IN SHORT:
INSPIRATION:
Concious and unconcious perceptions, my background, all circunstances of my life, experiences, past and present, books and newspapers that I read, films, Internet …feelings, emotions and a fertile imagination sometimes, all them aid to weave a story that will change alongside the execution of a piece. In my opinion our tradition, for thousands of years, the Arts reflect the vision of a trascendent life beyond our tangible life.
THEME:
Unreal cityscapes let us a special kind of plasticity. The imagination and feelings are active agents that are modeling the perceptible reality. Transcendent and oniric themes entered and remain in my artwork.
In my imaginary urban landscapes there are overlaid elements of towns he has visited, some imagined, and maybe dreamed, but all with a unique feminine soul.
The Town is a mother, lover, or daughter of the actions, dreams and passions of those who dwell in them or recall them in the distance. It is an idea in which wander those who have been caught up in its infinite labyrinth.
PROCESS:
I usually have not idea about what I will show on the surface. There is a lack of a script or previous sketch. Forms are born depending on the previous and in relationship with them. The painting is an idea in evolution. As amental work I have to immerse myself on that. This way the story is essential in the core of my paintings.
My works are present in private collections both in Spain and abroad: USA, UK, Norway, Malta, Belgium, France, or Argentina.
Carlos Pardo
S...
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