Sculptures For Sale

Page 3 of 114
Eric Jacobson, Diana Carey, Andrew Wielawski, Emilio Merlina, Youri Messen-jaschin, Robin Antar, Bob Dornberg, Jacques Malo, Luise Andersen, Paul Freeman, Martin Glick, Micha Nussinov offering original Sculptures artworks.


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Diana Carey: 'Come Walk With Me', 2018 Steel Sculpture, Abstract. Abstract steel sculpture, powder coated...
Abstract - Sculpture
7.5 x 4 inches (19.1 x 10.2 cm)
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Diana Carey: 'Aftermath', 2018 Steel Sculpture, Abstract. Abstract steel sculpture, powder coated blue chrome...
, 2018
Abstract - Sculpture
10 x 7 inches (25.4 x 17.8 cm)
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Andrew Wielawski: 'face', 2018 Marble Sculpture, Representational. A tiny head carved from a river stone. The world s best marble scraps were often thrown into the river I took this from, and could easily have been part of a block Michelangelo had cut from the mountains. His quarry was higher up the same river. ...
, 2018
Representational - Sculpture
1 x 2 inches (2.5 x 5.1 cm)
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Emilio Merlina: 'knocking on heaven s door', 2017 Mixed Media Sculpture, Fantasy.
Fantasy - Sculpture
34 x 25 cm (13.4 x 9.8 inches)
Youri Messen-jaschin: 'attractor', 2017 Mixed Media Sculpture, Optical. Op art sculpture | Plexiglas | Glass | screen printing |Packaging, insurance, transport not include in the price.A(c) photographyGiorgio SkoryA(c) Youri Messen- JaschinA(r) Prolierris CH 8033 ZA1/4rich...
, 2017
Optical - Sculpture
49 x 40 cm (19.3 x 15.7 inches)
Youri Messen-jaschin: 'harmonia mundi', 2017 Mixed Media Sculpture, Optical. Op art sculptureGlass + Plexiglas + LEDPackaging, insurance, transport not include in the price.A(c) 2017 photography Giorgio SkoryA(c) Youri Messen- JaschinA(r) 2016 Prolitteris Zurich...
Optical - Sculpture
61.5 x 139 cm (24.2 x 54.7 inches)
Robin Antar: 'decorative bowl fluorite', 2015 Stone Sculpture, Undecided. a decorative bowl...
Undecided - Sculpture
13 x 3 inches (33.0 x 7.6 cm)
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Robin Antar: 'flight', 2015 Stone Sculpture, Abstract. onyx, abstract, energy...
, 2015
Abstract - Sculpture
7 x 7 inches (17.8 x 17.8 cm)
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Robin Antar: 'embrace', 2012 Stone Sculpture, Abstract Figurative. embrace, 2 people, stone, art, ...
, 2012
Abstract Figurative - Sculpture
17 x 36 inches (43.2 x 91.4 cm)
Robin Antar: 'l heart knot', 2010 Marble Sculpture, Abstract. forms, ribbons, movement, marble, ...
Abstract - Sculpture
22 x 16 inches (55.9 x 40.6 cm)
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Youri Messen-jaschin: 'harmonia mundi', 2017 Other Sculpture, Optical. Op art sculpture Plexiglas, Glass, computer + LED(r) Prolitteris Zurich...
Optical - Sculpture
82 x 140 cm (32.3 x 55.1 inches)
Bob Dornberg: 'BARREL copyright ', 2016 Steel Sculpture, Abstract. FLORIDA, ARTIST, SCULPTURE, NEW SMYRNA BEACH, ABSTRACT, STEEL, ...
Abstract - Sculpture
0 x 0 inches (0.0 x 0.0 cm)
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Youri Messen-jaschin: 'Pleiades II', 2016 Other Sculpture, Optical.  Op art Mobile | brass + PlexiglasPackaging, insurance, transport not include in the price.Youri Messen- Jaschinenjoy the vidA(c)o
Optical - Sculpture
115 x 150 cm (45.3 x 59.1 inches)
Emilio Merlina: 'in my garden', 2016 Steel Sculpture, Fantasy.
Fantasy - Sculpture
19 x 20 cm (7.5 x 7.9 inches)
Emilio Merlina: 'keys in hand', 2015 Mixed Media Sculpture, Fantasy.
Fantasy - Sculpture
21 x 49 cm (8.3 x 19.3 inches)
Emilio Merlina: 'the swing', 2015 Mixed Media Sculpture, Fantasy.
, 2015
Fantasy - Sculpture
38 x 63 cm (15.0 x 24.8 inches)
Jacques Malo: 'Signature', 2013 Bronze Sculpture, Abstract.
, 2013
Abstract - Sculpture
12 x 18 inches (30.5 x 45.7 cm)
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Luise Andersen: 'No V When Hands Touch Clay JANSIXFOURTNo', 2014 Other Sculpture, Abstract.
Abstract - Sculpture
5 x 7 inches (12.7 x 17.8 cm)
Luise Andersen: 'No III When Hands Touch Clay JANSIXFOURTN', 2014 Other Sculpture, Abstract.  . . size will fluctuate during process of work. . will be larger in length/ height , once completed. . depends on feel during creating. . and how hands respond . . ...
