Interior Art For Sale

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Browse 80 Interior artworks for sale. Contemporary artists: Engelina Zandstra, Lou Posner, Michael Garr, John Sims, Luiz Henrique Azevedo, Austen Pinkerton, Wayne Wilcox, Lucia Timis, Rachel Schneider, Ghassan Rached, Linda Dimitroff, Pavel Tyryshkin, Jacinta Crowley_long, Edward Tabachnik, Helge W. Steinmann A.k.a. Bomber, Festina Dileo Guzzo Amaturo, Diana Drake, Dana Deerberg offering Interior artworks. Links to more artworks by these contemporary artists and 3 pages for and further artists at the bottom of this page. To view a work by any of these contemporary artists simply click on the image or browse the artist's portfolio. To buy any Interior art simply click on the image to go to a more detailed page about this work of art.


Contemporary Art / / Previous / Next
Engelina Zandstra: 'Composition 6143', 2021 Acrylic Painting, Interior. Acrylic painting on canvas.  Original artwork.  Composition, maybe a landscape.  Composition in planes, lines and shapes.  Acrylic on stretched canvas of which the sides are painted.  Certificate of authenticity included.  Ready to hang.I call my paintings Landscapes of the mind, because they are inspired by images that I have ...
Interior - Painting
120 x 100 cm (47.2 x 39.4 inches)
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Lou Posner: 'The Nautical Room', 2018 Oil Painting, Interior. Inspired by an eccentric rooming house in New Harmony, Indiana, where each room had a theme. ...
Interior - Painting
34 x 34 inches (86.4 x 86.4 cm)
Michael Garr: 'lorena in her studio', 2018 Oil Painting, Interior. Lorena Pugh working on her big wave...
Interior - Painting
16 x 20 inches (40.6 x 50.8 cm)
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John Sims: 'angel in my room cyprus', 2010 Oil Pastel, Interior. With the help of Cyprus Brandy I spotted this Angel in the mirror hanging in my room at the Cyprus College of Art in Lemba. Oil Pastel on paper...
Interior - Oil Pastel
33 x 43 cm (13.0 x 16.9 inches)
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Luiz Henrique Azevedo: 'A nook with an arbor in Itaipava', 2013 Oil Painting, Interior. A lyrical way to see the arbor and their flowers arising in the spring. ...
Interior - Painting
40 x 50 cm (15.7 x 19.7 inches)
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Luiz Henrique Azevedo: 'Itaipava', 2006 Oil Painting, Interior. The pleasure of life in a special season of a special year.  A visit to Itaipava house and the beauty of the flowers in the window and in the quilt while the afternoon pass. ...
, 2006
Interior - Painting
40 x 60 cm (15.7 x 23.6 inches)
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Austen Pinkerton: 'ROMAN INTERIOR', 2001 Watercolor, Interior.
Interior - Watercolor
210 x 297 mm ( x )
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Wayne Wilcox: 'Dyers Interior ', 2006 Other Drawing, Interior.  Inside Dyers Restaurant, Beale Street, Memphis. ...
Interior - Drawing
17 x 13 inches (43.2 x 33.0 cm)
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Lucia Timis: 'Eol', 2006 Color Photograph, Interior.
, 2006
Interior - Photograph
11 x 7 inches (27.9 x 17.8 cm)
Lucia Timis: 'Art Studio', 1999 Color Photograph, Interior.
, 1999
Interior - Photograph
11 x 8 inches (27.9 x 20.3 cm)
Austen Pinkerton: 'Who was that', 2005 Pen Drawing, Interior. Figure at prayer, kneeling on cushion, in front of curtains with a window above. Through the window can be seen the moon and clouds. In front of the curtains are two freestanding candlesticks, and in front of the figure is a table with two ranks of small lit candles. In ...
Interior - Drawing
35 x 50 cm (13.8 x 19.7 inches)
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Austen Pinkerton: 'It All Began', 2003 Acrylic Painting, Interior. View of interior, with open book on desk in foreground, and a watch also. The book is open at the first page, and shows an illustration from the closing scenes of' Moby Dick' . In the background behind the table, over which is poised a lamp, are shelves of books, with ...
Interior - Painting
30 x 40 cm (11.8 x 15.7 inches)
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Rachel Schneider: 'Slow Shutter Speed 2', 2002 Color Photograph, Interior.
Interior - Photograph
7 x 9 inches (17.8 x 22.9 cm)
Rachel Schneider: 'London 15', 2002 Black and White Photograph, Interior.
, 2002
Interior - Photograph
11 x 8 inches (27.9 x 20.3 cm)
