Equine Art For Sale

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Browse 97 Equine artworks for sale. Contemporary artists: Tom Lund-lack, Sarah Longlands, Stephen Mead, Hyacinthe Kuller-baron, Paula Durbin, Ghassan Rached, A M Bowe, Carol Watroba, Debbi Chan, Lidia Kirov, Daniela Vasileva, Diane Kopczeski, Angela Treat Lyon, Herbert Bennett offering Equine artworks. Links to more artworks by these contemporary artists and 4 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Equine art simply click on the image to go to a more detailed page about this work of art.


Contemporary Art / / Previous / Next
Tom Lund-lack: 'the samurai commander', 2020 Other Painting, Equine. My interpretation of a Japanese samurai military commander called Minamoto no Yoshitsune.  The painting was inspired by a small gift from my son who lives in Japan. The artwork was printed from woodblock print by an unknown artist. ...
Equine - Painting
42 x 30 cm (16.5 x 11.8 inches)
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Tom Lund-lack: 'energy 30', 2019 Pastel, Equine. An expression of colour and movement, is what is intended in this series of chalk pastels of which this30.  Chalk pastel on Mi- Teinte 300 gsm coloured pastel paper. ...
, 2019
Equine - Pastel
50 x 70 cm (19.7 x 27.6 inches)
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Tom Lund-lack: 'energy 29', 2019 Pastel, Equine. Pastel on Mi- Teinte Touch paper. a snap shot of the colour and movement of horse racing. ...
, 2019
Equine - Pastel
70 x 50 inches (177.8 x 127.0 cm)
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Tom Lund-lack: 'energy 28', 2019 Pastel, Equine. Pastel on Mi- Teinte Touch paper.  a snap shot of the colour and movement of horse racing. ...
, 2019
Equine - Pastel
50 x 70 inches (127.0 x 177.8 cm)
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Sarah Longlands: 'Dove or Hawk', 2011 Watercolor, Equine. painted on 850gsm Arches paper ...
Equine - Watercolor
53 x 73 cm (20.9 x 28.7 inches)
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Stephen Mead: 'HorseDance', 1994 Watercolor, Equine.  Evocative watercolor on canvas, incorporated into the series Blue Heart Diary, part of the DVD Captioned Closeness, Indieflix.  com. ...
, 1994
Equine - Watercolor
18 x 24 inches (45.7 x 61.0 cm)
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Hyacinthe Kuller-baron: 'ARABIAN DREAMER', 2008 Reproduction Artwork, Equine. ARABIAN DREAMER is a limited edition of 30 reproductions 2' x3' on quality paper or canvas and signed by Hyacinthe and numbered with hand painted touches by the artist. The Original is in a famous Arizona Arabian breeder' s collection...
Equine - Reproduction Artwork
24 x 36 inches (61.0 x 91.4 cm)
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Hyacinthe Kuller-baron: 'DARKWIND STALLION', 2008 Giclee - Open Edition, Equine. 2X3signed on canas or paper with hand touches. Original painting in oil on canvas 4x4 in the Whitney Collection. ...
Equine - Giclee - Open Edition
24 x 36 inches (61.0 x 91.4 cm)
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Paula Durbin: 'Nose', 2003 Color Photograph, Equine. A Fresson print. May be printed in other sizes and processes....
, 2003
Equine - Photograph
11 x 14 inches (27.9 x 35.6 cm)
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Paula Durbin: 'I See You', 2003 Color Photograph, Equine. A Fresson print. May be printed in other sizes and processes....
, 2003
Equine - Photograph
11 x 14 inches (27.9 x 35.6 cm)
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Paula Durbin: 'Horse Profile', 2003 Color Photograph, Equine. A Fresson print. May be printed in other sizes and processes....
Equine - Photograph
11 x 14 inches (27.9 x 35.6 cm)
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Paula Durbin: 'Brown Horse', 2003 Color Photograph, Equine. Fresson Print. May be printed inn other sizes and processes....
Equine - Photograph
11 x 14 inches (27.9 x 35.6 cm)
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Ghassan Rached: 'Racing Horses', 2002 Watercolor, Equine. Painting by Ghassan Rached, 2002...
Equine - Watercolor
40 x 58 cm (15.7 x 22.8 inches)
Ghassan Rached: 'A  Proud Horse', 2001 Oil Painting, Equine. Oil Painting by Ghassan Rached...
Equine - Painting
10 x 12 inches (25.4 x 30.5 cm)
Ghassan Rached: 'Horse Race', 1998 Watercolor, Equine.
, 1998
Equine - Watercolor
48 x 36 cm (18.9 x 14.2 inches)
A M Bowe: 'Number Twelve', 2009 Oil Painting, Equine.
Equine - Painting
12 x 10 inches (30.5 x 25.4 cm)
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Carol Watroba: 'Maestoso Lipizzan Waiting', 2002 , Equine. Lipizzan Horse Limited Edition of 300 fine art giclee on canvas print using archival inks and clear coat on canvas not stretched or framed. Has about a 1. 5 inch unprinted border on canvas.  Copyright registered and protected. ...
Equine -
24 x 20 inches (61.0 x 50.8 cm)
Debbi Chan: 'an Amercan Pharoah  born album ', 2016 Artistic Book, Equine.  These album leaves are part of a larger 70 continuous story painting in a folding album.  ...
Equine - Artistic Book
13 x 21 inches (33.0 x 53.3 cm)
Lidia Kirov: 'The bath', 2011 Giclee, Equine.  This is a limited edition fine art print from the painting the bath ...
, 2011
Equine - Giclee
35 x 35 inches (88.9 x 88.9 cm)
Lidia Kirov: 'TREE OF LIFE ', 2011 Giclee, Equine.  This is an original 1000 Prints on canvas signed and numbered , its from the original oil painting the tree of life by Lidia Kirov ...
Equine - Giclee
35 x 35 inches (88.9 x 88.9 cm)
Daniela Vasileva: 'equestrian', 2013 Pastel, Equine.   horse  ...
, 2013
Equine - Pastel
4 x 6 inches (10.2 x 15.2 cm)
Daniela Vasileva: 'Horse', 2013 Pastel, Equine.  horse ...
, 2013
Equine - Pastel
12 x 16 inches (30.5 x 40.6 cm)
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Diane Kopczeski: 'Dyna King', 2011 Pencil Drawing, Equine.           Colored pencil drawing, done from your photo.          ...
, 2011
Equine - Drawing
14 x 16 inches (35.6 x 40.6 cm)
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Angela Treat Lyon: 'Curly', 2010 Stone Sculpture, Equine.  Who put these curls in my mane! ? !  ...
, 2010
Equine - Sculpture
10 x 12 inches (25.4 x 30.5 cm)
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Angela Treat Lyon: 'Due Soon', 2010 Stone Sculpture, Equine.  Straining with the weight. . . . ...
, 2010
Equine - Sculpture
10 x 12 inches (25.4 x 30.5 cm)
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Angela Treat Lyon: 'Celebrate', 2010 Stone Sculpture, Equine.  Shape- Shifter celebrates the miracle of new life Within. . . . ...
, 2010
Equine - Sculpture
6 x 12 inches (15.2 x 30.5 cm)
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Angela Treat Lyon: 'Rock Slide', 2010 Stone Sculpture, Equine.  In ancient Hawaii, a popular past time was sliding down the lava ridges on slides made out of branches and woven grasses. . . . ...
, 2010
Equine - Sculpture
12 x 6 inches (30.5 x 15.2 cm)
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Angela Treat Lyon: 'Body Surfing', 2010 Stone Sculpture, Equine.  Who said all body surfers had to be huuman? ...
Equine - Sculpture
12 x 6 inches (30.5 x 15.2 cm)
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Herbert Bennett: 'Equum', 2007 Giclee - Open Edition, Equine.  A classic cultural and historic image represented in a modern expression balancing chaos and order ...
, 2007
Equine - Giclee - Open Edition
0 x 0 inches (0.0 x 0.0 cm)
Ronald Lunn: 'Lets Hit the Trail', 2009 Pencil Drawing, Equine. Western, Western Rider, Cowboy, Trail, Horse, Equine, Saddle- up, self- portrait, Jessi, Farm hand, ...
Equine - Drawing
14 x 18 inches (35.6 x 45.7 cm)
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(Page 1 of 4) - MORE ARTWORKS