Abstract - Sculpture
5 x 7 inches (12.7 x 17.8 cm)
Luise Andersen: 'No II When Hands Touch Clay January FiveFrteen', 2014 Other Sculpture, Abstract.
Abstract - Sculpture
7 x 5 inches (17.8 x 12.7 cm)
Luise Andersen: 'When Hands Touch Clay JANFIVEFOURTN', 2014 Other Sculpture, Abstract.   JAN. 5,2014- -  continued in facial expression. . feel. . opened eyes. . form forehead. . intend to move on towards sides of face. . back of head. .if. . cannot bake in oven. . I will get air dry terra cotta clay. . is available in several hues. . maybe I could even mix. . never tried before. . Just...
Abstract - Sculpture
7 x 5 inches (17.8 x 12.7 cm)
Paul Freeman: 'Cosmos', 2009 Other Sculpture, Cosmic.  acrylic painting on canvas   ...
, 2009
Cosmic - Sculpture
60 x 45 cm (23.6 x 17.7 inches)
Paul Freeman: 'Scout Ant', 2011 Other Sculpture, Animals.  copper repousse metalwork sculpture  ...
, 2011
Animals - Sculpture
10 x 7 cm (3.9 x 2.8 inches)
Paul Freeman: 'Radiant Man', 2011 Other Sculpture, Figurative.  copper repousse metalwork sculpture ...
Figurative - Sculpture
10 x 10 cm (3.9 x 3.9 inches)
Martin Glick: 'Endymon', 2011 Stone Sculpture, Figurative.    Endymon was the young Greek man that fell in love with the moon.  this alabaster torso is reaching for the object of his obsession.  Because  the veining of the alabaster interfered with the classical form of the male, I painted the stone and then waxed the surface.  The feel of...
, 2011
Figurative - Sculpture
24 x 14 inches (61.0 x 35.6 cm)
Martin Glick: 'Laura', 2011 Ceramic Sculpture, Figurative.   This is a rare piece for me to do.  Something that is purely decorative & hopefully pretty.  the face and the flowers are sort of Art Deco, but the tree column on which she is mounted is Art N0urveau.  ...
, 2011
Figurative - Sculpture
10 x 23 inches (25.4 x 58.4 cm)
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Martin Glick: 'Laura', 2011 Ceramic Sculpture, Figurative.  This is a rare piece for me to do.  Something that is purely decorative & hopefully pretty.  the face and the flowers are sort of Art Deco, but the tree column on which she is mounted is Art N0urveau. ...
, 2011
Figurative - Sculpture
10 x 23 inches (25.4 x 58.4 cm)
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Martin Glick: '  Puck', 2011 Bronze Sculpture, Dance. Puck is a character in both the play and the ballet A Midsummers Night DreamPuck is an impish character that is very wise.  This sculpture is a patinated bronze dancer on top of a chrome plated steel hoop.  ...
, 2011
Dance - Sculpture
20 x 33 inches (50.8 x 83.8 cm)
Micha Nussinov: 'Scarecrow', 2010 Mixed Media Sculpture, Farm.   A double face with opposing spheres rotating on a pole. Made from recycled matters, wood, aluminume tube, plastic ricota draining dishes, colour mixing palate, wooden sticks, paint tube, acrylic spheres, epoxy, oil paint, screw, wires and. . . ...
, 2010
Farm - Sculpture
51 x 61 cm (20.1 x 24.0 inches)
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Vincenzo Montella: 'Lady', 2009 Aluminum Sculpture, Abstract.
, 2009
Abstract - Sculpture
22 x 48 cm (8.7 x 18.9 inches)
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(Page 3 of 114) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Eric Jacobson - My work is influenced by a variety of sources from mandalas to contructivism "drawing in space" and nature: artists like David Smith, Mark Di Suvero, Miro, Picasso, etc. My current work incorporates brass tubing with mobiles and water. Some of these create sound as well. I have also created steel "frames", often octagonal that enclose a series of elements floating within this environment. I have been exploring the use of depth(perspective), color and balance in my work. I am very interested in the "layers" that make up each person's life history and mind, and therefore create layers in my sculpture to symbolize this. I often see things in the world as having an" inner and an outer", sometimes revealed to the world at large and sometimes hidden. This includes the human mind. People often keep parts of themselves hidden or protected even sometimes from themselves. Sometimes thes things are revealed in artwork. My sculptures also involve the relationship of the natural and man-made environments and the balance or imbalance between them....

