Contemporary Art For Sale Price Range: $2000 - $2999

Page 1 of 161
Over 4659 works of original contemporary art for sale in the price range $2000 - $2999. On this page you can find works by Guy Octaaf Moreaux, Bryan Kemila, Denise Dalzell, Michael Schaffer, Judith Smith Wilson, Dan Shiloh, John Gamache, Lou Posner, Sandra Bryant, Terry Mollo, Engelina Zandstra, Ulrika Leander, Stefan Fiedorowicz, Paulo Medina for the follwing mediums: 1. Links to more artwork and 161 pages for works in the price range $2000 - $2999 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


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Guy Octaaf Moreaux: 'beachday', 2024 Oil Painting, Surrealism. It was a surreal sight that day on the beach.  No pictures allowed but it was imprinted in my memory.Some might see references to two Belgian painters, and indeed I thought about them while I was taking it all in.Oil paint on canvas. Can be shipped stretched or ...
, 2024
Surrealism - Painting
86 x 60 cm (33.9 x 23.6 inches)
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Bryan Kemila: 'meltdown', 2013 Watercolor, Magical. She has a ray gun. Not to melt the ice, but to melt her lover s cock. It s so big, to big for this sweet little girl. She must bring him down. Meltdown actually. She warms to the ice and longs to spread her legs to bring all his ...
, 2013
Magical - Watercolor
12 x 28 inches (30.5 x 71.1 cm)
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Bryan Kemila: 'catnip', 2009 Watercolor, Fantasy. She plays with danger. Holding her pussy for the cat to cuddle. She ties her body in a bow and tries to tease the big cat to attack. Give her the thing she wants. And I don t mean anything unsexual. ...
, 2009
Fantasy - Watercolor
16 x 29 inches (40.6 x 73.7 cm)
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Bryan Kemila: 'piercer', 2014 Watercolor, Death. Beautiful girl will fight for her lover. She has a temper like none has ever seen. She will win her lover and make him surrender to her charms. ...
, 2014
Death - Watercolor
20 x 32 inches (50.8 x 81.3 cm)
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Bryan Kemila: 'sinderella', 2024 Watercolor, Fetish. Asian, Mansion, Beautiful, Lawn, Captivating, Playboy, Hefner...
, 2024
Fetish - Watercolor
31 x 18 inches (78.7 x 45.7 cm)
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Denise Dalzell: 'arabesque', 2023 Acrylic Painting, Abstract. An absrtact monochromatic portrait of an ice skater from the 1920s...
, 2023
Abstract - Painting
36 x 36 inches (91.4 x 91.4 cm)
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Michael Schaffer: 'high desert 6', 2023 Mixed Media, Abstract Landscape. This work is the sixth in the  High Desert  series based on my recent experience at the Joshua Tree National Park in Southern California. ...
Abstract Landscape - Mixed Media
30 x 30 inches (76.2 x 76.2 cm)
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Judith Smith Wilson: 'dinner time', 2023 Ink Painting, Wildlife. Wolves...
Wildlife - Painting
14 x 11 inches (35.6 x 27.9 cm)
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Michael Schaffer: 'high desert 5', 2023 Mixed Media, Abstract. Abstract landscape painting depicting the high desert landscape of Joshua Tree National Park in Southern California. ...
Abstract - Mixed Media
40 x 30 inches (101.6 x 76.2 cm)
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Dan Shiloh: 'stone portrait', 2023 Stone Sculpture, Portrait. Black volcanic stone abstract sculpture ...
Portrait - Sculpture
20 x 45 cm (7.9 x 17.7 inches)
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Dan Shiloh: 'embrace', 2023 Stone Sculpture, Body. White stone sculpture man and woman embracing...
, 2023
Body - Sculpture
30 x 30 cm (11.8 x 11.8 inches)
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John Gamache: 'time to come in dear', 2023 Oil Painting, Representational. Canvas Oil, Sunsets are very emotional, not wanting the Day to end, Play time is over, ...
Representational - Painting
28 x 22 ( x )
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Michael Schaffer: 'high desert 3', 2023 Mixed Media, Abstract. This painting is the fourth work from the High Desery series. ...
Abstract - Mixed Media
36 x 24 inches (91.4 x 61.0 cm)
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Lou Posner: 'portrait of dru dougherty', 1984 Oil Painting, Portrait. Portraitof an old college friend, reading, who wound up being the Chairman of the Dept.  of Spanish and Portuguese at the University of California at Berkeley.  Wrote extensively about the Spanish poet, Valle- Inclan.  Also, Dru is one of history s finest poets.  In his youth, a baseball player and ...
Portrait - Painting
20 x 24 inches (50.8 x 61.0 cm)
Dan Shiloh: 'bruegel copy the havest', 2023 Acrylic Painting, Landscape. Bruegel harvest copy ...
Landscape - Painting
100 x 70 cm (39.4 x 27.6 inches)
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Michael Schaffer: 'high desert', 2023 Mixed Media, Abstract Landscape. Last month, I visited Joshua Tree in Southern California.  It was quite inspiring.  The rock formations and the blue sky was really quite amazing.  A great inspiration for an abstract landscape. ...
Abstract Landscape - Mixed Media
30 x 40 inches (76.2 x 101.6 cm)
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Sandra Bryant: 'robin with lilies', 2022 Mosaic, Floral. This lively glass mosaic features intricate floral arrangement with a robin. ...
Floral - Mosaic
23 x 26 inches (58.4 x 66.0 cm)
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Guy Octaaf Moreaux: 'crows in summer', 2023 Oil Painting, Nature. This is the second variation on the same theme , crows.  A stylized colorful version painted in oils on canvas.  I started out deconstructing the first painting, and ended up with this.  It is a first step towards abstraction of the haiku, the crows painting.  Canvas ships in a roll. ...
