Ceramic Sculptures

Page 3 of 5
Bobbie Newman, Bruce Naigles, Alice Buttress, Karen Brown, Depree Shadowwalker, Martin Glick, Terry Mollo, Austen Pinkerton, Ildiko Toth offering original Ceramic Sculptures artworks.


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Bobbie Newman: 'The Story', 2005 Ceramic Sculpture, Love. Nude lovers on an ornate couch, the male wearing a crown and telling a story, the female listening intently - Stained Bisque ware....
, 2005
Love - Sculpture
5 x 5 inches (12.7 x 12.7 cm)
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Bobbie Newman: 'Lovers in Woods', 2005 Ceramic Sculpture, Love. Glazed, Colorful, Romantic - Clinging Lovers walking in woods, with tree and many flowers...
Love - Sculpture
8 x 8 inches (20.3 x 20.3 cm)
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Bobbie Newman: 'Saturday Night', 2005 Ceramic Sculpture, nudes. White Bisque Nude young Female Figure putting on nylon stocking. Felt protector on bottom...
nudes - Sculpture
5 x 4 inches (12.7 x 10.2 cm)
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Bobbie Newman: 'Sun Bather', 2005 Ceramic Sculpture, nudes. Nude bisque female figure seated, facing the sun. Delicate limbs, art deco feel. Felt protectors on bottom...
, 2005
nudes - Sculpture
3 x 4 inches (7.6 x 10.2 cm)
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Bobbie Newman: 'Am I Blue', 2005 Ceramic Sculpture, Figurative. Blue and black glazed nude female dancer like figure sitting in reflective pose...
, 2005
Figurative - Sculpture
6 x 5 inches (15.2 x 12.7 cm)
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Bruce Naigles: 'African Torso', 1994 Ceramic Sculpture, Figurative. : I remember the model, Asta, half Ugandan, half Norwegian, as a wonderful blending of female sensuality and masculine stregnth. The torso is lifesize and is also available in bronze. ...
Figurative - Sculpture
16 x 32 inches (40.6 x 81.3 cm)
Alice Buttress: 'Anubis Jar', 2001 Ceramic Sculpture, History. Anubis Canopic Jar. Handthrown and sculpted from clay, glazed and Raku fired. This piece is enhanced by the lovely copper tones and deep turquoise highlights created in the glaze by the post firing reduction....
, 2001
History - Sculpture
4 x 10 inches (10.2 x 25.4 cm)
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Alice Buttress: 'Egyptian Jar', 2001 Ceramic Sculpture, History. Egyptian Pharaoh Canopc Jar. Handthrown and sculpted in stoneware clay. High fired unglazed....
History - Sculpture
4 x 9 inches (10.2 x 22.9 cm)
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Karen Brown: 'Faceted Biovoid', 2003 Ceramic Sculpture, Technology. Raku ceramic and holography sculpture...
Technology - Sculpture
9 x 12 inches (22.9 x 30.5 cm)
Depree Shadowwalker: 'Alter', 1997 Ceramic Sculpture, Inspirational. Alter was created with the energies of Martin Luther King and Mahatma Gandhi, two proactive individuals who used their inner vision and voice to create change. Alter has one hand open to be able to let go of non- life- affirming and negative emotion. The other hand is holding on ...
, 1997
Inspirational - Sculpture
0 x 51 inches (0.0 x 129.5 cm)
Depree Shadowwalker: 'Fallen Warrior', 2002 Ceramic Sculpture, Representational. She is a strong woman, fully capable to navigate their future.She makes her way with the trusted mare that carries her and her child to safety. This sculpture is about single mothers who lack the support of the father of their child, the fallen warrior. So this sculpture is ...
Representational - Sculpture
9 x 9 inches (22.9 x 22.9 cm)
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Depree Shadowwalker: 'Ravens Gift', 1999 Ceramic Sculpture, Ethnic. Raven and Humming Bird dance in the dawn our solar system' s planets alignment that happened in the last decade.Raven' s gift to the world is the sun. Raven reminds us that in blackness everything is the same, only when we create and bring forth our gifts into the ...
Ethnic - Sculpture
11 x 20 inches (27.9 x 50.8 cm)
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Martin Glick: 'Daphne and the River God', 2010 Ceramic Sculpture, Mythology.   Daphne in order tyo escape  being ravaged by Apollo calls upon the river god Peneus to help her.  He does so by changing her into a tree.  this sculpture is shown in patinated stoneware and will be sold in a limited bronze edition.  Size is approximate  ...
Mythology - Sculpture
30 x 42 inches (76.2 x 106.7 cm)
Martin Glick: 'Daphne and the River God', 2010 Ceramic Sculpture, Mythology.  Daphne in order tyo escape  being ravaged by Apollo calls upon the river god Peneus to help her.  He does so by changing her into a tree.  this sculpture is shown in patinated stoneware and will be sold in a limited bronze edition.  Size is approximate ...
