exhibiting their affordable original art. You can buy artwork online and browse 216 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Peter Seminck: 'james bond', 2020 Acrylic Painting, Portrait. Graphical PopArt...
, 2020
Portrait - Painting
39 x 39 inches (99.1 x 99.1 cm)
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Jim Lively: 'cowboy', 2020 Acrylic Painting, Figurative. A long narrow view at the west. ...
, 2020
Figurative - Painting
78 x 16 inches (198.1 x 40.6 cm)
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Daniel Clarke: 'california gold coast', 2020 Acrylic Painting, Landscape. Summer skies above the cliffsteem with birdshang gliding in the air currents it is a place where one can breathe.Breathing fresh ocean airwithout a care in the world,we are thirsting valley childrenteased into returningby these seagulls and sea breezesto find peace for ...
Landscape - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Tom Lund-lack: 'the samurai commander', 2020 Other Painting, Equine. My interpretation of a Japanese samurai military commander called Minamoto no Yoshitsune.  The painting was inspired by a small gift from my son who lives in Japan. The artwork was printed from woodblock print by an unknown artist. ...
Equine - Painting
42 x 30 cm (16.5 x 11.8 inches)
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Judith Fritchman: 'end of day october', 2018 Oil Painting, Landscape. An October sunset illuminates a Bucks County barn. ...
Landscape - Painting
24 x 12 inches (61.0 x 30.5 cm)
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Judith Fritchman: 'spring greening', 2018 Oil Painting, Landscape. The long awaited promise of April in the village. ...
Landscape - Painting
12 x 12 inches (30.5 x 30.5 cm)
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Judith Fritchman: 'silver and gold', 2015 Oil Painting, Still Life. A study of white roses and silver. ...
Still Life - Painting
12 x 16 inches (30.5 x 40.6 cm)
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Austen Pinkerton: 'reclining nude', 2019 Acrylic Painting, Life. Not sure if this is worth posting, but it s an acrylic painting on canvas  40 x 50 cm , started at Narberth Life Drawing group and completed at home last week. ...
Life - Painting
50 x 40 cm (19.7 x 15.7 inches)
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Austen Pinkerton: 'sally seated', 2019 Acrylic Painting, Portrait. New painting just finished   Sally seated . . . . . in what they call  en grisaille  , Acrylic on canvas, 40 x 50 cm. Started off as a painting from life but worked it up at home later  from memory . ...
Portrait - Painting
40 x 50 cm (15.7 x 19.7 inches)
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Luiz Henrique Azevedo: 'reclining nude', 2019 Oil Painting, Nudes. This picture is parte of a oil painting collection of oil painting scenes of womam nudes or not that challenge the beauty and harmony of colour flesh tones.  I work to make the viewers see a well done work, under the limits of my performance, not only art forms but ...
Nudes - Painting
30 x 40 cm (11.8 x 15.7 inches)
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Andrea Mulcahy: 'swept', 2019 Acrylic Painting, undecided. Energetic movement...
, 2019
undecided - Painting
40 x 30 inches (101.6 x 76.2 cm)
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Andrea Mulcahy: 'orange dream', 2019 Acrylic Painting, Abstract. Abstract images ...
Abstract - Painting
48 x 24 inches (121.9 x 61.0 cm)
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Andrea Mulcahy: 'past present future', 2019 Acrylic Painting, Abstract. Distant past, present, and future...
Abstract - Painting
36 x 36 inches (91.4 x 91.4 cm)
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Andrea Mulcahy: 'swimming upstream', 2019 Acrylic Painting, undecided. Swimming Upstream in a Sea of Dominance...
undecided - Painting
36 x 38 inches (91.4 x 96.5 cm)
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Luiz Henrique Azevedo: 'lying nude', 2019 Oil Painting, Nudes. A lying nude sun exposed depicted first in charcoal and then in oil painting over board. ...
, 2019
Nudes - Painting
40 x 30 cm (15.7 x 11.8 inches)
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Tom Lund-lack: 'colour form', 2019 Oil Painting, Abstract. Abstract colours used to create forms of clouds or sea - you decide.  Impasto technique laid on deep frame canvas. ...