Nature - Painting
120 x 81 cm (47.2 x 31.9 inches)
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Terry Mollo: 'stone flower', 2023 Stone Sculpture, Figurative. A colorful combo of greens and cranberries, this alabaster wanted to be a flower.  ...
Figurative - Sculpture
17 x 15 inches (43.2 x 38.1 cm)
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Terry Mollo: 'caffe latte', 2023 Stone Sculpture, Abstract. This alabaster stone is a display of tan and beige and ivory striations and that is what inspired this piece. ...
Abstract - Sculpture
6 x 18 inches (15.2 x 45.7 cm)
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Guy Octaaf Moreaux: 'haiku the crows', 2023 Oil Painting, Nature. It s cold and quietThe birds have leftThe crows remainedAcrylic and oil paint on canvas.Ships in a rollBirds, winter forrest, figurative, landscape...
Nature - Painting
120 x 81 cm (47.2 x 31.9 inches)
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Engelina Zandstra: 'composition 6798', 2022 Acrylic Painting, Abstract. Acrylic painting on canvas. Original artwork. Composition, maybe a landscape.  Composition in planes, lines and shapes. Acrylic on stretched canvas of which the sides are painted. Certificate of authenticity included. Ready to hang.I call my paintings  Landscapes of the mind , because they are inspired by images that I have ...
Abstract - Painting
100 x 90 cm (39.4 x 35.4 inches)
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Engelina Zandstra: 'composition 6795', 2022 Acrylic Painting, Abstract. Acrylic painting on canvas. Original artwork. Composition, maybe a landscape.  Composition in planes, lines and shapes. Acrylic on stretched canvas of which the sides are painted. Certificate of authenticity included. Ready to hang.I call my paintings  Landscapes of the mind , because they are inspired by images that I have ...
Abstract - Painting
100 x 90 cm (39.4 x 35.4 inches)
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Engelina Zandstra: 'composition 6782', 2022 Acrylic Painting, Abstract. Acrylic painting on canvas. Original artwork. Composition, maybe a landscape.  Composition in planes, lines and shapes. Acrylic on stretched canvas of which the sides are painted. Certificate of authenticity included. Ready to hang.I call my paintings  Landscapes of the mind , because they are inspired by images that I have ...
Abstract - Painting
110 x 90 cm (43.3 x 35.4 inches)
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Engelina Zandstra: 'composition 6043', 2021 Acrylic Painting, People. Acrylic painting on canvas. Original artwork. Composition, maybe a landscape.  Composition in planes, lines and shapes. Acrylic on stretched canvas of which the sides are painted. Certificate of authenticity included. Ready to hang.I call my paintings  Landscapes of the mind , because they are inspired by images that I have ...
People - Painting
80 x 100 cm (31.5 x 39.4 inches)
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Ulrika Leander: 'fragments of landscapes', 2020 Tapestry Art, Nature. My subject matter is primarily related to the inspiration that I find in the colors, shapes, and movement in the natural world in all its forms  my work is about expressing and conveying the feelings of joy, peace, and tranquility that come with the contemplation of Nature. I use a...
Nature - Tapestry Art
66 x 22 inches (167.6 x 55.9 cm)
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Guy Octaaf Moreaux: 'threads of the willow', 2018 Oil Painting, Nature. Haiku from OmitsuraOh how green The threads of the willow Over the sliding watersOil on stretched canvas.  Canvas can be rolled for easy transport. ...
Nature - Painting
140 x 90 cm (55.1 x 35.4 inches)
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Stefan Fiedorowicz: 'memory on a blank slate', 2009 Oil Painting, Abstract. John Lockes concept of the tabla rasa inspired this painting. Individuals are born without built- in mental content. All knowledge therefore comes from perception and our senses. ...
Abstract - Painting
70 x 50 cm (27.6 x 19.7 inches)
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Paulo Medina: 'sowing', 2022 Acrylic Painting, Abstract. Siembra. ...
, 2022
Abstract - Painting
146 x 188 cm (57.5 x 74.0 inches)
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Paulo Medina: 'pluie', 2022 Acrylic Painting, Abstract. lluvia. rain. ...
, 2022
Abstract - Painting
146 x 183 cm (57.5 x 72.0 inches)
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(Page 1 of 161) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Guy Octaaf Moreaux - Since the end of August 2019 I moved back to Brussels, Belgium. The three years I spent in Kenya have been super interesting and moved me to paint my african impressions. I feel privileged to have learned so much of this wonderful part of the world which was quite foreign to me before. Life is full of emotions about people, nature, things etc...and leaving Kenya will be hard indeed. One of the biggest luxuries in life, is to live surrounded by beauty. This is what I am trying to do. And yes one can see beauty everywhere...it is a state of mind. Harmony is an integral part of beauty, this is what I am trying to convey in my work. It is indeed a necessity for me to create. It has always been this way for as far as I can remember. Not creating makes me feel empty and unfulfilled. In every day life it pervades all my actions, from cooking to finding different places to visit, walk, etc....Have a look at the furniture I created lower in my portfolio. The architects who sold my furniture were the first ones to sell my paintings. For painting, nature ...