Mythology - Sculpture
30 x 42 inches (76.2 x 106.7 cm)
Martin Glick: 'Daphne and the River God', 2010 Ceramic Sculpture, Mythology.    Daphne in order tyo escape  being ravaged by Apollo calls upon the river god Peneus to help her.  He does so by changing her into a tree.  this sculpture is shown in patinated stoneware and will be sold in a limited bronze edition.  Size is approximate   ...
Mythology - Sculpture
30 x 42 inches (76.2 x 106.7 cm)
Terry Mollo: 'Danzante', 2004 Ceramic Sculpture, Dance. Dancing....
, 2004
Dance - Sculpture
24 x 34 inches (61.0 x 86.4 cm)
Terry Mollo: 'Man', 2000 Ceramic Sculpture, Figurative. The figure of a man emerges from a tree. This original piece is stoneware with a bronze patina and has a marble base. It can be reproduced in various materials....
, 2000
Figurative - Sculpture
7 x 7 inches (17.8 x 17.8 cm)
Terry Mollo: 'Pelvis Model', 2001 Ceramic Sculpture, Figurative. This stoneware piece is the original maquette for the marble pelvis above....
Figurative - Sculpture
8 x 7 inches (20.3 x 17.8 cm)
Terry Mollo: 'Sea Creatures', 2003 Ceramic Sculpture, Abstract. Henry- Moore- like forms in a push- pull configuration; these are two separate formations on one base. They do not touch. The piece is stoneware with a silver- bronze patina. One- of- a- kind....
Abstract - Sculpture
14 x 10 inches (35.6 x 25.4 cm)
Terry Mollo: 'Matters of the Heart', 2003 Ceramic Sculpture, Love. Two hearts in a sensual dance. The original maquette designed for the commissioned ( pink) stone piece called One In Love, this piece is stoneware with a bronze patina. It can be custom reproduced in a variety of materials....
Love - Sculpture
15 x 14 inches (38.1 x 35.6 cm)
Terry Mollo: 'Cannot See The Forest', 2000 Ceramic Sculpture, nudes. A celebration of peopled trees, connected and rooted. Very difficult to depict two- dimensionally in one photograh, but other views ( photographs) are available; contact the artist. The piece is stoneware with a bronze patina but can be custom reproduced in various materials....
nudes - Sculpture
23 x 19 inches (58.4 x 48.3 cm)
Terry Mollo: 'Male Chest', 1998 Ceramic Sculpture, nudes. Male chest; a crucifixion- like pose. Stoneware piece on a marble base. Can be custom- reproduced in various materials....
, 1998
nudes - Sculpture
11 x 9 inches (27.9 x 22.9 cm)
Terry Mollo: 'Autumn Leaves', 2002 Ceramic Sculpture, nature. They look out on the sunset of a late summer evening, stand near each other, enfolded together in a caring way. They resemble the random autumn leaves that fall around them. This piece is stoneware with a bronze patina, another edition is available in cast stone. The piece can be ...
nature - Sculpture
17 x 20 inches (43.2 x 50.8 cm)
Terry Mollo: 'Hope', 2000 Ceramic Sculpture, Inspirational. A woman emerges from stone. This original shown is stoneware with a bronze/ emerald green patina, but the piece can be ordered in cast stone, bronze, bonded bronze or a variety of materials, some suitable for outdoor placement....
, 2000
Inspirational - Sculpture
11 x 15 inches (27.9 x 38.1 cm)
Terry Mollo: 'Entanglement', 2000 Ceramic Sculpture, Love. Lovers organically entwined and ensnared by their roots, long for each other but barely touch. This is the original stoneware piece with bronze patina. It can be recreated in bronze, bonded bronze, cast stone, and/ or reproduced in a material suitable for outdoors....
Love - Sculpture
22 x 30 inches (55.9 x 76.2 cm)
Austen Pinkerton: 'RECUMBENT RHINOCEROS', 2010 Ceramic Sculpture, Other.
Other - Sculpture
12 x 6.5 inches (30.5 x 16.5 cm)
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Austen Pinkerton: 'Robot', 2006 Ceramic Sculpture, Figurative.
, 2006
Figurative - Sculpture
8 x 19 inches (20.3 x 48.3 cm)
Ildiko Toth: 'Malaga Installation1', 1994 Ceramic Sculpture, Architecture. Handbuilt Powder Room fantasy, inspired by the beauty of Andaluzia, with sculpturesque accessories for uniquespaces....
Architecture - Sculpture
78 x 52 inches (198.1 x 132.1 cm)
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Ildiko Toth: 'Malaga Installation 2', 1994 Ceramic Sculpture, Architecture. Handbuilt, functional for Powder Room...
Architecture - Sculpture
10 x 10 inches (25.4 x 25.4 cm)
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Ildiko Toth: 'Malaga Installation3', 1994 Ceramic Sculpture, Architecture. Wet wall for Powder Room...
Architecture - Sculpture
78 x 52 inches (198.1 x 132.1 cm)
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(Page 3 of 5) - MORE ARTWORKS