Abstract - Painting
60 x 45 cm (23.6 x 17.7 inches)
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Peter Seminck: 'lady in red', 2019 Oil Painting, People. oil on canvas...
People - Painting
50 x 70 cm (19.7 x 27.6 inches)
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Harris Gulko: 'Bless them all The long the short and the tall', 2005 Oil Painting, Travel. Peoples personalities, like buildings, have various facades, some pleasant to view, some notaEUR.  Francois de La Rochefoucauld...
Travel - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Harris Gulko: 'A Childish View of Downtown', 2004 Oil Painting, Fantasy. I guided and supervised a grandchild who said she wants to i? 1/2paint like a grown- upi? 1/2...
Fantasy - Painting
20 x 16 inches (50.8 x 40.6 cm)
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Harris Gulko: 'mechanical man', 2009 Oil Painting, Abstract Figurative. Number 1115...
Abstract Figurative - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Jennifer Bailey: 'summer flowers', 2019 Acrylic Painting, Abstract. The flowers were sitting there next to the window staring at me.  I decided to stare back and see what I could capture.  ...
Abstract - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Jennifer Bailey: 'fire', 2019 Acrylic Painting, Abstract. Raging fires on the west coast inspired a fantastical forest filled with light and whimsy in opposition to the tragedy at hand. ...
, 2019
Abstract - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Harris Gulko: 'Three Guys at the Shore', 2014 Oil Painting, Beach. Three Guys at the Shore   file 1008 one K...
Beach - Painting
20 x 20 inches (50.8 x 50.8 cm)
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Azhar Shemdin: 'Dawn of Life', 2019 Acrylic Painting, Abstract. Liquid acrylic on stretched canvas, with gold under paint, using resist materials to cover the colourful painted surface.  When the resist material is lifted, the full spectrum of the composition is revealed. ...
Abstract - Painting
30 x 30 inches (76.2 x 76.2 cm)
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Azhar Shemdin: 'sailing the seven seas', 2019 Acrylic Painting, Abstract. Liquid acrylic on stretched canvas, using gold under- paint, covered with resist materials and lifted in due time to reveal the full coloured composition. ...
Abstract - Painting
24 x 24 inches (61.0 x 61.0 cm)
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Mario Ortiz Martinez: 'the fine education of death', 2019 Oil Painting, Abstract Figurative. COLLAGE WITH MANY FACES OF HUMAN EMOTIONS. ...
Abstract Figurative - Painting
24 x 20 inches (61.0 x 50.8 cm)
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Michael Schaffer: 'Who Wants To Dance', 2008 Acrylic Painting, Abstract. Fun abstract done in acrylic paint.  Great shapes and colors. ...
Abstract - Painting
30 x 40 inches (76.2 x 101.6 cm)
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Michael Schaffer: 'Cosmic Fish', 2010 Ink Painting, Abstract. From my New Action Art series.Done primarily with Acrylic Inks. ...
Abstract - Painting
36 x 36 inches (91.4 x 91.4 cm)
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Valda Fitzpatrick: 'arizona sunset', 2019 Oil Painting, Landscape. I often visit Arizona for its beautiful tropical scenery.  The sunsets are in its full and colorful glory.  In this painting, I tried to capture the evening yellow and orange sky contrasting the darker scenic evening view with visible city lights in the back ground.  The mountain view with distant ...
Landscape - Painting
16 x 20 ( x )
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Valda Fitzpatrick: 'swiss alps in the spring', 2019 Oil Painting, Landscape. This is a spring scene of the Swiss alpsthat I often visited.  I love the alps and the beautiful scenery, where I did many sketches and photos.  I triedto capture the moving clouds flanked by giant mountains which are accented with spring flowers, evergreen trees and rocks by the flowing ...
Landscape - Painting
16 x 20 ( x )
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(Page 4 of 216) - MORE ARTWORKS
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  • Artists Describing Their Art:

