Paintings For Sale - Price Range: $800 - $899

Page 6 of 36
Discover 1,032 original painting artworks for sale between $800 - $899. Contemporary emerging artists: Chris Jehn, Oleg Bezyuk, Carlos Pardo, Kees Van Eyck, Mijal Zachs, Denise Seyhun, Sanjoy Rakshit, Alexandr Ivanov, Alkistis Wechsler, Marek Kasprzak, Alberto Ruggieri, Elaine Lisle, Katarina Radenkovic, Karin Neuvirth, Ghenadie Sontu, Sylva Zalmanson, Korognai Janos, Todd Mosley, Dariya Afanaseva, Francoise Issaly are exhibiting their affordable original art. You can buy artwork online and browse 36 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Oleg Bezyuk: 'the garden of blooming irises', 2017 Oil Painting, Expressionism. In the garden of  blooming irises A talk with the old friend What a reward to a traveler, oil on canvas, irises, Oleh Bezyuk...
Expressionism - Painting
50 x 70 cm (19.7 x 27.6 inches)
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Carlos Pardo: 'she on sundays', 2016 Oil Painting, Cityscape.  She on Sundays  Oil, ink, crete, watercolour, pastel on thick paper 140lbs 25. 6x19. 6 inches 2016 Carlos Pardo Ella los domingos  A
Cityscape - Painting
26 x 20 inches (66.0 x 50.8 cm)
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Kees Van Eyck: 'amore acqua dolce', 2017 Acrylic Painting, Birds. a couple of great crested grebes...
Birds - Painting
54 x 54 cm (21.3 x 21.3 inches)
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Mijal Zachs: 'golden mind', 2017 Acrylic Painting, nature. landscape, gold, ...
nature - Painting
80 x 180 cm (31.5 x 70.9 inches)
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Denise Seyhun: 'national flower', 2017 Oil Painting, Floral. Flowers, floral...
Floral - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Sanjoy Rakshit: 'just as', 2006 Acrylic Painting, Abstract. I am an youngercontemporary artist. There r different type of artistic value, with different isms. I believe which is different that is creativity. Creativity is fundamental essence of life. There are different angle of meaning full ideas thoughts , wondering, many more. Personally, I like to do something different ideas which ...
, 2006
Abstract - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Alexandr Ivanov: 'unhurried flight of fishes', 2016 Oil Painting, Fantasy. phantasmagoria in the sky . . . huge strange fish in the sky above the town...
Fantasy - Painting
100 x 70 cm (39.4 x 27.6 inches)
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Alexandr Ivanov: 'magic city', 2015 Oil Painting, Fantasy.       fantastic landscapeNZ materialized magical powers were transformed into complex architectural structures         ...
, 2015
Fantasy - Painting
70 x 43 cm (27.6 x 16.9 inches)
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Alexandr Ivanov: 'city dreamed', 2015 Oil Painting, Fantasy.       fantastic landscape       city dreamed of the night. Without people, a strange and mysterious  ...
Fantasy - Painting
78 x 87 cm (30.7 x 34.3 inches)
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Alkistis Wechsler: 'Franck in wonderland Nr 2', 2016 Oil Painting, Fantasy.  oil painting on canvas.    ...
Fantasy - Painting
70 x 50 cm (27.6 x 19.7 inches)
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Alkistis Wechsler: 'Franck in wonderland Nr 1', 2016 Oil Painting, Fantasy.  oil painting etc mixed media on canvas....
Fantasy - Painting
70 x 50 cm (27.6 x 19.7 inches)
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Marek Kasprzak: 'Behind the door', 2013 Acrylic Painting, Surrealism.
Surrealism - Painting
98 x 68 cm (38.6 x 26.8 inches)
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Alberto Ruggieri: 'head', 2000 Acrylic Painting, Figurative.  head, psiche, blue   ...
, 2000
Figurative - Painting
65 x 70 cm (25.6 x 27.6 inches)
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Alberto Ruggieri: 'lovers', 2007 Acrylic Painting, Figurative. eros, love, nude, sex, relationship...
, 2007
Figurative - Painting
60 x 60 cm (23.6 x 23.6 inches)
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Elaine Lisle: 'Morning Stroll Cordes', 2011 Oil Painting, Landscape.    Cordes, France, village street scene, oil  ...
Landscape - Painting
9 x 12 inches (22.9 x 30.5 cm)
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Katarina Radenkovic: 'Paris cafe', 2015 Oil Painting, Travel.   On the way to the top is not easy, but with perseverance, will and motivation, everything can be  ...
