Artist Information:
Miguel Cerejido
Vanier,
Canada
Member Since: Jan 2010
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Artist Statement:
Artist’s Statement
The nexus between music and
painting and ways of
pictorially representing sound
and silence, have been the
main subjects of my work as an
artist since 1980. This
exploration has many facets
from attempts at a pictorial
representation of sound, to
the creation of environments
(maybe places or landscapes)
that result from the
sensations, feelings, states
of mind and/or visions
generated by music. My work
has gone through different
stages from attempts to
illustration of specific
musical work to explorations
of aspects of the musical
structure itself. This is, of
course, purely subjective
The final phase of production
in my work is distinguished by
a return to painting, almost
forgotten in my eagerness in
use it as a medium instead of
a purpose, and the utilization
of all I’ve learned through
the years about shaping a
pictorial – not musical – art
work, which held all the
spiritual power of music, as
an autonomous entity, without
moving it away from it’s
musical sources by means of
referent codes, which, I hope,
made possible the
identification of the theme by
the viewer.
The resolution of this process
continues to evolve as I grow
as an artist and ...
Further Information
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Artist Exhibitions:
Exhibitions, Fairs and other
events
1979- Itinerant Exhibition in
Europe.
1984- 1st Biennial of Havana.
'L' Gallery, Havana.
1985- School of Arts and
Literature. University of
Havana.
1987- Professor’s Salon.
Superior Institute of
Industrial Design, Havana.
1989- 'INTERART' Fair. Poland.
1990- 'La Acacia' Gallery
inauguration. Havana.
1991- '70 years ...
Further Information
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Artist Galleries:
Coming Soon!
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Artist Reviews:
Coming Soon!
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Collections:
Coming Soon!
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Commissions:
Coming Soon!
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Miguel Cerejido's Free Artist Portfolio
Welcome to Miguel Cerejido's Portfolio.
Artist’s Statement
The nexus between music and painting and ways of pictorially representing sound and silence, have been the main subjects of my work as an artist since 1980. This exploration has many facets from attempts at a pictorial representation of sound, to the creation of environments (maybe places or landscapes) that result from the sensations, feelings, states of mind and/or visions generated by music. My work has gone through different stages from attempts to illustration of specific musical work to explorations of aspects of the musical structure itself. This is, of course, purely subjective
The final phase of production in my work is distinguished by a return to painting, almost forgotten in my eagerness in use it as a medium instead of a purpose, and the utilization of all I’ve learned through the years about shaping a pictorial – not musical – art work, which held all the spiritual power of music, as an autonomous entity, without moving it away from it’s musical sources by means of referent codes, which, I hope, made possible the identification of the theme by the viewer.
The resolution of this process continues to evolve as I grow as an artist and ... |
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Coro, 1998
Acrylic Painting,
85 x 110 X 3 cm
Availability: Sold
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