Rachel Schneider: 'Big Bend 2', 2002 Black and White Photograph, Interior.
, 2002
Interior - Photograph
11 x 8 inches (27.9 x 20.3 cm)
Rachel Schneider: 'Big Bend 1', 2002 Black and White Photograph, Interior. This image is called Diverger' s Way.  I captured this image in the Big Bend reigon of Texas.  As I left this abandoned building, I was approached by an border patrol officer who began to cross examine me about my citizenship and wanted to know why I had leaped out ...
, 2002
Interior - Photograph
8 x 10 inches (20.3 x 25.4 cm)
Ghassan Rached: 'Preparing for Tea', 1996 Watercolor, Interior.
Interior - Watercolor
13 x 20 cm (5.1 x 7.9 inches)
Linda Dimitroff: 'barred', 2022 , Interior. Woodblock print, matted and framed  brushed metal frame , ready to hang. ...
, 2022
Interior -
25 x 18 inches (63.5 x 45.7 cm)
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Linda Dimitroff: 'ukraine', 2022 Other Painting, Interior. The door is not always straight ahead, the ground not always firm and straight. There is lightness and darkness, fear and beauty. This work is in Acrylic. ...
, 2022
Interior - Painting
20 x 24 inches (50.8 x 61.0 cm)
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Linda Dimitroff: 'see', 2021 Other Painting, Interior. Doorways have always intrigued me. What may be on the other side  Even more, how long is the distance to the door  Will the side mirrors continue  This acrylic work mesmerizes, draws one in to a mystery. ...
, 2021
Interior - Painting
20 x 20 inches (50.8 x 50.8 cm)
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Pavel Tyryshkin: 'At a mirror', 2008 Oil Painting, Interior.   The morning fisherman         At a mirror               ...
Interior - Painting
96 x 130 cm (37.8 x 51.2 inches)
Pavel Tyryshkin: 'Ljdggia', 2008 Oil Painting, Interior.          Lodggia                     ...
, 2008
Interior - Painting
120 x 150 cm (47.2 x 59.1 inches)
Pavel Tyryshkin: 'Stairs', 2008 Oil Painting, Interior.         stairs                    ...
, 2008
Interior - Painting
96 x 130 cm (37.8 x 51.2 inches)
Jacinta Crowley_long: 'Period Living', 2012 Oil Painting, Interior.   Kitchen, Period Living, Period Kitchen, Georgian Kitchen, Table, Window, tea, tea time     ...
Interior - Painting
16 x 20 inches (40.6 x 50.8 cm)
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Edward Tabachnik: 'My Exhibition in The Russian Museum St Petersburg', 1997 Oil Painting, Interior. New style: Romantic Expressionism.E. Tabachnik' s paintings on the walls.Russian Museum transformed by the artist. Paintings hanged in the same order as the originally was.   ...
Interior - Painting
54 x 40 inches (137.2 x 101.6 cm)
Helge W. Steinmann A.k.a. Bomber: 'Fat Man', 2008 Other Painting, Interior.  Graffiti Art, Urban Art, Aerosol Art, Spraycan on canvas       ...
, 2008
Interior - Painting
60 x 80 cm (23.6 x 31.5 inches)
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Festina Dileo Guzzo Amaturo: 'In The Sun Fun', 2006 Digital Art, Interior.  Digital Painting. A design for a young girls room mural.   ...
Interior - Digital Art
16 x 20 inches (40.6 x 50.8 cm)
Diana Drake: 'Untitled', 2010 Indoor Installation, Interior.  Ceiling flush mount light fixture.  Natural lion paw shell combination with frosted clear glass.  Three bulb fixture.  UL listed components.  Silver finish.  Includes bulbs. ...
, 2010
Interior - Installation
20 x 0 inches (50.8 x 0.0 cm)
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Dana Deerberg: 'Molten Clock', 2009 Crafts, Interior. I am left handed. However,  the only thing I do left handed  is write, eat and draw.  So I guess I  do things  backwards and  Molten was  one of our projects  in Art School. . . . show  depth.  And it' s common  knowledge,  the further you' re away  from something, the darker ...
Interior - Crafts
10 x 12 inches (25.4 x 30.5 cm)
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Randy Sprout: 'White Chair Nantucket', 2008 Acrylic Painting, Interior.  I was trying to paint the differing light from interior as the exterior light streamed into our cottage. ...
Interior - Painting
9 x 12 inches (22.9 x 30.5 cm)
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(Page 1 of 3) - MORE ARTWORKS

Artists Describing Their Art:

Engelina Zandstra - In the labyrinth of my thoughts there are many roads that are leading to the unknown. many roads are leading to the unknown - around every corner a surprise - fata morganas unprecedented views - paintings designed according to laws of their own. ...