    Bryan Kemila - Artist Statement Bryan Kemila ------------------------------ PENDING ------------- BIOGRAPHY Bio - Bryan Kemila - Watercolour painter - Acrylic painter - Oil painter - Sculpting - Critical observer of current events. - Nothing on the planet is quite as compelling as the woman. I was born in Dinsmore, Saskatchewan, Ive learned a number of skills. The list includes small engine repair, electrical wiring, construction, furniture building, commercial painting, sign painting, commercial graphics, logo design, bookkeeping and small business practices. As it turns out, the brush control and lettering skills improved. After 2 years of consistent practice, I realized my efforts surpassed the samples in the books. Gratitude must be given to the instruction on layout and design in The Mike Stevens Journal. I launched my own sign business, which I consider a successful enterprise. In my early years, sign painting involved simply a small tin of poster paint and a grey-squirrel tail brush. Back in the day, grocery stores used hand-painted, large paper banners to advertise their weekly specials. So I was good to go into business with minimal overhead When I retired just this past year, the sign business had since evolved devolved to computer software, vinyl-cutter equipment and stick-on letters. Layout and design still remain ...

    Denise Dalzell - Painting. Illustration. Expressionism. Pop Art. Modern. Realism and, occasionally, a bit of Abstraction. My current work centers on my consideration of how we respond to each other, the stories that develop between us and around us, and how our collective stories reflect on and influence us individually. How our stories bounce off each other and combine to create new stories. My paintings are illustrations of the scenes that I encounter during my travels abroad and in daily life so, some scenes are more sweeping than others. How do we, as people of differing backgrounds, cultures, and experiences interact with each other Are we different people in a crowd than when alone How do we fit in or stand out where we find ourselves at any given moment, in any given story Stories are everywhere, and thereaEURtms no predicting what theyaEURtmll reveal. Body language, movement, color, contrast combine to illustrate my scenes of interaction between people and within environments. The excitement of being a part of something as unifying as a protest, the sense of adventure that comes from starting out with no particular destination, intimate moments with those we love and those we discover in the big events...

