Paintings For Sale - Price Range: $500 - $1000

Page 7 of 216
Discover 6,261 original painting artworks for sale between $500 - $1000. Contemporary emerging artists: Jose Freitascruz, David Larkins, Ron Anderson, Lorrie Williamson, Harry Weisburd, Bonie Bolen, Lois Di Cosola, Luise Andersen, Ron Ogle, Michael Pickett, Judith Fritchman, Pilar Pérez-prado, Andree Lisette Herz, Leo Evans are exhibiting their affordable original art. You can buy artwork online and browse 216 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Jose Freitascruz: 'Landscapes from Nowhereland 019', 2012 Acrylic Painting, Abstract Landscape. from the series landscapes from now.  hereland on wood aEUR
Abstract Landscape - Painting
40 x 30 cm (15.7 x 11.8 inches)
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David Larkins: 'Rolled Oats', 2012 Acrylic Painting, Americana.    One of the hottest days of this year was around July 4th, which is also when the winter wheat and oats are harvested. The temperature was 104 degrees when I did my study for
Americana - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Ron Anderson: 'Summer in Franklin Park', 2011 Oil Painting, Landscape.  Original oil painting by artist Ron Anderson. Painting entitled Summer in Franklin Park. Painted en plein air at Franklin Park in Columbus, Ohio. Painting is priced and sold unframed. Buyer is responsible for all shipping fees, insurance costs and any applicable sales tax and duties. Artist reserves all rights to...
Landscape - Painting
16 x 12 inches (40.6 x 30.5 cm)
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Lorrie Williamson: 'The ConchShell Man', 2011 Acrylic Painting, Undecided.  Figurative; Seascape; An interesting portrait of a young man delivering conch shells to sell at the water taxi stand; his way of making a living in the Bahamas.  ...
Undecided - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Lorrie Williamson: 'Relics from the Past', 2008 Oil Painting, Still Life.  A Still Life painting of objects made from earth products; iron, glass, and clay. Oil glazed and rubbed to give the effect of an antique painting. ...
Still Life - Painting
18 x 14 inches (45.7 x 35.6 cm)
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Harry Weisburd: 'Woman In Pink Shirt', 2008 Acrylic Painting, Landscape.  painted , ceramic, low relief, sculpture,  realism, figurative , female, erotic   , wall hanging ,                               ...
Landscape - Painting
12 x 9 inches (30.5 x 22.9 cm)
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Bonie Bolen: 'Flying', 2009 Oil Painting, Love.
, 2009
Love - Painting
54 x 46 inches (137.2 x 116.8 cm)
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Lois Di Cosola: 'December 20', 2008 Tempera Painting, Abstract Landscape. from the December paintings on paper...
Abstract Landscape - Painting
12 x 18 inches (30.5 x 45.7 cm)
Luise Andersen: 'UNTITLED STILL prgrsupdt jan tweight', 2009 Oil Painting, Undecided.  . . went in again. . whites. . heavy . . irregular and strong expressing feel. . the cut of the expected. . or the unexpected. . nothing is always as is. . blink of an eye. . shattered. . reborn. . hurt. . loved. . my eyes now. . other tomorrow. . or my eyes now. . my eyes tomorrrow. . Nothing is granted. . wish. . within human hearts...
Undecided - Painting
0 x 0 inches (0.0 x 0.0 cm)
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Luise Andersen: 'UNTITLED STILL Beginning DecTHRTY', 2008 Oil Painting, Undecided.   pic taken in bright light. . touch glare, because oils are still wet and sun light in lessened the blues in appearance. . . will take in neutral afternoon, when hues are not influenced by brightness....
Undecided - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Luise Andersen: 'Deep', 2004 Acrylic Painting, Abstract.  So much joy to explore possibilities of Acrylic Inks. . . So bold in colors. . .  yet often fragile to work with. .  The temptation of just laying another color glaze. . .  to create all- over different hue. . .  I can notresist. . and carry it to new heigths. .  depth. . . luscious depth. . .  ever heard of this...
, 2004
Abstract - Painting
20 x 20 inches (50.8 x 50.8 cm)
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Luise Andersen: 'UNTITLED   ITOT', 2008 Acrylic Painting, Other.  Description under previous uploads ...
Other - Painting
17 x 14 inches (43.2 x 35.6 cm)
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Ron Ogle: '30 Square Inch Landscape', 2008 Oil Painting, Abstract Landscape.  I take a sacred vow. : Never shall the sun of my love sink below the horizon of Thee. Never will I lower the vision of my lifted eyes to place it on aught but Thee. Never will I do anything that reminds me not of Thee. [ Paramahansa Yogananda ] ...
Abstract Landscape - Painting
6 x 4 inches (15.2 x 10.2 cm)
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Michael Pickett: 'Lightning', 2008 Acrylic Painting, Abstract.
