Artists Describing Their Art:
Martin Montez - Well...I'm self taught. I let my native american and native earthling experiences influence my work. I don't believe there are mistakes in art. Anything created by a person is insight into however crazy, skewed or thoughtful a persons being is. Embrace it all. I believe if we as humans could learn to appreciate other humans artwork, even if we don't like it, we could learn to appreciate each other AS humans and not; black, white, mexican, iranian, scott etc...our differences are only our clothes and experiences. We were made by God. If we're good enough for him, we ought to be good enough for each other. This earth has two things it'll be known for when it's all over. Art, like music and visual arts....and the fact we kill each other instead of help each other. Let's focus more on ART!...
Alkistis Wechsler - Reality meets myths. Personal visual impressions of chosen English gardens ... lately also Mediterranean seaside, are coming together in imaginative collages and alchemic transformation. . Sensitive to the environment as well as to human interactions and expressions it all translates into visual myths . Not only travels between geographical points, but also a thirst for such trips in the mind through myths and readings of initiatic rituals of metamorphosis, infiltrated as well my art of painting. At the end, every archetype (for example Heliogabalus, Persephone and Artemis) and every movement reaches back to the source of rhythm and scales creating a personal mythology and so I understand my self and the world after each painting is done by a hypersensitive process and not a premeditated rational plan. The seasons or the elements and their rhythm are interwoven with my vision of human soul and the soul of the sea ...
Lubomir Korenko - For many years and after all my experiences, I devote myself to expressive and abstract painting. I find inspiration all around me, in the natural landscape, people's behaviours and world events. I like to experiment with different styles of painting but at the moment my preferred medium is watercolour because of its independence. The colours on the paper blend and run together, creating wonderful and often unexpected compositions on their own. I also think the most important thing about my art is drawing. The line is an integral part within the structure of making art. My work always begins with line and continues, adding the texture of drawing to the painting. I always charge my paintings with some energy and I try to present a visualisation of my soul, flow of energy and strong emotions. I always tell a story but I still like to leave the door open for a viewer's imagination, so he can enter the world in my paintings and create his own stories. ...
Nathalie Vin - When not working on fixed commissions or client-led designs, Nathalie is drawn to expressing philosophical notions, "permanence and impermanence, life and death, man versus nature, the future and our responses to it." There are undoubtedly recurrent themes in her work, an outcome of her innate instincts and interests. She is fascinated by the notion of the essential'now', that ever-fleeting moment when eternity is glimpsed but never retained. She is intrigued by nature and how small our human concerns are in comparison to it. The concept of microcosm within the macrocosm and how fragments are echoed and repeated to form the larger picture, embodies her work. Her fundamental activity is with fine art mosaics but her life and explorative curiosity informs her art, working with installation (perhaps the most monumental example of this is The Glow project), film, commissioned photographic documentaries for Holocaust Memorial day, sculpture and painting. Considering the process, Nathalie's work investigates the small and how it builds into a larger whole. Whether she is making film, a mosaic piece or an installation she puts elements together like a puzzle. These could be mosaic tiles, wood elements, photographic or video images, memorabilia of people's ...
Margaret Stone - Here we are, physically cemented to the earth by gravity. But - our imaginations stretch and soar, taking us beyond our planet and connecting us with far places in the universe. Being part of this, do we indeed live and bloom in a cosmic garden? Ah, perhaps so. I am exploring this connection in my new artwork....
Elizabeth Bogard - My art is about life. I Paint Life When Life Is Art, expressing what I see around me aEUR" people, places, moments in time - subjects I connect with on some level aEUR" intellectual, spiritual, or emotional. I find it better to let the subject come to me rather than deliberately seeking it. I believe that an artist must experiment in order to grow. Lately I am creating stylish collages using torn and cut papers from vintage and antique sheet music. As Pablo Picasso said, I begin with an idea and then it becomes something else. When this happens to me, the results are exciting. E. K. Bogard ...