, 2015
Travel - Painting
50 x 50 cm (19.7 x 19.7 inches)
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Katarina Radenkovic: 'Paris cafe', 2015 Oil Painting, Travel.  I spent some time in Paris. The most charming is cafes on the streets of Paris ...
, 2015
Travel - Painting
50 x 50 cm (19.7 x 19.7 inches)
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Karin Neuvirth: 'Twilight Garden', 2014 Acrylic Painting, Floral.   Abstract floral acrylic painting done with a palette knife.  Dark Sky, Golden flowers, Vibrant colors, on Canvas. ...
Floral - Painting
24 x 36 inches (61.0 x 91.4 cm)
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Ghenadie Sontu: 'Engagement Story', 2015 Oil Painting, Still Life.     Engagement Story - still life, oil painting by Ghenadie Sontu               ...
Still Life - Painting
50 x 60 cm (19.7 x 23.6 inches)
Sylva Zalmanson: 'Affection', 2015 Acrylic Painting, Horses.  Two horses ...
, 2015
Horses - Painting
28 x 24 inches (71.1 x 61.0 cm)
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Korognai Janos: '    Tulip bunch', 2015 Oil Painting, Still Life.                                                                          Catalog number : K15 330                                                                            ...
Still Life - Painting
50 x 40 cm (19.7 x 15.7 inches)
Todd Mosley: 'Have It Your Way', 2015 Acrylic Painting, Popular Culture.        painting, figure, pop art, color, funny, ad, text cutout                 ...
Popular Culture - Painting
24 x 30 inches (61.0 x 76.2 cm)
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Dariya Afanaseva: 'sitting on the stairs', 2015 Acrylic Painting, Erotic.  canvas/ acrylic 50cm x 50cm 2015      ...
Erotic - Painting
50 x 50 cm (19.7 x 19.7 inches)
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Dariya Afanaseva: 'autumn rain', 2014 Acrylic Painting, Abstract Landscape.  canvas/ acrylic/ mixed media80cm x 60cm 2014    ...
Abstract Landscape - Painting
80 x 60 cm (31.5 x 23.6 inches)
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Todd Mosley: 'I Cant Believe I Ate The Whole Thing', 2014 Acrylic Painting, Popular Culture.   painting, figure, pop art, color, funny, ad, text cutout            ...
Popular Culture - Painting
24 x 30 inches (61.0 x 76.2 cm)
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Todd Mosley: 'Where Is The Beef', 2014 Acrylic Painting, Popular Culture.  painting, figure, pop art, color, funny, ad, text cutout           ...
Popular Culture - Painting
24 x 30 inches (61.0 x 76.2 cm)
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Korognai Janos: 'Venetian story', 2014 Oil Painting, Cityscape.                                                                   Catalog number : K14 321                                                                     ...
Cityscape - Painting
50 x 40 cm (19.7 x 15.7 inches)
Katarina Radenkovic: 'sport life', 2014 Oil Painting, Sports. Young people play the game of life. They understoodthe rules. They take their life in their hands and play. . ....
, 2014
Sports - Painting
50 x 50 cm (19.7 x 19.7 inches)
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Francoise Issaly: 'Plis et Formes XII', 2014 Acrylic Painting, Abstract.       Acrylic on canvas        ...
Abstract - Painting
24 x 24 inches (61.0 x 61.0 cm)
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Francoise Issaly: 'Plis and Formes XIII', 2014 Acrylic Painting, Abstract.      Acrylic on canvas       ...
Abstract - Painting
24 x 24 inches (61.0 x 61.0 cm)
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(Page 6 of 36) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Chris Jehn - I am primarily a self taught artist and have always felt creative. I worked my way through college by teaching crafts at an arts and crafts store, everything from embroidery and macrame to tole painting and pottery. I have taken numerous workshops from other practicing artists. Being with a group of other artists creates a synergy that inspires me. I now primarily work with acrylics and collage. I especially love intense color, and have made a study of color composition. One of the main reasons I live in Colorado is because almost everywhere you look there is something wonderful, and IaEURtmm compelled to try to paint what I see and feel. ...