    David Larkins - Ii?1/2ve always been intrigued by the luminosity and transparencies found in watercolor, Oil and acrylic mediums. I believe an artist must experience the painting i?1/2 to absorb the surroundings, the atmosphere, to have a oneness with the subject matter before the first brush stroke is applied. My style is described as i?1/2Abstract Realismi?1/2 and my strength is found in the composition. Ii?1/2m drawn to diverse subject matter that challenges the viewer to see abstraction in the ordinary i?1/2 to meld the i?1/2reali?1/2 world with the i?1/2abstracti?1/2. ...

    Jim Lively - Whether portrayed in the abstract, realism, or somewhere in between, I am most influenced by both the beautiful and unattractive components of contemporary urban culture. Many times, one painting will reflect both components. My art tends to focus upon interesting juxtapositions of close-up images of human faces. Often, the larger images border upon realism and are caught expressing a panoply of emotions usually directed at the other images that share the canvas. Several of my recent works such as the tongue in cheek entitled "Lenin and Things" contain unlikely combinations of images such as a statue of Lenin which is dwarfed by a billboard size fashion model displaying a vacuous stare. A number of works contain both large images and interrelated small images. For example in the painting "Staring at Natalie", all the smaller images are a depiction of a collective group of voyeurs staring at a larger image of a posed fashion model. I want those viewing the painting to be the ultimate voyeur. The viewer is not only drawn initially to the larger image in its own right but also cannot help but then notice the relationship of the smaller images to the large image. Works displayed ...

    Daniel Clarke - Daniel E. Clarke is a Los Angeles Native who has been painting his entire career in the Los Angeles area. His art education has included studying under the internationally famous Timothy Clark, UCLA Extension University, and Glendale College. He has explored both pictorial and abstract designs but is dedicated to a free flow of color and dynamic composition. Mr. Clarke has concentrated on the acrylic and watercolor medium, and paints on location in his Los Angeles based studio. He also maintains his paintings and sales in his own company called Berrypunch Gallery. ...

    Tom Lund-Lack - I am an experienced artist whose work uses the power of imagination to find find the essence of the subject.A It is grounded in the need to celebrate life, and to portray the subject through the transforming power of colour and light. Arrangements of shape, line, pattern and colour are brilliant at conjuringA up powerful expressions, sometimes these can be dreamlike and at peace sometimes exciting and dramatic. My work does not always represent an actual moment, place or object in time, but they areA the result of a process of reflection, recollection and reinvention, a distillation of experience. Art is a very small word having the widest possible meaning appreciation is a subjective judgement and no artist or workA can please everyone.A My aim is to please at least some of you and I am very confident that this aspiration is achievable ...

    Judith Fritchman - I cannot remember a time when I did not want to draw or paint. From my earliest childhood days I have found great joy in depicting my surroundings. Compelling images call out to be examined and expressed: a lone oak tree starkly outlined against a curve of corn stubble, a Cezanne-like arrangement of objects on a table as I walk through a room. But of all God's infinitely varied creations, it is the human face and form which most fascinates and humbles me; the possibility of capturing a fleeting aspect of humanity unique to that individual is an endlessly exciting pursuit. After studying at Beaver College, Cedar Crest College, and Lehigh University, I have also studied classical drawing and design for many years with Myron Barnstone at his studios in Coplay, Pennsylvania. There I have learned to examine the work of great artists of the past as instruction and inspiration. Knowing they have pursued similar interests is a gratifying experience, offering the potential for learning something new, and using it to express my own personal images, values, and emotions. It is my hope that each of my works will reflect, in some small way, a facet of the ...

    Austen Pinkerton - Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In all my...

    Luiz Henrique Azevedo - Luiz Henrique da Rocha Azevedo born in Rio de Janeiro, Brazil in 1955 living in Petropolis city their youth; soon developed their fondness for drawing, sustained mainly by comics illustrated by Alex Raymond, Harold (Hal) Foster and Ray Moore. During the year of 1975 this fondness goes to the oil painting where their first works occurred oriented by a lovely old madam, Dona Marina, how he called her in the afternoon of their youth, among occasional colleagues. There will born their figurative painting. But their painting lost its space to professional career for more than 23 years until return to its place. Emerge the necessity to take the old painting case and just work where he feels better. Attended the course of realistic painters (Jose Geraldo Fajardo and Renato Ferrari) where learn and mature their technical skill associated, initially, to Rembrandt and Ruisdaels Flemish school, to Spanish painter Melendez and impressionist esteem . He chase for technical expertise and also for thematic identification that gives to him at the same time a private and plural sense to their works. Isn't an easy task but, in this process, retracting to a state that feels better to him: worried with lines, shadows, ...