, 2008
Abstract - Painting
16 x 20 inches (40.6 x 50.8 cm)
Judith Fritchman: 'April in Springtown', 2008 Oil Painting, Landscape.  An April day offering warm sunshine and flowering trees. ...
Landscape - Painting
8 x 10 inches (20.3 x 25.4 cm)
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Pilar Pérez-prado: 'Flower', 2003 Oil Painting, Abstract.   63. 0 ...
, 2003
Abstract - Painting
63 x 80 cm (24.8 x 31.5 inches)
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Pilar Pérez-prado: 'Nocturne', 2006 Acrylic Painting, Abstract Figurative.   100. 0 ...
, 2006
Abstract Figurative - Painting
100 x 100 cm (39.4 x 39.4 inches)
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Pilar Pérez-prado: 'Reality and Memory II Memory', 2008 Acrylic Painting, Geometric.   60. 0 ...
Geometric - Painting
60 x 80 cm (23.6 x 31.5 inches)
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Pilar Pérez-prado: 'Reality and Memory II Reality', 2008 Acrylic Painting, Geometric.   60. 0 ...
Geometric - Painting
60 x 80 cm (23.6 x 31.5 inches)
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Ron Ogle: 'April Landscape', 2008 Oil Painting, Undecided.   If thou wilt be observant and vigilant, thou wilt see at every moment the response to thy action. Be observant if thou wouldst have a pure heart, for something is born to thee in consequence of every action.  moment the response to thy action.  [ RUMI ] ...
Undecided - Painting
14 x 11 inches (35.6 x 27.9 cm)
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Ron Ogle: 'Home Of Lian Pi', 2008 Oil Painting, Abstract Landscape.  I can relate to the small works Pollock made around 1945. ...
Abstract Landscape - Painting
14 x 11 inches (35.6 x 27.9 cm)
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Michael Pickett: 'Rose Angel Day Into Night', 2005 Acrylic Painting, Inspirational.
Inspirational - Painting
16 x 20 inches (40.6 x 50.8 cm)
Michael Pickett: 'Snow Angel', 2006 Acrylic Painting, Inspirational.   This painting Glows in the dark. There is a different image that glows, its an Angel thats holding up its hand catching a snow flake. Best under black light.  ...
, 2006
Inspirational - Painting
16 x 20 inches (40.6 x 50.8 cm)
Michael Pickett: 'Princepelity Angel', 2006 Acrylic Painting, Inspirational.   This painting glows in the dark.  ...
Inspirational - Painting
20 x 16 inches (50.8 x 40.6 cm)
Andree Lisette Herz: 'storm at sea', 2007 Acrylic Painting, Beach.  late day storm at sea , on gallert wrapped canvas all edges painted so no frame needed ...
Beach - Painting
40 x 30 inches (101.6 x 76.2 cm)
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Leo Evans: 'Leo Evans Abstract 2007', 2007 Acrylic Painting, Abstract.  Leo Evans Abstract 2007 ~ Leo Evans ~ leoevans. com ~ All rights Reserved ~ 2007 ...
Abstract - Painting
8 x 10 inches (20.3 x 25.4 cm)
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Leo Evans: 'Spectrum Blue', 2007 Acrylic Painting, Abstract.  Spectrum Blue ~ Leo Evans ~ leoevans. com ~ All rights reserved ~ 2007 ...
Abstract - Painting
8 x 10 inches (20.3 x 25.4 cm)
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Leo Evans: 'Melt down its crucial', 2007 Acrylic Painting, Abstract.  Melt down it's crucial ~ Leo Evans ~ leoevans. com ...
Abstract - Painting
8 x 10 inches (20.3 x 25.4 cm)
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Leo Evans: 'I cant conceive', 2007 Acrylic Painting, Abstract.
Abstract - Painting
8 x 10 inches (20.3 x 25.4 cm)
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Donna Gallant: 'Spring Irises', 2001 Oil Painting, Floral.  A lovely delicate iris is executed in this piece. ...
Floral - Painting
30 x 38 inches (76.2 x 96.5 cm)
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(Page 7 of 216) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Jose Freitascruz - Borneo > 2003 The tropical rainforest and tales of maritime exploration continue to be reflected in my work. Indeed, travel and displacement condition my work - the many places I lived in throughout my childhood and those others my chronic wanderlust has led me to since then have always had an impact on the choices and directions I have taken. The knowledge that a new perspective can be acquired over things we believe to be "fixed" triggers curiosity and fosters a certain degree of unconformity. The need to find and learn new ways to depict whatever it is I wish to depict keeps me on my toes and doesn't allow me to settle with the tools or the style I am already familiar with - I am constantly "on the move" and my painting is meant to be a record of the path I move along. Perceived from a distance my approach tends to be cyclic, each cycle divided into series. Progression occurs from the outside in aEUR" from the surface to the core, from a certain degree of figuration to abstraction. Upon tackling each new theme I will be struck by the outward aspect of things and charged with a strong desire ...