    Carlos Pardo - IN SHORT: INSPIRATION: Concious and unconcious perceptions, my background, all circunstances of my life, experiences, past and present, books and newspapers that I read, films, Internet aEUR|feelings, emotions and a fertile imagination sometimes, all them aid to weave a story that will change alongside the execution of a piece. In my opinion our tradition, for thousands of years, the Arts reflect the vision of a trascendent life beyond our tangible life. THEME: Unreal cityscapes let us a special kind of plasticity. The imagination and feelings are active agents that are modeling the perceptible reality. Transcendent and oniric themes entered and remain in my artwork. In my imaginary urban landscapes there are overlaid elements of towns he has visited, some imagined, and maybe dreamed, but all with a unique feminine soul. The Town is a mother, lover, or daughter of the actions, dreams and passions of those who dwell in them or recall them in the distance. It is an idea in which wander those who have been caught up in its infinite labyrinth. PROCESS: I usually have not idea about what I will show on the surface. There is a lack of a script or previous sketch. Forms are born...

    Kees Van Eyck - My works of art express a metarealistic perception of our world, traditional in the history of Dutch painting. However, the source of my inspiration can also be found in European surrealism as well in American hyper-, and photo realism. In my collection Portraits of Icons of the post-war period of the 20th century I introduced the iconography of our era. These images of celebrities characterise movie-stars, media personalities plus inspirational individuals from the field of music, art, politics and philosophy. With these portraits I pay tribute to famous people with extraordinary gifts and talents, who influenced the development of mankind and left their mark on various fields during the 20th century. My perception of life on Earth is often depicted in a surrealistic manner. My attitude towards our environment is charged with criticism as well as hope for a better future. My paintings aspire to evoke the sense of beauty and to raise awareness of burning issues in todays world....

    Mijal Zachs - My work is a tautological investigation on painting. I started it while reflecting on the representation and simulation of reality, transforming the pictorical realm with the strategies of camuflage. Here, painting is not part of the context, but it's rather created as the support and is mediated by the interlocutor aEUR" the observer. The painting moves seducing the canvas and, as it advances, it copies itself in a mimetic manner and it represents itself as if it were a reflection. The mirror reproduces in a game of viewing, pretending to see itself but being someone else; a subtle vail that faces its condition of mask, guiding us towards reality....or maybe not. Through this investigation I have found different surroundings: from fabrics with given patterns, to tapistries, papers and woods. All of them have relinquished to me their condition and I have established with them a dialogue. The painting, loyal to its author, creates new strategies as it progresses and it developes through roads that intersect with each other and deliniate new trails. Its discourse moves forward with the aEURoeIaEUR being aEURoethe other.aEUR When I intervene without hiding the fabric's pattern, I develope an equilibrium that creates the ilusion ...

    Denise Seyhun - The glowing energy of waves and the foaming seas captivate my soul, and as a result my seascapes, waterfalls, and riverscapes bare witness to my love and admiration for the force and elegance of bodies of water. Main character in my oil paintings is water, which deeply fascinates me, not only as true beauty but also with its transparent colors reflecting in constant motion. As an artist my purpose is to accomplish the portrayal of the emotional tones and depths of shades of truth that are displayed in continuous movement. For this particular reason the unseen and untold dimensions that the undertones and the overtones of bodies of water allow me to experiment with a wide array of colors on my palette. Consequently, my goal is to never repeat myself in my artistic journey as I continue to play with many shades of reflections in water until I have compiled a finite collection of all shades of water....

