Monoprints

Page 1 of 6
Donna Gallant, Engelina Zandstra, William Christopherson, Tamara Sorkin, Kathryn Arnold, Robert Arnold, Suzanne Benton, Michael Weatherly offering original Monoprints artworks.


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Donna Gallant: 'prairie grasses 55', 2022 Monoprint, Floral. Influenced by prairie plant and grasses, this image was created with the actual objects with layered printing processes. ...
Floral - Monoprint
5 x 7 inches (12.7 x 17.8 cm)
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Donna Gallant: 'prairie grasses 67', 2022 Monoprint, Floral. Based on wild plants a prairie grasses this piece creates interesting layered images. ...
Floral - Monoprint
8 x 10.5 inches (20.3 x 26.7 cm)
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Donna Gallant: 'snowdrops 2', 2009 Monoprint, Floral. Red tulips with little white snowdrops. Big and little, light and dark are a play with the composition. ...
Floral - Monoprint
24 x 18 inches (61.0 x 45.7 cm)
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Donna Gallant: 'white lily 1', 2009 Monoprint, Floral. A white lily than looks like itAC/a,!a,,C/s singing. ItAC/a,!a,,C/s joyful and light. ...
Floral - Monoprint
24 x 18 inches (61.0 x 45.7 cm)
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Engelina Zandstra: 'composition 1819', 1998 Monoprint, Abstract. The screen prints I make are monoprints on paper, my own printing. I. e. of each work is only one copy, no edition. Paper size 50 x 65 cm. I will be sent in a tube....
Abstract - Monoprint
35 x 45 cm (13.8 x 17.7 inches)
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Engelina Zandstra: 'composition 1730', 1998 Monoprint, Abstract. The screen prints I make are monoprints on paper, my own printing. I. e. of each work is only one copy, no edition. Paper size 50 x 65 cm. I will be sent in a tube. ...
Abstract - Monoprint
35 x 45 cm (13.8 x 17.7 inches)
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Engelina Zandstra: 'composition 1786', 1998 Monoprint, Abstract. The screen prints I make are monoprints on paper, my own printing. I. e. of each work is only one copy, no edition. Paper size 50 x 65 cm. I will be sent in a tube. ...
Abstract - Monoprint
35 x 45 cm (13.8 x 17.7 inches)
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Engelina Zandstra: 'composition 1753', 1998 Monoprint, Abstract. The screen prints I make are monoprints on paper, my own printing. I. e. of each work is only one copy, no edition. Paper size 50 x 65 cm. I will be sent in a tube. ...
Abstract - Monoprint
35 x 45 cm (13.8 x 17.7 inches)
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William Christopherson: 'Keewaydin Mansion Framed', 2010 Monoprint, Landscape.
Landscape - Monoprint
26 x 22 inches (66.0 x 55.9 cm)
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Tamara Sorkin: 'monoprint no title', 2010 Monoprint, Abstract.
Abstract - Monoprint
15 x 18 cm (5.9 x 7.1 inches)
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Kathryn Arnold: 'it all comes down to this number 2', 2020 Monoprint, Figurative. kathryn arnold, monprint, on paper, paper size 22 x 30...
Figurative - Monoprint
14 x 18 inches (35.6 x 45.7 cm)
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Kathryn Arnold: 'it all comes down to this', 2020 Monoprint, Figurative.  kathryn arnold, monprint, on paper, paper size 22 x 30...
Figurative - Monoprint
14 x 18 inches (35.6 x 45.7 cm)
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Kathryn Arnold: 'i can only think about this number 3', 2020 Monoprint, Figurative. kathryn arnold, monoprint, on paper, figure with drape, 22 x 30 archival paper size...
Figurative - Monoprint
13.5 x 10 inches (34.3 x 25.4 cm)
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Kathryn Arnold: 'i can only think about this number 2', 2020 Monoprint, Figurative.  kathryn arnold, monoprint, on paper, figure with drape, 22 x 30 archival paper size...
Figurative - Monoprint
13.5 x 10 inches (34.3 x 25.4 cm)
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Kathryn Arnold: 'i can only think about this', 2020 Monoprint, Figurative. kathryn arnold, monoprint, on paper, figure with drape, 22 x 30 archival paper size...
Figurative - Monoprint
13.5 x 10.5 inches (34.3 x 26.7 cm)
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Robert Arnold: ' A House on Wahl Court', 2009 Monoprint, undecided.   Ink on paper  ...
undecided - Monoprint
7 x 5 inches (17.8 x 12.7 cm)
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Tamara Sorkin: 'human imprint 2', 2009 Monoprint, Abstract Figurative.
Abstract Figurative - Monoprint
10 x 10 cm (3.9 x 3.9 inches)
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Tamara Sorkin: 'human imprint 1', 2009 Monoprint, Abstract Figurative.
Abstract Figurative - Monoprint
10 x 10 cm (3.9 x 3.9 inches)
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Tamara Sorkin: 'human imprint', 2009 Monoprint, Abstract Figurative.
Abstract Figurative - Monoprint
10 x 10 cm (3.9 x 3.9 inches)
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Tamara Sorkin: 'nude monoprint 2009', 2009 Monoprint, Figurative.
Figurative - Monoprint
10 x 10 cm (3.9 x 3.9 inches)
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Tamara Sorkin: 'double monoprint', 2009 Monoprint, Abstract.
Abstract - Monoprint
18 x 25 cm (7.1 x 9.8 inches)
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Tamara Sorkin: 'abstract monoprint 2009', 2009 Monoprint, Abstract.
Abstract - Monoprint
20 x 15 cm (7.9 x 5.9 inches)
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Robert Arnold: 'On Being an Artist in America in 2008 2', 2008 Monoprint, Conceptual.  Ink on paper. ...
Conceptual - Monoprint
8.5 x 11 inches (21.6 x 27.9 cm)
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Robert Arnold: 'On Being an Artist in America in 2008 1', 2008 Monoprint, Conceptual.  Ink on paper. ...
Conceptual - Monoprint
8.5 x 11 inches (21.6 x 27.9 cm)
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Robert Arnold: 'Il papa ha nuova pattini rossi di Prada', 2005 Monoprint, Conceptual.  Ink on paper. ...
Conceptual - Monoprint
8.5 x 10 inches (21.6 x 25.4 cm)
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Suzanne Benton: 'Balance', 2013 Monoprint, History.  Balance monoprint with Chine collAfA(c) ...
, 2013
History - Monoprint
17.8 x 13.5 inches (45.2 x 34.3 cm)
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Suzanne Benton: 'Maiden and the Night Sky', 2013 Monoprint, History.  Maiden and the Night from Paintings in Proust series, monoprint with Chine collAfA(c) ...
History - Monoprint
13.5 x 17.8 inches (34.3 x 45.2 cm)
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Michael Weatherly: 'Old Man in Hat', 2014 Monoprint, Figurative.  Linoleum cut  ...
Figurative - Monoprint
24 x 32 inches (61.0 x 81.3 cm)
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Michael Weatherly: 'Woman II', 2015 Monoprint, Figurative.  Linoleum cut with Chine Colle  ...
, 2015
Figurative - Monoprint
8 x 10 inches (20.3 x 25.4 cm)
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Vanilia Majoros: 'Vase of Flowers', 2014 Monoprint, undecided.
undecided - Monoprint
20 x 20 inches (50.8 x 50.8 cm)
(Page 1 of 6) - MORE ARTWORKS

