Artists Describing Their Art:
Engelina Zandstra - In the labyrinth of my thoughts there are many roads that are leading to the unknown. many roads are leading to the unknown - around every corner a surprise - fata morganas unprecedented views - paintings designed according to laws of their own. ...
Denise Dalzell - Painting. Illustration. Expressionism. Pop Art. Modern. Realism and, occasionally, a bit of Abstraction. My current work centers on my consideration of how we respond to each other, the stories that develop between us and around us, and how our collective stories reflect on and influence us individually. How our stories bounce off each other and combine to create new stories. My paintings are illustrations of the scenes that I encounter during my travels abroad and in daily life so, some scenes are more sweeping than others. How do we, as people of differing backgrounds, cultures, and experiences interact with each other Are we different people in a crowd than when alone How do we fit in or stand out where we find ourselves at any given moment, in any given story Stories are everywhere, and thereAC/a,!a,,C/s no predicting what theyAC/a,!a,,C/ll reveal. Body language, movement, color, contrast combine to illustrate my scenes of interaction between people and within environments. The excitement of being a part of something as unifying as a protest, the sense of adventure that comes from starting out with no particular destination, intimate moments with those we love and those we discover in the big events...
Paulo Medina - Para mAfA, el arte, ha sido como una pequeAfA+-a barca en donde he cruzado muchas veces el mar. Una barca frAfA!gil y pequeAfA+-a, sin embargo, capaz de cruzar hacia grandes horizontes. La barca ha sido un instrumento AfAotil, pero nada mAfA!s... La pintura es poesAfAa silenciosa SimAfA3nides Artistic experience, as a spectator, and then, more directly, as an artist, has meant for me the possibility of transcending and reaching certain spaces that are intangible, but lived daily. As a creator, to be in front of a blank canvas or a digital image to be manipulated, is to be faced with a challenge that of translating to the language of forms, textures and colors something that has not yet been conceptualized, but that exists somewhere and that I desire to capture, expressing it through those materials and tools at my disposal. It thereby becomes a kind of game, in which time disappears and one enters into communion with the aesthetic experience with its infinity of moments, which go from pain to ecstasy. Self-taught experimentation in the field of art, has been for me one of the great pleasures of life. La experiencia artAfAstica ...
Geo Kat - ART as THERAPY... __________________Why not, art as therapy ...ok, which is my inspiration.... hmm, ok, yes, all the old masters and ...nature. All the Other human been I can say... Personas very different in space and time, like Praxiteles or Botticelli or Candinsky. .......... Of course we, humans, we are nature, part of nature, part of natures mystery...... May be my well effort as an artist is to explore this mysterious and fantastic world, and create an art that is not exist yet, as an invention...............or you can say exists, but is not expressed into existence yet. And this art exists as a living person full of dreams of colours of happiness, good will and healing matter. ________________ I suppose also that my inspiration is whatever still lives underneath this ancient old city, Athens....................... What are you thinking ...
Avril Ward - ArtistaEURtms statement. Creating has become an intricately woven part of my life. I must express nature, as it is my window to God. I must delight in the human body, a marvel that never ceases to amaze. I must express love and joy-this keeps them tangible in my life. I must trust my instincts and skills allowing them to lead me in the right direction. Most importantly: if my art can move a person to pause, think, smile, ponder, cry, laugh, be encouraged or give them hope, then I have served my purpose in life.aEUR To view a video about, my inspiration and work methods in sculpture please copy and paste the link to your browser.
Austen Pinkerton - Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works AC/a,!A|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalAC/a,!A|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureAC/a,!A|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In all my...
Jose Freitascruz - Borneo 2003The tropical rainforest and tales of maritime exploration continue to be reflected in my work. Indeed, travel and displacement condition my work - the many places I have lived in throughout my childhood and those others my chronic wanderlust has led me to since then have always had an impact on the choices and directions I have taken. The knowledge that a new perspective can be acquired over things we believe to be fixed triggers curiosity and fosters a certain degree of unconformity. The need to find and learn new ways to depict whatever it is I wish to depict keeps me on my toes and doesnt allow me to settle with the tools or the style I am already familiar with - I am constantly on the move and my painting is meant to be a record of the path I move along. Perceived from a distance my approach tends to be cyclic, each cycle divided into series. Progression occurs from the outside in AC/a,!aEURoe from the surface to the core, from a certain degree of figuration to abstraction. Upon tackling each new theme I will be struck by the outward aspect of things and charged with a strong desire to ...