    David Larkins - Ii?1/2ve always been intrigued by the luminosity and transparencies found in watercolor, Oil and acrylic mediums. I believe an artist must experience the painting i?1/2 to absorb the surroundings, the atmosphere, to have a oneness with the subject matter before the first brush stroke is applied. My style is described as i?1/2Abstract Realismi?1/2 and my strength is found in the composition. Ii?1/2m drawn to diverse subject matter that challenges the viewer to see abstraction in the ordinary i?1/2 to meld the i?1/2reali?1/2 world with the i?1/2abstracti?1/2. ...

    Ron Anderson - Working as an illustrator and painter for more than 20 years, I have often utilized the figure in narratives to communicate the nature of the human condition. I give each of my characters a role in my paintings that plays out like a scene from a motion picture. Carefully scripted by a personal experience, these characters go about their lives like you and me. Many of my paintings depict tension or energy in some way. The tension is exhibited in an attitude, an action or in some activity on the canvas. The tension is either overt or more kinetic, but is almost palpable in each piece of artwork. The size of my paintings, along with some personal connection, pulls you into the canvas. The drag of an alto saxophone fills the room in one painting while the noise deafens you the smoke chokes you. A fight breaks out in the corner of the room on another canvas while a pool hustler wins a round. The subjects are infinite. Henry O. Tanner, John Sloan, and George Bellows were masters at observing and translating these types of human conditions onto a canvas in oil. My technique, drawn from what I have observed ...

    Lorrie Williamson - As time passes and history is made, it is exciting to try and capture a special moment of life in a painting. It might be inspired by an earth-shaking event or just an ordinary daily experience. More often it comes as a result of looking for something meaningful to say about life as it is today by painting a picture of it. I have a passion for painting, and a ongoing desire to master the never-ending possibilities that are inherent in making art. I hope to express a mood or tell a story that will grab and hold your attention and make you want to see more....

    Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,

    Luise Andersen - Luise'Mignon' Andersen Luise'Mignon' Andersen has only recently begun to reveal her lifes work. Soon after her debut she exploded onto the mainstream art world. Her breathtaking pieces have captured international interest. The stories Luise'Mignon' is telling through her truly deep, layered works seem to decipher the past and foretell the future, perhaps sharing her window to other dimensions and a seventh sense. Her detailed acrylic'Mignon' series speaks to the beholder. They inspire raw emotion and ignite ones imagination. The indescribable nature of the "Duree De Ma Vie" in particular has a growing portion of the art community considering it the conception of an entirely new style. By Maxi c)2006 Guided Through Inner Mind- Intuition- Mental Imagery- I Create The Final Of What I Am Consciously Not Aware Of.. That I Want...... Need... With Each Completed Painting... Eye Of Core Gains a Glimpse Of My Tomorrow.... c) LA I crave.. painting...drawing... sculpting... writing... Like re-inventing my life... my purpose... myself.. .Gives me a direction.. the courage to look at myself ..and find'ME' there... At least for the duration of creating.. ....and once I collect these shards of my core within colors, shapes... form...

    Luise Andersen - Michael Pickett - I donaEURtmt know how IaEURtmm able to do all of this, but somewhere inside me I know that I stand out from the rest, IaEURtmm unique and have some powers that are beyond comprehension. I stay pretty much to myself and I feel like someone who is not from this planet and that there are differences that I readily perceive. All of this makes me self-conscious and also makes me more critical of myself. I judge and criticize myself a lot which I should not, but I do because I feel alienated at times. IaEURtmm vary humble and definitely not better than anyone else. I have so much to achieve, and thataEURtms why I take my own time to do so, there are times when I get irritated and agitated because of keeping a lot of expectations for myself, and when IaEURtmm not able to execute it, I feel low. However, I have to make sure that all these expectations are achievable, not impractical and unfeasible. As a result, I trust my intuition more which allows me to communicate with others. Self-expression and originality are also associated with me. There is a ...

    Judith Fritchman - I cannot remember a time when I did not want to draw or paint. From my earliest childhood days I have found great joy in depicting my surroundings. Compelling images call out to be examined and expressed: a lone oak tree starkly outlined against a curve of corn stubble, a Cezanne-like arrangement of objects on a table as I walk through a room. But of all God's infinitely varied creations, it is the human face and form which most fascinates and humbles me; the possibility of capturing a fleeting aspect of humanity unique to that individual is an endlessly exciting pursuit. After studying at Beaver College, Cedar Crest College, and Lehigh University, I have also studied classical drawing and design for many years with Myron Barnstone at his studios in Coplay, Pennsylvania. There I have learned to examine the work of great artists of the past as instruction and inspiration. Knowing they have pursued similar interests is a gratifying experience, offering the potential for learning something new, and using it to express my own personal images, values, and emotions. It is my hope that each of my works will reflect, in some small way, a facet of the ...