Sculpture For Sale - Price Range: $1000 - $1999

Page 1 of 12
Discover 337 original sculpture artworks for sale between $1000 - $1999. Contemporary emerging artists: Terry Mollo, Dan Shiloh, Austen Pinkerton, Andrea Waxman Mulcahy, Mac Worthington, Ted Schaal, Andrew Wielawski, James Johnson, Eric Jacobson, Micha Nussinov, Michael Pickett, Ildiko Toth, Harry Weisburd, Robert Pulley, Elizabeth Frank, Depasquale Sculptures, Gabor Bertalan, Tzipi Biran are exhibiting their affordable original art. You can buy artwork online and browse 12 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Terry Mollo: 'grey teardrop', 2024 Stone Sculpture, Abstract Figurative. Grey alabaster teardrop form with white and beige and darker grey striations...
Abstract Figurative - Sculpture
7 x 15 inches (17.8 x 38.1 cm)
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Dan Shiloh: 'mother and son', 2023 Stone Sculpture, Love. Black volcanic stone sculpture of mother embracing her child...
Love - Sculpture
20 x 35 cm (7.9 x 13.8 inches)
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Austen Pinkerton: 'when stars collide', 2022 Limestone Sculpture, Figurative. I fully intended to make this stone piece an enlarged version of the maquette  Sleeping Woman , which after all is why one makes a maquette in the first place, but when it came to it I just attacked the piece of stone  blind , which was much more enjoyable, and followed ...
Figurative - Sculpture
25 x 22 cm (9.8 x 8.7 inches)
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Andrea Waxman Mulcahy: 'deep star', 2022 Steel Sculpture, Abstract. My sculptures are meant to capture the essence of movement. ...
, 2022
Abstract - Sculpture
18 x 18 inches (45.7 x 45.7 cm)
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Mac Worthington: 'rubik', 2022 Aluminum Sculpture, Abstract. Welded, painted fluid acrylic enamel. ...
, 2022
Abstract - Sculpture
18 x 25 inches (45.7 x 63.5 cm)
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Austen Pinkerton: 'spire', 2021 Ceramic Sculpture, Abstract. People climbing over eachother to reach what. . . . to reach nothing but empty space. ...
, 2021
Abstract - Sculpture
22 x 30 cm (8.7 x 11.8 inches)
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Ted Schaal: 'ring of fire', 2019 Bronze Sculpture, Abstract. This piece was inspiredby the total solar eclipse.  Just as the sun emerges from behind the moon it creates a visual know as the ring of fire. ...
Abstract - Sculpture
5 x 6 inches (12.7 x 15.2 cm)
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Mac Worthington: 'needles eye', 2021 Aluminum Sculpture, Abstract. Welded aluminum with a machine brush finish.Available. Signed   dated. Certificate of Authenticity.Delivery, hanging   shipping availableStudio: 5935 Houseman Rd, historic Ostrander, Ohio.For further information on this piece or to discuss a custom design please call 614 | 582 | 6788 or email: macwartist aol. com...
Abstract - Sculpture
36 x 38 inches (91.4 x 96.5 cm)
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Mac Worthington: 'waiting', 2021 Aluminum Sculpture, Abstract. Welded aluminum with a machine brush finish.Available. Signed   dated. Certificate of Authenticity.Delivery, hanging   shipping availableStudio: 5935 Houseman Rd, historic Ostrander, Ohio.For further information on this piece or to discuss a custom design please call 614 | 582 | 6788 or email: macwartist aol. com...
, 2021
Abstract - Sculpture
20 x 61 inches (50.8 x 154.9 cm)
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Mac Worthington: 'horizontal reflection', 2021 Aluminum Sculpture, Abstract. Custom metal wall sculpture polished with a machine brush finish painted acrylic enamel flame red   chrome yellow. ...
Abstract - Sculpture
55 x 28 inches (139.7 x 71.1 cm)
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Austen Pinkerton: 'aeolus of the four winds', 2020 Stone Sculpture, Mythology. Started this sculpture early this year, but have been working on and off on other pieces, so made slow progress. Think I ve finished it at last.  Aeolus, of the Four Winds , Limestone, 20 x 28 x 23cm high. Apart from a very rough test piece years ago, my first ...