    Michael Schaffer - Exploring the realms of color, texture, drama, and feelings are the main ingredients of my art work. To inspire the viewer to deal with the issues presented to him is my goal. To inspire the viewer to interpret and react is my passion. I hope you have been inspired... or at least have an opinion. Art and life have many of the same ingredients for us to enjoy....

    Judith Smith Wilson - Welcome to the world of exotic animals and culture as seen through the eyes of this extraordinary artist. Follow the mood as Ms. Wilson leads you to the darkest regions of Africa and beyond.....She has been specializing in Animal Wildlife Paintings and portraits of people for over 40 years. She is a will known animal ecologist, and belongs to many wildlife organizations, including the East African Wildlife Society. Ms. Wilson has traveled to Kenya East Africa, and Rwanda East Africa, three times. She also has had the privilege to observe the endangered Mountain Gorillas in the Virunga Mountains, and all of Africa's wonderful wildlife. Ms. Wilson has cared for many injured wild animals, eventually releasing them back to their native habitat. One of these animals, a bobcat named "Precious" was not able to be released, and remained a beloved friend to her family for over twenty years. She has shown her work in Nairobi and Rwanda East Africa, and many Galleries in the United States over her 40 year career. Her work is currently being shown in San Diego, Los Angeles California and The Fine Art museum in Owensboro Kentucky. Also in Owensboro at'Gallery 412' and'Grey ...

    Dan Shiloh - I was born in Jerusalem Israel. I attended an officers nautical school and served in the navy as an engineer on a destroyer. After the navy I moved to Chicago USA and studied architecture at U of I Chicago campus and graduated in 1972 . I moved back to Israel and opened an architectural office in a small settlement in the Galilee region which became very successful. I retired about 10 years ago and opened as a hobby a black smith studio where I made metal sculptures. In 2009 I moved to Tel Aviv and started painting and sculpting in clay which I do up to these days. I was always interested in arts and I enjoy my painting and sculpting very much. Every year I travel to Florence Italy for at least a month where I paint and sculpt in the Accademia de Arte. I think its about time to share my work with the public and I hope it will enrich the homes of who ever likes my works....

    John Gamache - If I come across something of interest that will be a focal point for me to build on, that excites my passion for elements of the pastaEUR"old, cast-off objects,aEUR"run down barns, old junk cars, and abandoned houses. These are the objects I collect and infuse with new life through my paintings. When I create such a piece, I wish to convey the emotions I feel for the scene or objects to the viewer. I want the viewer to be an active participant in my joy, melancholy, humor, nostalgia. Through my textures, layers, earth-tones, and choice of images, I strive to convey these feelings. To me, the process of creating a work is transcendental I am completely lost in the making, I am part of each piece. It does take time to finish each painting as I work on several at once. Each painting is a slow build up of many layers to reach the final detailing. My goal is to create and master my craft, not just in the painting but in the feelings Ive described previously to the viewer. To elicit emotion will make the piece and my goal complete as a work of art. ...

    Lou Posner - FLASH New offer on the classic 1982 Posners Pocket Guide to Oil Painting. Hand-written, then reproduced by offset process. Hand-assembled. Original, unique art attached to EVERY cover. No two alike. Some in oil paint, some in other media. Collectors item. Best pocket guide to oil painting, ever. For beginners as well as advanced artists. 450 dollars each plus first class postage. Indiana residents add 7 percent sales tax to merchandise not including postage and shipping. Selection of cover art offered, but not guaranteed. Use email messaging here to contact the artist. No postage if you pick it up about 10 mi. north of Tell City, Indiana. Not set up for credit card sales. Check or cash only. Buy one or more, OR later on, kick yourself in the behind for passing up a real bargain and an investment opportunity. After you reach the main or first Posner portfolio page, the tour is pretty intuitive. Please click on an image to enlarge it and bring up further details about the piece of art and a description or story about it. Once you have done this, you may also click on zoom-in, a function, which may or may not...

    Sandra Bryant - For us, mosaic is a form of magic. The process of breaking down large sheets of glass, finding that perfect glass for each small piece, that just right hue, level of transparency and surface texture that will speak to what IaEURtmm trying to say with this glass aEURoebrush stroke.aEUR The medium is always a joy and a challenge, cutting the perfect shape and size tesserae to create that feeling. The overall theme of our artwork is a resolute celebration of this life of our world, both our own creations and of natural things. Mosaic carries a message of wonder, not only in the monuments and architecture of our surroundings, but also of the hope intrinsic in this celebration...

