Paintings For Sale - Price Range: $500 - $1000

Artists Describing Their Art:

Ozzie Kajtezovic - All my paintings are original and unique,I don't make copies I don't make prints when you purchase painting you can be sure that there is only one painting like that.Each painting is painted with profesional oil paints and protected to last forever.There is collections of 45 paintings painted in last 2 years on locations of New Mexico and Arizona. Thank you Ozzie...

Aniko Hencz - I have been drawing and painting ever since I could hold a pencil in my hand...Most of my works are inspired by nature, buildings and personal feelings which end in abstract or conceptual paintings and drawings - it all depends on my mood. My favorite technique is watercolor and ink, but I also like to paint with acrylic or oil. Another medium I create in, is digital art, where my works are the creations of my imagination. I like to experiment and learn new techniques, thus I ventured myself in creating jewelry. When Im not painting, I make one of a kind beaded and wire wrapped pendants. I sell my pieces worldwide, commission works are also welcome - contact me if you wish something special. ...

Michael Kehrlein - painter,sculptor,textile artist ,My creations fit perfectly(sic) in a wabi sabi urban zen environment. Because I stubbornly believe all the care my hands give to each and every process of my textile creations or stone sculpture creates something more than just a "look." It may be subtle, but you know when you wear or touch. You know when that piece ages with you. You feel the thought of that person, who made it for you, the invisible. I work with "slow" materials, not flashy, not necessary pretty, not cheap, not easy, but those that will give a soul to the piece. I would like to offer you the best and unique. I hope you enjoy them as much as I do. ...

Mark Schwing - Ideally the artist is employed by society at large. The artist helps define culture and culture makes us who we are in whatever time and place we are at. Of course most of us are not living in caves anymore but even then art helped society function; helped the hunter hunt, showed people what to do. Art is still showing people what to do in a way. Whether it is raising awareness by showing what is going on, teaching by example or simply exploring ideas that give people ideas. My art is about ideas as much as anything else but it is a surrealistic and intuitive approach. So what is presented isn't a literal interpretation, it is more like exploring the idea with art. It is really another reality. It mirrors our reality and/or it is influenced by our reality. I can't help but be affected by what is going on around me and I am interested in the transcendental as well. Please visit my website, www.markschwing1.com, for more images....

Daniela Isache - Expressionism is my way to show the world as I see it. Since I was young, I looked at the world differently from my friends. I saw a strange world, wondering why the other people did not see it like me. The world I saw was unjust and made of unhappiness. Looking profoundly at the people's faces, I found them very expressive and I was stroked by their strange traits. I have never seen beautiful or ugly faces but only very expressive ones. Then, I began to paint these faces and I met my future love - Expressionism. At that time, I discovered and understood that the expressionist painting could express the life as I see it. I applied my Expressionism without making any concession to the beautiful or decorative painting. I applied it with force and sometimes with despair. However, when finishing a painting I felt released. I felt as if all my pain and troubles came out of my life. The dramatic motifs I found in everyday life created insurmountable interrogations and tensions. I became calm, but when I looked at my painting, I saw there fear, sorrow and I understood that my Expressionism saved me. Some people ...

Christine Montague - Christine Montague is a professional award winning visual artist known for her portraiture commissions, figurative landscape art, and polar bear oil paintings. Why polar bears The character and spirit of the bears, their high intelligence think great ape, their solitary lifestyle, excellent mothering skills, their place in our world, and the very landscape they wander in, embodies all that I have tried to represent in my other artworks - spirit, character, intelligence, personality, solitude without loneliness, discovery, mindfulness, joy, beauty, escape. Travels to the Canadian arctic Iqaluit Cape Dorset in Nunavut and subarctic Churchill,Manitoba, Canada - polar bear capital of the world and my stay at the Churchill Northern Studies Centre Churchill, Manitoba, Canada, furthered my education and wonder for these magnificent bears and the magical landscape and skyscape - the northern lights. Polar bears are definitely a canary in the coal mine symbol of climate change and my polar bear paintings often symbolize this potential for great loss as their numbers reduce. The effect vanishing ice has on the survival of the polar bear resulted in my series such as the Sink Swim Series. But other works simply pay tribute to this wonder animal in its magical, mysterious environment of frozen ...