Artists Describing Their Art:

Bobbie Newman - BOBBIE NEWMAN - CHICAGO SCULPTOR I sculpt scenes to express the beauty of human beings in a simple moment, and also scenes which depict my own revelations about life. I hope you enjoy them. I'm happy to do a commission from a photo of anything you may desire: A house, a pet, a person. I can also help you create the idea for depicting your subject. Please contact me to see more work and answer any questions. My work has been sold in Chicago at Objects, Joy Horwich, Merrill Chase Water Tower Place, Chiaroscuro, Erie Street Gallery and Lill Street Gallery....

Bruce Naigles - From a philosophical standpoint, all that we perceive in the world of form is an outer expression of an inner dynamic. Though my work is predominantly figurative, I find it to be the art of giving form to the formless; ideas, emotions, relationships, events. These are by their very nature intangible and essentially abstract, though they continually alter and effect our physical reality. We read them through our intuitive understanding of body language, much as snow blown about on a winter's day reveals the invisible movement and form of the wind. To 'clothe' these subliminal qualities in human figures and bring them forth in a sculpture, whether it be a simple figure inspired by a model's beauty or an allegory of our human condition, is the basic goal and driving force in my work. ...

Alice Buttress - My name is Alice Buttress and I live the lovely highland village of Carrbridge near the Cairngorm Mountains in Scotland. I have been working with clay for the past twenty years and sell my work mainly from my Studio in Carrbridge and at exhibitions. I work in stoneware and porcelain, sculpting, handbuilding and throwing in a traditional representational style. I fire my work in an electric kiln and gas Raku kiln with post firing reduction. Also for the past 7 years I have been chainsaw carving wood sculptures for the garden, most popular carvings are owls, squirrels, and bears. Inspiration for my work comes from historic cultures, legends and my surroundings in the Scottish Highlands....

Martin Glick - As a realistic sculptor I have often been accused of running against the tide of the more modern and abstract movements, but if you take a good look at the work the design is abstract. The look of the work may be, at first glance academic or classical, but the composition is very much in today's idiom. There is a strong sense of movement. Even in the symmetrical sculptures you feel as if they are about to move, like a stop motion camera. They all invite invite you to walk around and see the other side. There is often a strong emotional element and or a narrative. In some sense I am a story teller. Even when viewing one of my portraits you see the subject. Their history and personality is in their face for you to see and to react to. I have been told that my sculptures have something that is unique. There is a twist to the norm, a twist of the form, an emotional element that is mine. It is my heart and my particular view of the world. No price quoted on a sculpture means that it is at a gallery. All i inquiries...

Terry Mollo - ARTISTS STATEMENT Stone is my most important medium. The attributes of stone motivate me to seek and appreciate the beauty that has evolved with time and natures forces. Whether marble, travertine, alabaster, agate, onyx, each piece has its own story to tell. Its hues, striations, translucence, brilliance- and faults- have history and mystery to unlock. While carving I listen to the stone and carve only enough to find, and unleash, its organic lines and its aEURoevoice.aEUR Im inspired by the point at which natures organic form meets the inorganic. I concentrate on the force and tension created between the two, and search for the line that is formed by their union. In my sculpture, organic and inorganic form often conjure human emotion, human condition. Natures sea forms, shells and waves, suggest human form, depth, fluidity, texture, tone. Botanicals are sensuous with leaves and flowers that appear muscled and fleshy. Stems of flowers, such as orchids or lilies, stand tall, appear happy or courageous and proud, while other stems are viney or gnarled and appear desperate or defeated. All are similar to the ways in which the anatomy and musculature of the human body reflect its deepest feelings and emotion. Terry ...

Austen Pinkerton - Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In all my...

Ildiko Toth - I studied art, design and master ceramics in Hungary, Budapest.I advance studied set design and architecture in the United States.I was introduced to the fascinating world of sculpting by my Master Artist:Zsuzsa Morvay of Hungary. My traveling throughout the World inspires and helping me to find the tools to complete my task: To define The Poetry-of-Clay. In my work I strive to combine the valuable essence of centuries into creations of art objects-to be placed in today's architectural enviroment.My goals include working with new materials, discovering, combining and stretching their possibilities. ...