Artists Describing Their Art:

Donna Gallant - Art is a daily routine in my life. I see, hear, taste, feel and smell the life that surrounds me and I am inspired by the simplest aspects of this world. Whether it be the way the light hits an object or the way objects or forms move in space. I find it all so fascinating and alive. I try to portray these experiences and expressions through my art making....

Engelina Zandstra - In the labyrinth of my thoughts there are many roads that are leading to the unknown. many roads are leading to the unknown - around every corner a surprise - fata morganas unprecedented views - paintings designed according to laws of their own. ...

William Christopherson - The viewer sees a finished canvas. The artist relishes its journey of creation. A thought, a feeling, an experience, a place. These are the most essential of supplies as the artist tasks to expand, explore, and evolve along the path. All are welcome here, to view, appreciate contemplate, and possess the journeys I have made, and the journeys yet to come. Over the past several years I have explored the oil medium, borrowing technique from both historical and present day impressionism. Its a medium I love to work in, even though my wardrobe and studio surfaces have suffered immensely. Much of my work now reflects the pallet knife, and explores a prolific use of heavy colorful brush stroke. Everything continues to evolve, and thats a good thing Enjoy. William Christopherson, 2017 ...

Tamara Sorkin - I have always worked from organic subjects- plants, animals, or the human body, but usually I arrive at an abstract, "zoomorphic" description, that enables me a wider perspective. ...

Kathryn Arnold - Artist Statement Kathryn Arnold c2021 My work contains two intertwining veins. One is filled with large, colorful oils on canvas. The other are my drawings which are black and white mixed media works on paper. Both display the density and layered mark-making that points to my process and content. The work is a result of intuitive nonobjective processes and contains my search for visual magic. The sense of touch and chaotic energy of color and marks play an important role in building up layers that function to create an encompassing, enveloping field and bewildering space. Sometimes there is an introduction of a grid-like form with recognizable imagery playing upon it. These become reference points and their intrinsic relating form poetry, a type of interplay between subjective and objective reality. from Ginsberg Howl ...and who therefore ran through the icy streets obsessed witha sudden flash of the alchemy... PAINTINGS marks kinetic sensation chaotic energy a building a destruction emotional complex bewildering spaces autobiographical references major dreams minor non-dreams Materials oil canvas composition leaf gouache ink watercolor acrylic charcoal conte soft pastels oil pastels pencil polymer medium spray paint enamel varnishes rice papers newspapers collage Arches hot-pressed 100 ...

Robert Arnold - For a long time now, I have been interested in squares with five sides. Most people call these pentagons, but I donaEURtmt because of the obvious political implications. LetaEURtms just say that a square with five sides is far more interesting than a square with four sides. My work is often about things involving five; five letters to Filippo Lippi, as well as a variation on the painting that Filippo might have painted after receiving those five letters, five new red Prada pope shoes. Some of those works are here. I am also interested in things that donaEURtmt involve five, and some of those are also here. Ever since I was a child, I have been very interested in Italy. Although I am not Italian, I grew up in an Italian neighborhood in Buffalo, was heavily influenced by my Italian friends and their parents and worked for a number of years in a restaurant in Buffalo that was owned by an Italian gentleman and frequented by the mafia. I also like to travel to Italy, and very much like the way the Italian people live their lives. Someday I may live there. Although I donaEURtmt understand ...

Robert Arnold - Michael Weatherly - Art speaks to anyone. It can lift your spirits, provoke your thoughts and calm your emotions. A continuing desire to grow and express has driven my creation of original works - The past and the present connect. Creating a work of art is, having traveled various roads through experimentation until reaching the culmination of an organic art form implementing abstract-figurative elements that emphasize textures and non-conventional forms. It is through experimentation and the search of new techniques that I imprint my work with imagery that reminds us of the natural world. For me, creating is a liberating experience - I am always in a happy state even during the times when I struggle with the process. The creative journey starts with a concept - it's just me and the blank canvas, paper or object...my senses awaken...the process is a thrill ...I progress through stages...it becomes. Michael J Weatherly ...