Randy Sprout - I grew up in a small town in Northern Iowa, played football, coached the swimming team, and graduated from the University of Iowa with a BA in printmaking studying under Mauricio Lasansky. I then went into the Army and ended up pulling 13 months in Korea on the DMZ. Coming out of Korea I entered UCLA and earned a MA and MFA in printmaking while studying under Jan Stussy and Stanton Mac-Donald Wright. The next year after the funds dried up on my Fulbright Award to Portugal, because of the Angola War, I was lucky to get hired by USC where I taught printmaking as a junior faculty member. I also replaced professors at UCLA when they went on sabaticals, and taught one year at Pierce College. In 1977 I tried Real Estate, you know just for the summer, but by fall I had purchased Century 21 Hollywood Inc. and had a new vocation going. Now 31 years into real estate, I'm coming full circle and starting to paint little quick studies 9X12. I'm using just 1/2 inch brushes and 5 colors. I intentionally limit my time to 2 hours after which I stop and throw ...

Linda Paul - Artists Statement" When asked 'What is your favorite painting', I always say, 'the next one I am going to paint!" Style: I don't paint in any one style, I let inspiration speak to me and I go with the flow. My work runs the gamut from chunky realism to abstract and impressionist painting. I use many different mediums to create my artworks. One of my favorites is egg tempera which I make by crushing stones and minerals and adding egg yolk. Blues come from crushed lapis lazuli, greens from malachite and natural green earth found around Verona Italy. I even use minerals found during hikes in the Rocky Mountains. I am captivated not only by the purity and naturalness of this medium, but by the science of it. Each pigment has its own set of properties and capabilities that must be explored. How better to express visions of the earth than with earth itself. This medium is luminous and lasts for centuries. also make my own acrylic paint in the same manner. By adding pure pigment to a acrylic polymer. I can add thing like crushed mica and pearlescents to make the painting come alive. Lately I have also ...

Tyrone Neuland - My paintings follow very much in the long established tradition of the Expressionists, using intensity of color and gestural brushstrokes to portray the intensity of feeling and emotion. While also attempting to find a balance between art and today's technology, I am integrating digital imagery into my pieces, using them as a tool to enhance subject matter. These paintings/drawings are developed from personal and emotional feelings that are sparked by the day-to-day experiences of a father, husband, employee, son and general spectator of the modern world. They are not formed as judgement statements but constructed out of a reactionary consciousness to the particular subject matter. The plan is to portray that secret level of honesty that is often misinterpreted as cynicism, by taking a specific person, place or thing and turning it into a thought provoking generality in which the viewer can use their own lives to draw a conclusion....

Caren Keyser - My expressionist paintings are done using an intuitive process. I begin with the paint and then allow the paint and my subconscious to lead me to the subject matter. Exciting interactions between colors evolve from brushwork, pouring, glazing, spraying and other techniques. I strive to show the essence of the subject rather than paint an overly realistic image. I never know what I will find next in my work. I hope it will be dramatic and emotional. Note that the paintings are not framed. ------------------------------------- I began painting professionally in 1977 after studying art at Florida Atlantic University. There I explored the many styles and techniques available to the acrylic painter. My first photo-realism style piece was created while attending FAU. I knew from that moment that realistic nature scenes would be my style of choice. This remained my theme and style until after 2005. As time has passed my work has changed and become more creative in its processes. Color is still the dominant feature in my work. As my focus has shifted toward expressionism I stored my realism pieces. The originals of many of them are still available for purchase and are included in my inventory here at ...