    Sanjoy Rakshit - Nature is the almost topmost creators. And change is the nature of low. There changing are going on time to time, with the through every moment of step. Which moment is present, that will be past, after will be began new present time, with the new provisional. That feels need to sixth sense. In live to think, all kind of creativity are impressed with this. In huge moment, feels are lots of together, here ability of catching minimum, and this is depend on which is only in our in previous knowledge. My just as series is, spontaneous reflect of inner feelings & sense, which depend on timing .There can be something reality of present -past. Here appearance may would be supernatural atmosphere. There Lines & color able to reflect their own images , & language. So "Just As" trying to judge and define, the rhythmic flow & harmony of present sense, extraordinarily. THANKS. Rakshit ...

    Alexandr Ivanov - OVERCOMING OF LONELINESS Painting as well as any present{true} art is improbably sensitive to an essence of time, its{his} secrets, fears, hopes aEUR| the Rhythm of an epoch, its{his} power, always D1/2DuD3/4ND3/4D*D1/2DdegD1/2D1/2D3/4 are reflected in music, the literary statement, is freakish and D?D3/4N,DdegN'D1/2D1/2D3/4 leave traces on a canvas of the artist. Time silently addresses to the master inquiry. The end of a century of the past - the beginning present ascertained weariness of a postmodernism in which EVERYTHING has been admissible, and any Text became the World in which settled ND,D1/4NfD>>NDoNEURN<, allocated D,D1/2N,,DuNEURD1/2DdegD>>NOED1/2N>NOED1/2D3/4NN,NOE emphasized D,NN++DuNEURD?DdegD1/2D1/2D3/4NN,NOE searches of the modern language, new dialogue with itself and with eternity - all was, was, was. The existential loneliness of the person who has lost in time aEUR| became obvious Alexander Ivanov - very modern and duly artist. Its{his} painting is interesting to me for a long time. That not noticing, it{he} as it seems to me, has passed{has taken place} a complex{difficult} way of influences of a postmodern on its{his} handwriting. I ...

    Alkistis Wechsler - Reality meets myths. Personal visual impressions of chosen English gardens ... lately also Mediterranean seaside, are coming together in imaginative collages and alchemic transformation. . Sensitive to the environment as well as to human interactions and expressions it all translates into visual myths . Not only travels between geographical points, but also a thirst for such trips in the mind through myths and readings of initiatic rituals of metamorphosis, infiltrated as well my art of painting. At the end, every archetype (for example Heliogabalus, Persephone and Artemis) and every movement reaches back to the source of rhythm and scales creating a personal mythology and so I understand my self and the world after each painting is done by a hypersensitive process and not a premeditated rational plan. The seasons or the elements and their rhythm are interwoven with my vision of human soul and the soul of the sea ...

    Marek Kasprzak - The characters, objects, a structure embedded in an unspecified environment is the subject of most of my work. A surreal world full of inscrutable forms of pervasive emotional landscapes of the soul. The beginning is usually only an outline, a boost to the entrance of the land of colors, where the brush shows the way.The content of my images is the result of exploring further layers of smoldering visions. Defining the purpose of the work is unknown, but the temptation to visit the intangible places is huge. This portfolio is the beginning of a journey into the recesses of my imagination. Are you sure that the door which you are knocking at are to open? ...

    Alberto Ruggieri - Ruggieri works in two main areas: as an advertising and editorial illustrator and a painter. For the last ten years his illustrations have been published regularly in most important Italian newspapers and magazines. Ruggieri also illustrates children's books and produces bespoke book covers for several leading publishing houses. His painting are mainly acrylic on canvas, other time mixed media or acrylic on paper; in the last years he use the computer also. Ruggieri's work has been highly commended in industry sponsored awards from all around the world for several years. ...