    Diana Carey - I developed a passion for the creation of metal forms while studying at the Academy of Art in San Francisco. Each piece is unique and is discovered as I create it. There is no direct path from one piece to the next, instead, each evolves from the material. Once I start working on the piece I move with it as it starts taking shape. I want the metal to flow, the pieces to be light and airy, counterbalancing the rigidity of the steel I am working with. My sculptures are there to be touched and felt. Touching my sculptures can move a person along the same wavelength I felt as I was creating it. I know a piece has succeeded when I see smiles on the faces of people looking at it. People have said that my work makes them happy as they see and experience it. ...

    Andrew Wielawski - Art must communicate ideas and have them received the way the artist intends, reaching as many viewers as possible to provoke an emotional response. If you go for those who are in the know about artistic periods, about current trends, and about a symbolic language that requires training to understand, then the artist will miss a huge audience. The artist then becomes a slave to styles created by others. If on the other hand, you work towards reaching multiple levels of viewers, then your task becomes more difficult, and at the same time, more fulfilling. An artist who creates a language will not fit into any already existing niche, and will alienate those looking for something they already know about, like gallerists, collectors and museums. Creativity, however, is like water...it will find its way around such obstructions, and bring the artist satisfaction and a clientele that appreciates what they create without regard for what's in fashion. Most of all, this way of producing reflects the rarity of truth in a world mostly dedicated to superficial values. ...

    Emilio Merlina - I was born in 1950 in the North East of Italy from a polish mother and a sicilian father. I toured the world until I was 35, then I returned to Italy and picked up again my old passion painting and sculpture. As for myself, I can only say thoughts and paintings, paintings and thoughts. Everything maybe useless, however everything is life. i?1/2The human being leaves its signs, graffiti, indian dreams and imagination. Now I only have left a few more possibilities to express the colors which are not. Only the sign, scratched, angry or brushed is the witness. The sign has passed from there and there it has lived.i?1/2 Emilio Merlina Some hear if a door opens Others hear a latch which opens or closes Others more they hear the Angel when he turns over a page of the Great Book From the novel Missa Sine Nomine By Ernst Wiechert I have words which relegate my hunger And the hunger which owns my body but which do not confine them I have words which are both my confined hunger and body By the Italian poetess Paola Lovisolo ...

    Youri Messen-Jaschin - Award 1963 1st Prize of contemporary engraving Center of Engraving Geneva MusA(c)e daEURtmart et daEURtmHistoire Geneva 1966 Grant of the Swedish state for study at the University of Gothenburg research in the textil in Op art 1969 USA Gould corporation 1st prize for the realization of a Op art sculpture 1970 2 nd prize for a textile work - electro-acoustic, University of Gothenburg 1971 1 st prize for a textile work - electro-acoustic, RAPhsska Museum Gothenburg 1985 Italiy Centro Studi e Ricerche delle Nazioni World Culture Award Statue of Victory 1985 1985 Centro Studi e Ricerche laEURtmAccademia daEURtmEuropa Diploma of Appointment of Academician of Europe for its cultural and professional activity 1986 Diploma European SchowmenaEURtms Union For his sincere efforts on behalf of the European ShowmenaEURtms Union we hereby extend our special appreciation to. Bruxelles IV73 1987 Diploma of nomination Golden Elephant for the merits that he acquired to the cause of the circus Schweizer National Circus GebrA1/4der Knie Rapperswil 1998 Installation Award Certificate of Merit Research in Op art Angel Orensanz Foundation, Center for the arts, New York 2000 Aim for Arts, International juried exhibition, celebrating artistic achievement Federation of ...

    Robin Antar - My abstract pieces depict the waves of thoughts moving through my mind at various moments. Sometimes, I sit in front of the stone, shut my eyes and meditate before starting the art process. I think of the form I need to create to transfer feelings of tranquility onto these works. When I feel angry, I attack the stone with the same mass array of sharp and powerful tools such as 7-inch diamond blades and high-powered air hammers, to chisel away and eliminate my stress, anxiety, and frustration. These emotions vanish as they are infused into the rock. Its true beauty of these sculpture lays not merely in its physical presence, but in its soul. My point is to bring a dead rock to life. What better way than to give it a physical shape and breathe my emotions into its grooves ...