    Terry Mollo - ARTISTS STATEMENT Stone is my most important medium. The attributes of stone motivate me to seek and appreciate the beauty that has evolved with time and natures forces. Whether marble, travertine, alabaster, agate, onyx, each piece has its own story to tell. Its hues, striations, translucence, brilliance- and faults- have history and mystery to unlock. While carving I listen to the stone and carve only enough to find, and unleash, its organic lines and its aEURoevoice.aEUR Im inspired by the point at which natures organic form meets the inorganic. I concentrate on the force and tension created between the two, and search for the line that is formed by their union. In my sculpture, organic and inorganic form often conjure human emotion, human condition. Natures sea forms, shells and waves, suggest human form, depth, fluidity, texture, tone. Botanicals are sensuous with leaves and flowers that appear muscled and fleshy. Stems of flowers, such as orchids or lilies, stand tall, appear happy or courageous and proud, while other stems are viney or gnarled and appear desperate or defeated. All are similar to the ways in which the anatomy and musculature of the human body reflect its deepest feelings and emotion. Terry ...

    Engelina Zandstra - In the labyrinth of my thoughts there are many roads that are leading to the unknown. many roads are leading to the unknown - around every corner a surprise - fata morganas unprecedented views - paintings designed according to laws of their own. ...

    Ulrika Leander - My subject matter is primarily related to the inspiration that I find in the colors, shapes and movement in the natural world in all its forms my work is about expressing and conveying the feelings of joy, peace, and tranquility that come with the contemplation of Nature. I use a traditional weaving technique while constantly striving to extend my ability to capture nuances of color tone and structure. I work with a vertical tapestry loom together with the highest quality tapestry yarns from Scandinavia. I explore and develop my ideas through the medium of watercolor. When I reach the point where I feel that I am ready to commit to devoting 5-6 months or more to transforming my ideas into a tapestry, the outline of the water color design is traced and then digitally enlarged to the full size of the final tapestry. This enlargement provides the map for guiding the hand-weaving process while the watercolor provides the guide for the selection of the yarn colors and tones. During weaving, multiple fine threads of varying thicknesses are blended to achieve the delicate variations in the color tones of the watercolor. ...

    Stefan Fiedorowicz - The emotion in my work comes from somewhere deep down, and can speak to the inner part of each person... My work is intuitive and color is the language that I use to express an emotion. It is the interaction of colour that interests me. Painting does not come easy all the time, the more I paint the more difficult it becomes, or more exactly, the more I get stage fright. Sometimes anxiety can reach a high intensity that I get sick with it. I offer my work so that people can perhaps see some parts of themselves reflected in the work. I donaEURtmt ever stop painting in my mind.When I am lying in bed and cannot sleep I see paint moving across the ceiling and imagine it spilling and pouring as it flows through the cracks and converging in every corner. THESIS INTERVIEW WITH LYRICAL ARTIST STEFAN FIEDOROWICZ Personal Influence 1. Who are the artists both contemporary and historical that you can truly say have been a significant influence on your personal work Describe why for each artist. I would have to say that Kandinsky would be my all time inspirational artist. I have seen many exhibitions ...

    Paulo Medina - Para mA, el arte, ha sido como una pequeA+-a barca en donde he cruzado muchas veces el mar. Una barca frA!gil y pequeA+-a, sin embargo, capaz de cruzar hacia grandes horizontes. La barca ha sido un instrumento Aotil, pero nada mA!s... La pintura es poesAa silenciosa SimA3nides Artistic experience, as a spectator, and then, more directly, as an artist, has meant for me the possibility of transcending and reaching certain spaces that are intangible, but lived daily. As a creator, to be in front of a blank canvas or a digital image to be manipulated, is to be faced with a challenge that of translating to the language of forms, textures and colors something that has not yet been conceptualized, but that exists somewhere and that I desire to capture, expressing it through those materials and tools at my disposal. It thereby becomes a kind of game, in which time disappears and one enters into communion with the aesthetic experience with its infinity of moments, which go from pain to ecstasy. Self-taught experimentation in the field of art, has been for me one of the great pleasures of life. La experiencia artAstica ...