    Elaine Lisle - A friend recently described my paintings as "the exhuberant expression of people engaged in life." Even when I paint a landscape without figures, I prefer to paint places that include bridges, farmhouses, bicycles, even roadsigns, all evidence of human activity. I complete most of my paintings in the studio from reference sketches and photographs. I work only in oil, because I love the texture, and it is very forgiving if I make a drawing error. If the location allows, I will often complete a small en plein air study on site. I prefer bright warm colors, the long shadows of late afternoon, and some challenge in the composition. I want to make a composition which is complex, so the viewer has much to contemplate. At the same time I often remove elements in the actual landscape if they don't work well with the composition. I might leave the trash out, but put in the newspaper boxes, because I like the bright colors and shapes. My paintings are thoughtful pictures of people engaged in living in a bright, colorful, changing world. Elaine Lisle ...

    Karin Neuvirth - Artist: Karin Lynn Neuvirth - Expressionistic Palette Knife Paintings I grew up on a farm in Southern Minnesota where the winters were always difficult for me. The cold grey days took a toll on my mood and definitely influenced my color palette. I have always been drawn to things with vibrant contrasting colors. These bright colors, (especially the warmer ones) always brighten my mood. I exaggerate the colors in my landscapes in attempt to simulate an oasis in a crazy world. I do most of my work with a palette knife. I begin my paintings with an abstract, colorful under-painting which will direct the entire piece. As I begin to work in the details of the painting, the subject will slowly emerge, leaving a certain level of abstraction which gives a sense of spontaneity. I try to paint a small painting every day and post them to my daily painting blog

    Sylva Zalmanson - Before I became a painter, before I even thought I could, I would look for long hours at the pictures painted by beloved artists and feel their deep pain. I felt that I was not the only one in this world that had a desperate need to make everyone cognizant of this sorrow. Can anything be more important than irresistible art luring and hypnotizing down through the generations with its mysterious riddle and its genius magic touch....

    Sylva Zalmanson - Dariya Afanaseva - All my works are dedicated to the themes of relationship and sensation translated on a language of painting. For example, relationship between people. Relationships human about him/her self and to outward things. And some of my works are about memories and thoughts. And also it is interesting for me to reproduce an eluding moment, an impression in a matter of seconds, fragments of life. Just because everything depends on nuance. Three main styles I work in are abstractionism, expressionism and a bit of pop-art. But these styles are not just as they are, it`s always a combination of them. Some of my Abstract works represent things that aren't visual, such an emotion, mood, feeling, sound and so on. These works are very association. My figurative abstractions are simplifications of reality, where detail is eliminated from recognisable objects leaving only the essence or some degree of recognizable form. Some works are expressive. I just let my intuition guide me. Not to thinking, not to be doubt of anything. It is about trusting the process and setting free the instincts. And also I like decorativeness and beauty of coloring. My choice of medium are acrylic and mixed media ...

    Francoise Issaly - Involved in the visual arts for more than twenty years, my work includes abstract painting, drawing, and occasionally installation art and photography. My approach is serial and cumulative and involves multiplication, superimposition, and/or repetition. My images, gleaned in the course of my travels and intellectual wanderings, are heterogeneous in origin (animals, artefacts, scientific literature, etc.), and I blend them in a systematic and formal way until the possible combinations have been exhausted. My works present dream-like images where the figurative and the formal are melded together; vaguely recognizable forms emerge from a ground that appears homogeneous but whose meaning eludes us. The resulting compositions can give rise to multiple interpretations. By focusing on both ambiguity and familiarity at once--and through numerous variations--I seek to create visual spaces where various realities overlap. My goal is to convey the difficulty of being in the in-between, the oscillation, the blur, and the viewer is constantly coaxed to go there. My interest in the "in-between" goes back to my teenage years when I was studying a text by the philosopher Blaise Pascal in which he writes, "Car enfin, qu'est-ce que l'homme dans la nature ? Un ...