Mythology - Sculpture
28 x 23 cm (11.0 x 9.1 inches)
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Andrew Wielawski: 'study', 2020 Wood Sculpture, Representational. Carved study of a face and drapery detail for a full figure in marble. Wood is chestnut, taken from a marble jack found in a quarry near Carrara, Italy. ...
, 2020
Representational - Sculpture
11 x 36 inches (27.9 x 91.4 cm)
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James Johnson: 'RAVEN 2nd edition', 2019 Other Sculpture, Figurative. Free shipping within the continental USA.  She was created using a cold cast coating method where bronze powder is incorporated into another media.  The patina is created using liver of sulfur.  Limited edition of 150 with an artistaEURtms mark, date, and number.  Each piece may appear slightly different with ...
Figurative - Sculpture
6 x 14 inches (15.2 x 35.6 cm)
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James Johnson: 'Acorn', 2019 Other Sculpture, Abstract. Free shipping within the continental USA.  This is a sculpture created for a show proposal Sculpture for the Blind in the spirit of Constantin Brancusi.  Crafted bronze- fill epoxy over aarmature.  Fingerprints are visible.  The patina is from Liver of Sulphur. ...
, 2019
Abstract - Sculpture
8 x 6 inches (20.3 x 15.2 cm)
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James Johnson: 'why   ', 2019 Steel Sculpture, Figurative. Free shipping within the continental USA.  Free will, choice, or predetermination.  Composed of stainless steel and has a light brown surface color and polished to be smoother to the touch.  These are high resolution renderings of a limited edition of 20 with an artistaEURtms signature, date, and number.  Each ...
, 2019
Figurative - Sculpture
4 x 6 inches (10.2 x 15.2 cm)
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Eric Jacobson: 'Notes and Bars', 2015 Other Sculpture, Abstract.  This is an abstract constructed sculpture. It is inspired by music. It is also inspired by abstract painting such as that of Kandinsky. ...
Abstract - Sculpture
36 x 48 inches (91.4 x 121.9 cm)
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Austen Pinkerton: 'URBAN SPACEMAN', 2015 Ceramic Sculpture, Space.    SPACEMAN ROBOT PORTRAIT FIGURE ...
Space - Sculpture
22 x 22 cm (8.7 x 8.7 inches)
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Micha Nussinov: 'Scarecrow', 2010 Mixed Media Sculpture, Farm.   A double face with opposing spheres rotating on a pole. Made from recycled matters, wood, aluminume tube, plastic ricota draining dishes, colour mixing palate, wooden sticks, paint tube, acrylic spheres, epoxy, oil paint, screw, wires and. . . ...
, 2010
Farm - Sculpture
51 x 61 cm (20.1 x 24.0 inches)
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Michael Pickett: 'Angel Corner Wall Hanging', 2006 Other Sculpture, Inspirational.  I have this statue on exhibit at the Applegate Arts Guild in Veneta, Oregon ( USA) .I don't remember the details of this work, like the size and height or price. if you give them a call they can give you that information. 1- ( 541) - 935- 4286 ...
Inspirational - Sculpture
0 x 0 inches (0.0 x 0.0 cm)
Ildiko Toth: 'Glowing Firebird', 1998 Ceramic Sculpture, Fantasy. . . . and the dance continue. . . ...
Fantasy - Sculpture
14 x 20 inches (35.6 x 50.8 cm)
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Ildiko Toth: 'Malaga Installation5', 1994 Ceramic Sculpture, Architecture. Lighting Unit for Powder Room Pair...
Architecture - Sculpture
12 x 23 inches (30.5 x 58.4 cm)
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Harry Weisburd: 'Sleepingwoman', 2001 Bronze Sculpture, Representational. WOMAN SLEEPING - - PAINTED BRONZE...
Representational - Sculpture
9 x 5 inches (22.9 x 12.7 cm)