Ruben Miranda - As I see it, the human figure embodies what life is all about, in more than the physical plane. It is the symbolic image of existence. Through the years, my morphic re-invention of the human figure has given meaning to the search for my own pictorial language. The faces, warriors, torsos and other images in my artwork reveal the complexity of my spirit....

John Tierney - The paintings I make are charts of wanderings; what I mean by that is: you can wander around a painting and have, at least sometimes, a feeling of recognition of the place where you are. But the place can shift into a new location, you lose your bearings and then find yourself by intuition. You don't know how you got there, but you know where you are. There are well-beaten tracks and waymarkings that appear familiar. When I set off on a new canvas, white, pristine, in the morning, I often think why should I want to mess this up? It's like an empty mirror, but when the first few marks are made, it changes. It has direction, it begins to beckon you. Making the decision to start is the important thing, it doesn't seem to matter what you do. Disparate things can be united, related somehow. Dialogue begins. You're conscious of what is going on in one direction, but a lot is happening along the wayside. Contrasts are important: for example, organic versus geometric. Organic forms arise from memory. There is the energy of the life form against the rectangle of geometric space. Color...

Alexandr Ivanov - OVERCOMING OF LONELINESS Painting as well as any present{true} art is improbably sensitive to an essence of time, its{his} secrets, fears, hopes aEUR| the Rhythm of an epoch, its{his} power, always D1/2DuD3/4ND3/4D*D1/2DdegD1/2D1/2D3/4 are reflected in music, the literary statement, is freakish and D?D3/4N,DdegN'D1/2D1/2D3/4 leave traces on a canvas of the artist. Time silently addresses to the master inquiry. The end of a century of the past - the beginning present ascertained weariness of a postmodernism in which EVERYTHING has been admissible, and any Text became the World in which settled ND,D1/4NfD>>NDoNEURN<, allocated D,D1/2N,,DuNEURD1/2DdegD>>NOED1/2N>NOED1/2D3/4NN,NOE emphasized D,NN++DuNEURD?DdegD1/2D1/2D3/4NN,NOE searches of the modern language, new dialogue with itself and with eternity - all was, was, was. The existential loneliness of the person who has lost in time aEUR| became obvious Alexander Ivanov - very modern and duly artist. Its{his} painting is interesting to me for a long time. That not noticing, it{he} as it seems to me, has passed{has taken place} a complex{difficult} way of influences of a postmodern on its{his} handwriting. I ...

Mert Ulcay - Mert Ulcay was born in Istanbul, Turkey in 1974. After studying to obtain a Bachelor of Economics in Istanbul, he moved to Italy and successfully completed a Masters Degree in International Economics and Management in Milan. He started his painting studies in 1996 with Mehmet Guleryuz (one of Turkey's leading contemporary painters) at his Bilsak Atelier in Istanbul. He moved Sevinc Altan in 2000, who was a former assistant to Mehmet Guleryuz, opening two exhibitions with her atelier. His works were chosen by the Cagdas Sanat Committee in 2001, for an exhibition with other "up and coming artists" at the Contemporary Art Center in Istanbul. In 2003, he participated in the "International Art Action for Peace" exhibition, with several leading painters in Turkey and moved to Stuttgart, Germany, where he now lives and works, painting from his own atelier. Mert Ulcay's paintings can be described as being emotional, somewhat introvert and very figurative. Always being interested in different expressions of people and of hidden feelings shown from behind "the mask". MERT ULCAY- www.mertulcay.com ...

Jay Braden - Art is a thread connecting the many passions I value in life. Painting and illustration are two of my favorite modes for pulling together the vast array of subjects that fascinate me, people I've met, and places and events I've experienced, into an evolving series of statements and reflections of the world. The creation of art is one form of visual story-telling. What each viewer brings to their experience of an image is as important as the image they're observing. When this is realized, both the viewer and the image are liberated, and the image truly speaks to the individual in a unique way. ...