    Andrea Mulcahy - Apart of all that exists is energy. My work has been about capturing the essence of an energetic state the subtle, invisible energy that surrounds us. Im often drawn to the cyclic energy center and all its potential. Im fascinated by the way the energy centers draw in information from our surroundings as well as radiate an energy of vibration. My paintings display abstract scenarios that hold information for each viewer. What each person is ready for is what theyll see. On this earth plane we have a set of experiences that are common to us all. Its the timing and the circumstances that differ. My pleasure is seeing how the images, lines and colors relate to each person who views the work. ...

    Harris Gulko - Rather than giving technical details concerning my paintings, I take the liberty to convey, in fewer than 150 words, the philosophy of life that influences all my paintings. My artwork cuts across artistic barriers, displaying many themes landscapes, seascapes, cloud formations, abstracts, childhood games, religious compositions and more. If there is one constant in my work, it is my inconsistency When I am at my easel I try to create on canvas what I am seeing. But often I go off on a tangent, and what ends up often bears little resemblance to what I was attempting to paint. My formula for success consists of ambition, drive, hard work, effort, energy, fear of failure, patience, perspiration and persistence. Life and love are made of time. Privileged those who find love in time. Wise those who express love, before life runs out of time....

    Azhar Shemdin - I am interested in experimenting with liquid acrylic, using resist material which is anything that is placed on the surface of the painting that impedes the flow of liquid paint. When the resist is lifted, an unexpected outcome is revealed. Sometimes the outcome is not what I wanted, and I cover the surface with paint and go for a second, third or even a fourth try, until I am completely satisfied with the outcome. The end result is a wonderous world that comes from somewhere and is revealed on a canvas surface!...

    Mario Ortiz Martinez - The main distinction of an artist is, or should be, insanity or, at least, the tendency to think and do absurd, showy, original and little comprehensible things for the common man. In particular, what attracts me the most is sharing my work, to the point of asking for very low prices. simple peanuts sometimes or flatly give it to those who appreciate it. Try me. This site requires a price standard. Very understandable and logical. But I would never refuse a reasonable offer. Just thinking about continuing, about having a penny to buy more colors and keep producing. Even when my works consist of a simple paper and in a small format, I always want to show my commitment to people, in order to brighten up a small corner of the house and invite reflection on the beautiful, the harmonious, the good vibes of the world. Some of these works have served as a study for large-format painting, but I have to honestly say that the study always looks better than the enlarged copy. In art, the first impulse, the first pictorial phrase, the first flash of inspiration, the first painted word that comes from the heart, is the ...

    Michael Schaffer - Exploring the realms of color, texture, drama, and feelings are the main ingredients of my art work. To inspire the viewer to deal with the issues presented to him is my goal. To inspire the viewer to interpret and react is my passion. I hope you have been inspired... or at least have an opinion. Art and life have many of the same ingredients for us to enjoy....

    Valda Fitzpatrick - In earlier years, my dream was to become a doctor, or an artist, unfortunately I was unable to tolerate the site of blood. In order to save the patents , I made a wise decision to study art . I love every aspect of art and explore with all medias. my favorite is the French artist Monet, who was my inspiration with his incredible impressionistic style which I love to paint with oils. For a change , designing contemporary art with paper, ,interesting found objects to let my imagination go. When I am in my large studio I am in heaven. When I was still a student , I went to many art shows and did commissions. Which I financed 1 000 percent of my college expenses, and my own studios , which my husband build through the sale of my art work, a career experience that demonstrates the great practical worth of art studies and education. EDUCATION The Ohio State University , master of Arts, Supervision and Education Administration, December 1986 . The Ohio State University, Bachelor of art Education , August 1980 . The Ohio State University, Bachelor of Fine Arts, Painting And Drawing, June 1978. I further followed up my education at the Columbus of Art ...