    Bob Dornberg - Art ELEMENTS include; relationships of objects, shapes, lines, spaces, colors, rhythm and balance. ELEMENTS are seen when observing any work. An artist should learn while observing, exploring and inventing. While subject matter is important, it should remain subservient to these ELEMENTS. MY WEBSITES:

    Jacques Malo - A native of Cap de la Madeleine, Jacques Malo began his studies in fine arts at College and the University of Quebec at Trois-Rivieres, Quebec, Canada. During these years of training, he further explores the materials and assembly techniques of modern sculpture. In 1982 my artistic journey really took off, going away more and more of domination and the influence of my teachers of fine arts. The importance I attach to the spontaneity in the creative process was problematic in sculpture. Then I began to make an approach using Styrofoam as a material and the technique of direct carving, allowed me to shape volumes with a gesture so eager to be possible in size, the images arose in my mind. To get a solid finish and acceptable, I used the fibreglass, resin and paint spray. This artistic journey was the subject of my solo exhibition at the Imagier, gallery of art in Aylmer in 1984. The event'Sculptors at work' allowed me to explore other material, marble. Always with the technique of direct carving, I began to explore this area in order to truly know its challenges and achieve more, to measure my ability to overcome such material. ...

    Luise Andersen - Luise'Mignon' Andersen Luise'Mignon' Andersen has only recently begun to reveal her lifes work. Soon after her debut she exploded onto the mainstream art world. Her breathtaking pieces have captured international interest. The stories Luise'Mignon' is telling through her truly deep, layered works seem to decipher the past and foretell the future, perhaps sharing her window to other dimensions and a seventh sense. Her detailed acrylic'Mignon' series speaks to the beholder. They inspire raw emotion and ignite ones imagination. The indescribable nature of the "Duree De Ma Vie" in particular has a growing portion of the art community considering it the conception of an entirely new style. By Maxi c)2006 Guided Through Inner Mind- Intuition- Mental Imagery- I Create The Final Of What I Am Consciously Not Aware Of.. That I Want...... Need... With Each Completed Painting... Eye Of Core Gains a Glimpse Of My Tomorrow.... c) LA I crave.. painting...drawing... sculpting... writing... Like re-inventing my life... my purpose... myself.. .Gives me a direction.. the courage to look at myself ..and find'ME' there... At least for the duration of creating.. ....and once I collect these shards of my core within colors, shapes... form...

    Paul Freeman - I am an artist working in ceramic and metal on a small scale of size. The works are lyrical and convey an interest in the benevolent character of human beings. The morality of the represented people conveys a feeling of pleasant engagement. I am inspired by people's everyday interactions, the good attitude that keeps society running. There is nothing that people of goodwill cannot resolve. I also paint and do computer art and have a degree in Master of Studio Art from Sydney College of the Arts (University of Sydney)....

    Martin Glick - As a realistic sculptor I have often been accused of running against the tide of the more modern and abstract movements, but if you take a good look at the work the design is abstract. The look of the work may be, at first glance academic or classical, but the composition is very much in today's idiom. There is a strong sense of movement. Even in the symmetrical sculptures you feel as if they are about to move, like a stop motion camera. They all invite invite you to walk around and see the other side. There is often a strong emotional element and or a narrative. In some sense I am a story teller. Even when viewing one of my portraits you see the subject. Their history and personality is in their face for you to see and to react to. I have been told that my sculptures have something that is unique. There is a twist to the norm, a twist of the form, an emotional element that is mine. It is my heart and my particular view of the world. No price quoted on a sculpture means that it is at a gallery. All i inquiries...

    Micha Nussinov - Nussinov's Statement Oct 2012 Drifting, being transient, in between various states of body/mind, like when we travel physically and with our imagination, as in a 'waking dream'. My work represents a world of ambiguity and illusion, of recognized and abstracted scenes embedded as a tapestry of matter, illustrating different relationships. Somewhere in the process of creating artworks these worlds are mixed in an harmonious and conflicting manner, representing the contradiction and collision between languages and landscapes. At all times the viewer is challenged to unfold the mystery, to explore and discover. The works of art are created not through a planned process but rather the starting point is an impulse, a visual or musical trigger. These signals lure the me into the unknown territories where my intuition and inner vision leads to spontaneous discoveries. As a teenager my box camera was an excuse to drift away from trouble, to capture in a photo something, that was at the same time ambiguous and exciting. As a cinematographer/ director of documentaries from1976 to1980 I was acknowledged as an acute observer of people and an highly experimental filmmaker. I have been working in various fields of the arts, consistently for the ...