Artists Describing Their Art:

Tom Lund-Lack - I am an experienced artist whose work uses the power of imagination to find find the essence of the subject.A It is grounded in the need to celebrate life, and to portray the subject through the transforming power of colour and light. Arrangements of shape, line, pattern and colour are brilliant at conjuringA up powerful expressions, sometimes these can be dreamlike and at peace sometimes exciting and dramatic. My work does not always represent an actual moment, place or object in time, but they areA the result of a process of reflection, recollection and reinvention, a distillation of experience. Art is a very small word having the widest possible meaning appreciation is a subjective judgement and no artist or workA can please everyone.A My aim is to please at least some of you and I am very confident that this aspiration is achievable ...

Sarah Longlands - I trained at Bristol and Manchester, where I gained a BA hons and completed my post-graduate studies at University College London Slade School of Art. In the words of one of my collectors Ostensibly realistic, her work goes beyond this to explore the nature of reality, and of time and space. The artworks are refined, emphasizing her knowledge and meticulousness in the chosen medium. But her art is not just representational it also has a rare imaginative flair. The objects are changed into something which is beyond the original and which creates a kind of parallel ideal artistic reality. If this sounds a little like surrealism, then maybe that is not so far from the truth, but the work is subtler than that. Having previously exhibited in many exhibitions in both the United Kingdom and France, Gold Fish Galleries in Sarasota, Florida then in the Lincoln Centre in New York and done many commissions for people both in London, the provinces but also in The United States, I finished a commission from Cunard Line in 2003, through the art consultants Onderneming Kunst to do six oil paintings for the penthouses on board the new Queen Mary 2, launched in ...