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Robert Pulley: 'Orator', 2006 Bronze Sculpture, Abstract Figurative. This table scale bronze sculpture mounted on a black marble block has a simple elegance and is made from a single twisting, rolling plane intersected by a smaller, flat geometric plane.  Two small organic found wax chips suggest the figure.  A beautiful, mottled warm patina adds to the uplifting gesture ...
, 2006
Abstract Figurative - Sculpture
9 x 11 inches (22.9 x 27.9 cm)
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Elizabeth Frank: 'Illumination', 2019 Mixed Media Sculpture, Archetypal. This figure is carved from fallen aspen branches.  It stands on a wall mounted carved wooden sconce.  Atop the head is a crown made with carved and reclaimed wood, found objects and tiny carved flowers and leaves.  There s an antique skeleton key nailed in the figure s body.  Inlaid ...
Archetypal - Sculpture
15 x 30 inches (38.1 x 76.2 cm)
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Depasquale Sculptures: 'The Prayer Young Will', 2018 Limestone Sculpture, Children. This sculpture entitled, The Prayer, Young Will is made from french limestone.  It captures the essence of a small, young boy with a deep connection, will and adoration to prayer and love.  It is a high relief carving.  It is also made to hang on a wall with a built ...
Children - Sculpture
10 x 8 inches (25.4 x 20.3 cm)
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Depasquale Sculptures: 'make a wish', 2018 Limestone Sculpture, Children.  Make A Wish is made from French limestone.  This sculpture captures the visual essence of a child holding a dandelion, getting ready to blow and make their wish. .  It is a high relief carving.  It measures 10 wide, 8 tall, 2 thick.  It also is a wall hanging user friendly...
Children - Sculpture
10 x 8 inches (25.4 x 20.3 cm)
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Gabor Bertalan: 'ballerina', 2015 Bronze Sculpture, Figurative. Dancing ballerina in an abstract sculpture...
, 2015
Figurative - Sculpture
10 x 22 cm (3.9 x 8.7 inches)
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Tzipi Biran: 'singing', 2016 Glass Sculpture, Music. sing, song, women, glassMade of broken glasses, partly transperent...
, 2016
Music - Sculpture
30 x 38 cm (11.8 x 15.0 inches)
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Tzipi Biran: 'freedom', 2016 Glass Sculpture, Birds. woman, freedom, nude, figurative...
, 2016
Birds - Sculpture
36 x 50 cm (14.2 x 19.7 inches)
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Gunnel Watkins: 'un ravel', 2016 Mixed Media Sculpture, Abstract.  un ravel...
, 2016
Abstract - Sculpture
40 x 20 cm (15.7 x 7.9 inches)
(Page 1 of 12) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Terry Mollo - ARTISTS STATEMENT Stone is my most important medium. The attributes of stone motivate me to seek and appreciate the beauty that has evolved with time and natures forces. Whether marble, travertine, alabaster, agate, onyx, each piece has its own story to tell. Its hues, striations, translucence, brilliance- and faults- have history and mystery to unlock. While carving I listen to the stone and carve only enough to find, and unleash, its organic lines and its aEURoevoice.aEUR Im inspired by the point at which natures organic form meets the inorganic. I concentrate on the force and tension created between the two, and search for the line that is formed by their union. In my sculpture, organic and inorganic form often conjure human emotion, human condition. Natures sea forms, shells and waves, suggest human form, depth, fluidity, texture, tone. Botanicals are sensuous with leaves and flowers that appear muscled and fleshy. Stems of flowers, such as orchids or lilies, stand tall, appear happy or courageous and proud, while other stems are viney or gnarled and appear desperate or defeated. All are similar to the ways in which the anatomy and musculature of the human body reflect its deepest feelings and emotion. Terry ...