Lou Posner - FLASH New offer on the classic 1982 Posners Pocket Guide to Oil Painting. Hand-written, then reproduced by offset process. Hand-assembled. Original, unique art attached to EVERY cover. No two alike. Some in oil paint, some in other media. Collectors item. Best pocket guide to oil painting, ever. For beginners as well as advanced artists. 450 dollars each plus first class postage. Indiana residents add 7 percent sales tax to merchandise not including postage and shipping. Selection of cover art offered, but not guaranteed. Use email messaging here to contact the artist. No postage if you pick it up about 10 mi. north of Tell City, Indiana. Not set up for credit card sales. Check or cash only. Buy one or more, OR later on, kick yourself in the behind for passing up a real bargain and an investment opportunity. After you reach the main or first Posner portfolio page, the tour is pretty intuitive. Please click on an image to enlarge it and bring up further details about the piece of art and a description or story about it. Once you have done this, you may also click on zoom-in, a function, which may or may not...

Michael Garr - I have been drawing and painting since Junior High. I enjoy quick art, impressionistic yet realistic, and minimal. There are interesting subjects all around us. My inspirations are architecture, people, light and shadow, the sea and boats, imagination... and the old masters. Get out and enjoy your surroundings. All my works are available as signed and numbered prints. I also do commission works, some examples of which are in the portfolio. I donate all proceeds to charity, and have recently teamed with SAVE THE BAY, a local Rhode Island eco-advocate organization, which receives 30 PER CENT of my proceeds. My opportunities for artistic expression have included drawing on napkins during airplane rides and waiting during my sons music lessons. In 2012 I took up oil painting for the first time, and my mentor is Lorena Pugh of North Kingstown. Ive done both Plein air and studio work in her presence, and am benefitting from the association. We have an informal group who meet and paint in Lorenas studio on Monday nights throughout the indoor season. I will continue to pursue art on a daily basis, and post the finished works here and on facebook for any and all to ...

John Sims - Following some thirty years working as a graphic designer and illustrator I began stone carving in 2000 and in 2002 I returned to college at Christ Church Canterbury in England to study BA Fine Art. In 2007 I went to the Cyprus College of Art to study for a Post Grad Diploma in Fine Art under the great Cypriot artist, Stass Paraskos. At the end of the course I was asked to stay on and run the Summer Schools and to be tutor on the Post Grad course. An incredible experience and an enormous influence on my work. My work now involves less stone carving more often found timber or kebab sticks My drawing in some respects has turned a full circle in the sense that prior to sculpture my illustration work was colourful but painstakingly detailed and stylised. At college I concentrated on measured observational life drawing in pencil which fed into the simple lines of my mainly figuratively based stone carvings. Whilst in Cyprus I re-discovered colour in both my drawing and sculpture. Dreams and mythology filled my waking and sleeping hours. Oil pastel and oil sticks became my favourite mediums to quickly capture these glimpses of ...

Luiz Henrique Azevedo - Luiz Henrique da Rocha Azevedo born in Rio de Janeiro, Brazil in 1955 living in Petropolis city their youth; soon developed their fondness for drawing, sustained mainly by comics illustrated by Alex Raymond, Harold (Hal) Foster and Ray Moore. During the year of 1975 this fondness goes to the oil painting where their first works occurred oriented by a lovely old madam, Dona Marina, how he called her in the afternoon of their youth, among occasional colleagues. There will born their figurative painting. But their painting lost its space to professional career for more than 23 years until return to its place. Emerge the necessity to take the old painting case and just work where he feels better. Attended the course of realistic painters (Jose Geraldo Fajardo and Renato Ferrari) where learn and mature their technical skill associated, initially, to Rembrandt and Ruisdaels Flemish school, to Spanish painter Melendez and impressionist esteem . He chase for technical expertise and also for thematic identification that gives to him at the same time a private and plural sense to their works. Isn't an easy task but, in this process, retracting to a state that feels better to him: worried with lines, shadows, ...

Austen Pinkerton - Austen Pinkerton If I turn my mind to it very quickly I can come up with several ideas for works aEUR|paintings, drawings, or sculptures. Sometimes ideas come to me when I least expect it, or when my mind is on other things. Ideas can be related to my current experiences, or to my feelings about things that are happening to me in my life at that particular time. Alternatively they can be related to a current interest, or something that occupies my attention at that moment, and my ideas and feelings about which Id like to share with others. A lot of my work is autobiographicalaEUR|either directly or indirectly, consciously or subconsciously. It is frequently very personal, and expresses events or circumstances or experiences in my life. I usually work in either Acrylic on Canvas, Crayon or Pastel, or both together, with Gouache, on card, Drawing in pencil, or Ink, or both, or with creating SculptureaEUR|for which I use fired artists clay. Sculpture follows a completely different set of rules and values from two-dimensional art, obviously, I think of it as Drawing in three dimensions and I take this into account when creating mine. In all my...