Stephen Mead - In the early 1990's Stephen Mead's poems began appearing in such journals as Onionhead, Bellowing Ark, and Invert, but upon moving to Provincetown, Mass., Stephen decided to concentrate more on visual work. It was in the year 2000, after moving back to NY, that Stephen started seeking publication again for both his writing and his art combined. Since, then, thanks to the wonders of the World Wide Web, his work has appeared internationally both in cyberspace, hard copy, and physical Gallery Space. Often the writing has appeared along side his paintings, and at other times with the text superimposed. In 2004 Stephen began experimenting even more with these poetry/art hybrids creating a series of e books, including the award winning "We Are More Than Our Wounds". From there Stephen began experimenting with his art and poems as films, at first creating slideshows with captions, and then doing his own soundtracks and voice overdubs. These DVDs are available through Indieflix.com In 2006 Stephen put this technology to use releasing a CD of poems set to music "Safe & Other Love Poems" (CDBaby.com), as well as two print editions of his image/art hybrids, "Selected Works" and "Tree ...

Stephen Mead - Paula Durbin - Photography has always captured my spirit. It was only natural that my creative "release" be expressed through the same medium. But, because I am a unique spirit, it had to have other levels of creativity - the photo itself just wasn't enough. My first creative approach to photography was the use of the Polaroid transfer technique. My work consisted of subjects that are still close to me: animals and nature. The technique suited me well; it expresses the selected image seen and it allows me to further express its beauty with the softness of the technique. The watercolor paper used brings yet another dimension to the image. A search for the true expression in my photography led me to explore the techniques of the Fresson family of photographers. The Fresson technique, which culminates in the special care given the developmental process and the paper used, presented me the opportunity to express the richness of my photography. My work now moves beyond that 'moment' and presents a depth and richness perhaps not otherwise felt. I am honored to be a part of the Fresson family. There are only a limited number of artists with whom I share this honor. Having gone ...

Ghassan Rached - I am a geoscientist. I paint, but painting is only a hobby. I paint, whenever I can spare the time, what is relaxing, touches my heart and pleasant to me for enjoyment. I love to use oil and watercolor as media to express beauty. Comments of visitors would be appreciated....

A M Bowe - Anne-Marie Bowe was born in Dublin and is from a family of Irish Artists. She lives in England and has been exhibiting regularly both there and in her home town of Dublin ever since. Her main focus is on portraiture in oil and acrylic, however, she excels in figurative work as well as landscapes and cityscapes. She is a member of the Virginia Waters Art Society....

Carol Watroba - My artwork reflects and admires the beauty, grace and balletic elegance of the Lipizzan horse and the Spanish Riding School and its great heritage. My technique is classical realism in oils and alkyds, using many glazings for depth of color and meticulous pre-study drawings for technical accuracy of the complex anatomy of this horse before color application. My portrayal of this beautiful Baroque horse and its great history in classical horsemanship and culture will show in all my works now and in future works....

Debbi Chan - I am going to do an updated artist's statement. But until I submit it you have a short temporary one. As an artist I an fullfilled and contend. But at the same time I seek more , absorb more, and enjoy more. Art fills and fullfills me..I am always being an artist. My eyes see art always. This is not a hobby that I partake of when time suits. Art feeds me. Art consoles me. And being prolific it also takes my time. And for this I am thankful that i listened to my inner self. I am thankful for a following that grows by the minute. I enjoy you enjoying my portfolio. I also have come to realize that the coined phrase "starving artist" is a reality for some of us. But if you take another quote, my own , you will see that starving and rich pertain to material $. because of you the viewers , and because art is my life and my passion I can truly say that I AM RICH.. RICH WITH NO MONEY... and I can also say with truth that I am happy. I chose the path that allowed this rich life. There will continue ...

Angela Treat Lyon - I make art because I must. It's a cellular need. It's a compulsion, an addiction, a Beingness I cannot deny. Simply put: Art is Spirit moving through any particular medium, whether it be stone, music, cooking, dance, speech, or whatever. Create an intention, take action, results follow, fine or not. Images dwell within me getting fat and juicy until they just simply will not allow me to sit on them one more minute. Many many nights I'll wake up with designs in my head, all clamoring to come out at once, and I'll have to get up and draw furiously till they're out and happy. When I was very young, I made a pact with myself not to do any artwork that depicts pain and suffering - why paint that when we see so much of it all around us, every day? What I wanted to see and surround myself with was expressions of the feeling I had in my heart about how I felt it could be, and really is, on levels we don't normally think about or have visual access to during the glaring light of day. I want my work to do ...

Herbert Bennett - When works are presented without sharing their deeper mysteries and secrets, they seem to get lost. The digital images I produce are a process of what I call distilling complex images and color patterns from totally chaotic,'abstract' mono-printed acrylic paintings. Going into the'subconscious image potential' of a subatomic, much deeper image realm lies a world that defies but still complements the conscious ART-iculation of our binary brain's limited potential. Mathematical and scientific principles abound here and are brought to the surface to create the expressions we call ART. The A-ability to R-restructure T-truth. New truths(paradigms) are then created from chaos to new realities for us to be inspired(in-the-spirit)and to be enjoyed. Herb...