    Dan Shiloh - I was born in Jerusalem Israel. I attended an officers nautical school and served in the navy as an engineer on a destroyer. After the navy I moved to Chicago USA and studied architecture at U of I Chicago campus and graduated in 1972 . I moved back to Israel and opened an architectural office in a small settlement in the Galilee region which became very successful. I retired about 10 years ago and opened as a hobby a black smith studio where I made metal sculptures. In 2009 I moved to Tel Aviv and started painting and sculpting in clay which I do up to these days. I was always interested in arts and I enjoy my painting and sculpting very much. Every year I travel to Florence Italy for at least a month where I paint and sculpt in the Accademia de Arte. I think its about time to share my work with the public and I hope it will enrich the homes of who ever likes my works....

    Austen Pinkerton - Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In all my...

    Andrea Waxman Mulcahy - My work illuminates an energetic state that exists yet is generally not seen. Movement as it is captured in space indicates pathways and an energy flow. Visualization of this movement brings to mind that which is not seen in the world but still exists. Im intrigued by the way simple lines can become complex structures and how complex structures can be reduced to simple lines. I choose to work in steel because it gives me the most immediate connection to my thoughts and the welding process allows me to quickly execute my ideas. The stability and the permanence of metal also gives me the capability to build with structural freedom. Steel rods can represent an single line allowing the negative space to become an important part of the sculpture and the bent steel rods create a fluidity that lets one forget that the structure is made of hard steel....

    Mac Worthington - BIO Internationally recognized and locally renowned, Mac Worthington continues his inspirational fine art past his studio and into your home. Each piece reflects his desire for difference and neglect for the norm. Born and raised in Canton, Ohio also known as i?1/2Little Chicagoi?1/2, Mac was privileged to be molded around a family of artists. His father John i?1/2Jacki?1/2 Worthington was a local artist, well-known for this bronze sculptures, specifically busts for movie stars and sports figures included in the Pro Football Hall of Fame located in Canton, Ohio. His mother Marion Worthington was skilled in enameling and silver work. The combination of creative talent and environment made him destined for artistic success. Serving in the jungles of Vietnam at the age of nineteen Mac interpreted the indescribable feelings of war into powerful expressions of art. He attributes additional creativeness to influences such as Hells Angels, Elvis, Bob Dylan, Marlon Brando and the 60i?1/2s era. Going back to his roots he entered the world of heavy metal. Teaching himself to weld he used steel and iron to create massive, grandiose outdoor sculptures. Becoming more skilled with his mediums, he discovered the versatile use of high tech aluminum. This skill ...

    Ted Schaal - Lately I have been exploring the use of two enduring materials, bronze and stainless steel. I enjoy the juxtaposition of the primitive texture in the bronze with the mirror polished modern look of the stainless. Balance and symmetry dominate simple geometric forms. These sculptures are made to last through the ages with the highest level of craftsmanship and quality metals. Most of my latest work can be scaled up for public or corporate settings and commission inquiries are welcome. With over 20 years of sculpture experience anything is possible from desk top size to monumental fountains and sculpture. ...

    Andrew Wielawski - Art must communicate ideas and have them received the way the artist intends, reaching as many viewers as possible to provoke an emotional response. If you go for those who are in the know about artistic periods, about current trends, and about a symbolic language that requires training to understand, then the artist will miss a huge audience. The artist then becomes a slave to styles created by others. If on the other hand, you work towards reaching multiple levels of viewers, then your task becomes more difficult, and at the same time, more fulfilling. An artist who creates a language will not fit into any already existing niche, and will alienate those looking for something they already know about, like gallerists, collectors and museums. Creativity, however, is like water...it will find its way around such obstructions, and bring the artist satisfaction and a clientele that appreciates what they create without regard for what's in fashion. Most of all, this way of producing reflects the rarity of truth in a world mostly dedicated to superficial values. ...