Wayne Wilcox - ArtistaEURtms statements have always seemed redundant to me. The work generally speaks for itself. But here goes.. For me itaEURtms about shapes, color and lines interacting and relating to each other. Representational, abstract, non-objective theyaEURtmre all the same. Light against dark, color against color, line intersecting line. IaEUR~m as comfortable with super realism as I am with abstract expressionism. Then, of course, thereaEURtms the medium. I love the paint. I love the act of painting. I love how it flows and how it takes on a direction on itaEURtms own. ItaEURtms like magic. With one stroke something appears before your eyes that wasnaEURtmt there before. An image. An emotion. With each stroke or drip it changes. ItaEURtms an amazing experience. I highly recommend it. And then thereaEURtms image. I am a visual artist. IaEUR~m after strong images, images that evoke a feeling. Starkness, warmth, love, violence, emptiness, beauty, strength. I want the painting or drawing to stand on itaEURtms own. I am a painter. I cannot escape that fact. There have been times IaEUR~ve tried but I always return. ItaEURtms not what I do. ItaEURtm...

Rachel Schneider - Rachel Schneider is an American Photographer well received by the American artistic community. Ms. Schneider's works have been regularly exhibited in galleries throughout the state of Texas. Her academic credentials include 5 years of formal study at Sam Houston State University in Texas as well as training at the Texas School for Professional Photography. Ms. Schneider prefers to photograph in Black and White; however, she also uses color film. Her images yield a very different and crisp vantage point of life. A trained eye will find her images to be high in contrast and highly detailed. When photographing, Ms. Schneider contemplates every technical and artistic aspect of the image in her mind before she even considers pushing the shutter. She believes in finding the subject, determining the tonal values, then taking the picture that completely utilizes the negative's space. Ms. Schneider does not believe in wasting any silver on the negative, and therefore, does not crop her images during the printing process. Critics have noted that her photographic style has the characteristics of Straight Photography and Documentary Photography. Ms. Schneider's portfolio contains images from her travels around the United States, England, Singapore, Tokyo and Malaysia. Her passion ...

Ghassan Rached - I am a geoscientist. I paint, but painting is only a hobby. I paint, whenever I can spare the time, what is relaxing, touches my heart and pleasant to me for enjoyment. I love to use oil and watercolor as media to express beauty. Comments of visitors would be appreciated....

Jacinta Crowley_Long - Living surrounded by her animals in Wicklow, Ireland,this professional artist has a deserved reputation as Irelands foremost contemporary canine and equestrian artist. An award winning full time professional artist, Jacinta graduated with a PhD from University College, Cork and now has both a national and international reputation for her paintings of rural landscapes, country life, period interiors and equine and dog studies. She lives in and works from an 18th century country rectory in the heart of Wicklow. Her subject matter depicts the genteel splendour, pursuits and often eccentricities of Irelands surviving country houses and demesnes. She has been selected in recent years to exhibit at the prestigious International Exhibition of Equestrian Art at both Chisties and the Mall Galleries, London. This exhibition is staged annually to showcase the work of the best of International Equine artists. The empathy she clearly has for her subjects, allied with her technical ability, knowledge of anatomy and acute observation can be seen in her evocative paintings of animals and country artifacts - all drawn from the farmyard, gardens and fields surrounding her home. Her landscapes portray an other-worldly atmosphere of moments caught in time and depict anachronistic experiences and a way of...

Edward Tabachnik - Edward Tabachnik Through all my works you will find that my attitude toward color and light combines tradition of impressionism with various surrealistic situations. Working on illustrations for Kafka's novels, I was looking for a symbolic image of a mystical town. I found it in Gaudi's "Sagrada Familia". Almost on each of my paintings you can see my "signature"- flying phantasmagoria tower, which has become for me a living entity, procreating itself, connecting The Past with The Future. Fascinated with the theory of Black Holes and the origin of The World is also reflected in many paintings in the form of "Singularity", through which Time passes, connecting The Past with The Future. I was always attracted to mystery of Kabbalah, and to other Jewish teachings. Many of my works are related to these themes. After seeing the destroyed Synagogue in Berlin, I've "recreated" it in my painting, and also dedicated a number of my works to Jewish History. In my works I try to blend my fantasy with sometimes well known, sometimes created architectural details. My schooling was both - in architecture and painting. My love for architecture can be seen through many of my works. There is ...