    James Johnson - The basis of my work is the exploration of universal patterns of being common to everyone such as shadow, hero, or trickster. My interest in patterns of being is a fascination that we all share common behaviors or emotions that can be understood singularly. Each pattern of being may be expressed as a figurative sculpture of hand cast aluminum alloy at half-life scale. Patterns of being may be referenced with Jungian archetypes. My hope is to make patterns of being more visible and tangible. Deject Selected as Best in show at the 2021 Piccolo Spoleto Art Exhibition ...

    Eric Jacobson - My work is influenced by a variety of sources from mandalas to contructivism "drawing in space" and nature: artists like David Smith, Mark Di Suvero, Miro, Picasso, etc. My current work incorporates brass tubing with mobiles and water. Some of these create sound as well. I have also created steel "frames", often octagonal that enclose a series of elements floating within this environment. I have been exploring the use of depth(perspective), color and balance in my work. I am very interested in the "layers" that make up each person's life history and mind, and therefore create layers in my sculpture to symbolize this. I often see things in the world as having an" inner and an outer", sometimes revealed to the world at large and sometimes hidden. This includes the human mind. People often keep parts of themselves hidden or protected even sometimes from themselves. Sometimes thes things are revealed in artwork. My sculptures also involve the relationship of the natural and man-made environments and the balance or imbalance between them....

    Micha Nussinov - Nussinov's Statement Oct 2012 Drifting, being transient, in between various states of body/mind, like when we travel physically and with our imagination, as in a 'waking dream'. My work represents a world of ambiguity and illusion, of recognized and abstracted scenes embedded as a tapestry of matter, illustrating different relationships. Somewhere in the process of creating artworks these worlds are mixed in an harmonious and conflicting manner, representing the contradiction and collision between languages and landscapes. At all times the viewer is challenged to unfold the mystery, to explore and discover. The works of art are created not through a planned process but rather the starting point is an impulse, a visual or musical trigger. These signals lure the me into the unknown territories where my intuition and inner vision leads to spontaneous discoveries. As a teenager my box camera was an excuse to drift away from trouble, to capture in a photo something, that was at the same time ambiguous and exciting. As a cinematographer/ director of documentaries from1976 to1980 I was acknowledged as an acute observer of people and an highly experimental filmmaker. I have been working in various fields of the arts, consistently for the ...

    Michael Pickett - I donaEURtmt know how IaEURtmm able to do all of this, but somewhere inside me I know that I stand out from the rest, IaEURtmm unique and have some powers that are beyond comprehension. I stay pretty much to myself and I feel like someone who is not from this planet and that there are differences that I readily perceive. All of this makes me self-conscious and also makes me more critical of myself. I judge and criticize myself a lot which I should not, but I do because I feel alienated at times. IaEURtmm vary humble and definitely not better than anyone else. I have so much to achieve, and thataEURtms why I take my own time to do so, there are times when I get irritated and agitated because of keeping a lot of expectations for myself, and when IaEURtmm not able to execute it, I feel low. However, I have to make sure that all these expectations are achievable, not impractical and unfeasible. As a result, I trust my intuition more which allows me to communicate with others. Self-expression and originality are also associated with me. There is a ...

    Ildiko Toth - I studied art, design and master ceramics in Hungary, Budapest.I advance studied set design and architecture in the United States.I was introduced to the fascinating world of sculpting by my Master Artist:Zsuzsa Morvay of Hungary. My traveling throughout the World inspires and helping me to find the tools to complete my task: To define The Poetry-of-Clay. In my work I strive to combine the valuable essence of centuries into creations of art objects-to be placed in today's architectural enviroment.My goals include working with new materials, discovering, combining and stretching their possibilities. ...

    Harry Weisburd - Harry Weisburd is an Internationally Represented Artist, including, USA, Expressions Gallery, Berkeley, California,

    Robert Pulley - A friend told me recently that it was helpul for her to know how an art work is created and how the artist thinks. That led me to consider what I have to say about my art work. When one looks at my sculpture I hope one sees strength, mystery, sensuousness, spiritual energy and more. How these constructions in modeled clay can stir such responsed in myself and others is a mystery to me, but I can say something about my methods and way of thinking. I have always been intuitive, reactive and spontaneous. I love improvisation, expression and the power of chance and serendipity. This may not seem obvious in large pieces that must be carefully crafted over weeks or months. Here is how it works. When I began the first pieces in this body of work many years ago they were purely improvisational. I would begin each piece with a flat slab of clay that I cut into a shape that would be the bottom of the sculpture. I usually had a vague idea of the proportions I wanted. This general notion set the theme within which I worked. In the manner of free jazz I would consider ...

    Elizabeth Frank - My artworks begin with fallen aspen branches. I make at least one trip annually to the mountains of the southwestern United States to gather the aspen that I'll use over the course of the year. My visits to the forest are like a pilgrimage. Every time I return I'm inspired by the strength and the delicacy of the natural world. After the aspen is collected it's dried in a room on my studio roof. Once dry, I cut and shape the rough branches with a band saw. Next I make a puzzle of all the odd parts. I spread them out on the floor, stack them up on a table and move them around until everything fits. The pieces are carved in small components that are joined together with pegs and nails. The surface is painted with acrylic, metal leaf and wax. I combine my carvings with found objects. The carving style is simple, inspired by iconic images found in folk, tribal and primitive art. The themes I use are personal yet universal. My love of the natural world and my concern for the environment translate into works about the intricate relationship between man and nature. I ...

    Elizabeth Frank - Gabor Bertalan - CURRICULUM VITAE I WAS BORN IN SALGOTARJAN, HUNGARY IN 1956. I ATTENDED SCHOOL IN BUDAPEST. I LEARNED SCULPTURAL ARTS THROUGH PRIVATE CHANNELS, PARTLY IN HUNGARY UNDER THE DIRECTIONS AND WITH THE HELP OF ATTILA BOBALY AND JOZSEF SOMOGYI, AND PARTLY IN MENTON, FRANCE. IN 1996 I ATTENDED THE SUMMER ART ACADEMY OF THE UNIVERSITY OF APPLIED ARTS IN BUDAPEST. I HAD INDIVIDUAL EXHIBITIONS IN THE MADACH GALLERY OF SALGOTARJAN IN 1993, IN THE SERBIAN CHURCH OF BALASSAGYARMAT IN 1997, AND IN THE UJPEST GALLERY IN 2004. GROUP EXHIBITIONS: 1993: SZECSENY 1995: BUDAPEST, MENTON 1996: BALASSAGYARMAT, SALGOTARJAN, NAGYATAD 1999, 2000, 2003, 2005: SALGOTARJAN - SPRING EXHIBITION, OPEN-AIR SCULPTURE EXHIBITION 2000: CANNES 2005: NAGYATAD, NATIONAL EXHIBITION OF WOOD SCULPTURES SZECSENY, WINTER EXHIBITION - PRIZE OF THE TOWN OF SALGOTARJAN CURRENTLY I LIVE AND WORK IN BUDAPEST. INITIALLY I WORKED EXCLUSIVELY WITH WOOD. NOW THE MATERIAL OF MY SCULPTURES IS MAINLY WAX AND BRONZE CAST AFTER A WAX MOULD. MY THOUGHTS, FEELINGS AND THE PLASTIC FORMS GUIDED BY THE FORMER ARE FOCUSED ON TWO MAIN CONCEPTS: "NATURALNESS AND SIMPLICITY" ...

    Tzipi Biran - I try to express the feminine experience as a complete individual that is constantly engaged in fulfilling her independence and femininity. Parallel to this, I emphasize the potential of a harmonious and holistic connection within a nourishing, supporting and creative relationship between a couple, a promoting and protective partnership within a spiritual and physical connection. The figures in my works are like the dance of life in which the steps of one are adjacent, connecting, opposing, and supporting to that of others, creating a changing and constant movement. ...