Oil Paintings

Artists Describing Their Art:

Michael Kehrlein - painter,sculptor,textile artist ,My creations fit perfectly(sic) in a wabi sabi urban zen environment. Because I stubbornly believe all the care my hands give to each and every process of my textile creations or stone sculpture creates something more than just a "look." It may be subtle, but you know when you wear or touch. You know when that piece ages with you. You feel the thought of that person, who made it for you, the invisible. I work with "slow" materials, not flashy, not necessary pretty, not cheap, not easy, but those that will give a soul to the piece. I would like to offer you the best and unique. I hope you enjoy them as much as I do. ...

Marilia Lutz - The act of creation is holy and profound in all its manifestations - not only the natural world surrounding us, but also the artistic manifestations representing life. Through my art, I try to represent and communicate visually what I believe illustrates the beauty of life and nature - from special moments or places, and from small things, whether symbolic or not. I find inspiration for my compositions in my surroundings, in moments that are for one reason or another important to me. I look deeply into my feelings to express what I believe is meaningful. Being an artist has been an exciting and overwhelming experience that enriches my life and gives me the opportunity to share with others some of my experiences, views and feelings. My preferred medium is oil on canvas; sometimes I explore other mediums such as pastel, charcoal, and graphite. I explore three basic themes in my compositions that I call: Trilogy; Insights in Forms and Shapes; and Visions of Places. "Trilogy" is a study where I represent what I believe to be the essence of life: the eternal and constant presence of three elements in many aspects of life and nature. "Insights in Forms and Shapes" it is...

Malcolm Tuffnell - Malcolm Tuffnell Is a tremendous talent in contemporary figurative painting.His works exist between a realistic drawn representation of the female figure and an abstract use of impasto and color. He has been exploring the possibilities of oil paint and pastel for over 30 years, with particular attention paid to how color layers interact with eachother; specifically how thin overglazes of a strong color, for example phthalo blue or rose red, can change the character of the paint or pastel underneath them in unexpected ways, producing many new colors while neutralizing others into grays. He has chosen the female form as the subject of his paintings for its beauty,sensuality and historical precedent. He uses the fluidity of oil to express the sensuality of nude skin. Many of his works derive inspiration from the frequent opera and ballet performances he attends, such as Madame Butterfly and The Nutcracker ballet. However, he does not intend to illustrate a story explicitly but instead to suggest a more vague emotional narrative. Education/Accomplishments From 1977-1979 Mr. Tuffnell attended the University of California, Santa Barbara and studied with noted teacher Gary Brown; when there he traveled to Europe, where he was inspired to ...

Daniela Isache - Expressionism is my way to show the world as I see it. Since I was young, I looked at the world differently from my friends. I saw a strange world, wondering why the other people did not see it like me. The world I saw was unjust and made of unhappiness. Looking profoundly at the people's faces, I found them very expressive and I was stroked by their strange traits. I have never seen beautiful or ugly faces but only very expressive ones. Then, I began to paint these faces and I met my future love - Expressionism. At that time, I discovered and understood that the expressionist painting could express the life as I see it. I applied my Expressionism without making any concession to the beautiful or decorative painting. I applied it with force and sometimes with despair. However, when finishing a painting I felt released. I felt as if all my pain and troubles came out of my life. The dramatic motifs I found in everyday life created insurmountable interrogations and tensions. I became calm, but when I looked at my painting, I saw there fear, sorrow and I understood that my Expressionism saved me. Some people ...

Christine Montague - Christine Montague is a professional award winning visual artist known for her portraiture commissions, figurative landscape art, and polar bear oil paintings. Why polar bears The character and spirit of the bears, their high intelligence think great ape, their solitary lifestyle, excellent mothering skills, their place in our world, and the very landscape they wander in, embodies all that I have tried to represent in my other artworks - spirit, character, intelligence, personality, solitude without loneliness, discovery, mindfulness, joy, beauty, escape. Travels to the Canadian arctic Iqaluit Cape Dorset in Nunavut and subarctic Churchill,Manitoba, Canada - polar bear capital of the world and my stay at the Churchill Northern Studies Centre Churchill, Manitoba, Canada, furthered my education and wonder for these magnificent bears and the magical landscape and skyscape - the northern lights. Polar bears are definitely a canary in the coal mine symbol of climate change and my polar bear paintings often symbolize this potential for great loss as their numbers reduce. The effect vanishing ice has on the survival of the polar bear resulted in my series such as the Sink Swim Series. But other works simply pay tribute to this wonder animal in its magical, mysterious environment of frozen ...

Claire Petit - In my work, beings of dream and intimacy migrate slowly to the merry-go-round of birth, death, and rebrith. Different periods and series rub shoulders in my decades of paintings. Duality breathes deeply, and from one life to the next, powerful feminine energy dominates moving, introspective, multiple, often wrapped in a gentle violence. Since 1989, I have been traveling and working between France and the United States. I had my first solo show in 1999 at the 24 Gallery in New York City. In 2004 my work was represented and exhibited at the Grant Gallery. In 2005 I left for Mexico, where I maintained a studio for three months in Oaxaca. From 2005 to 2010, my work was represented and exhibited by the Opera Gallery in New York City. During those years I regularly painted in New York. Since 2010 my work has been exhibited in Paris, Brussels, Luxembourg Metz. My studio is in Nancy, where I live. To purchase a copy of my 140 pages latest book please go to the News page of my website

Claire Petit - Boyko Asparuhov - An imaginative expressionist,Boyko,s oil paintings are a treat to the eye and the soul with their strong brilliant colors,fantasy characters and symbolic elements fused into a bold,graphic style."My work conveys the positive energy of the universe-love,romance,dreams,music,nature,beauty and freedom,"says Boyko. Born in Pleven,Bulgaria in1959,Boyko began painting at age six.After graduating from the Bulgarian Academy Of Fine Art,he muved to Prague in the Czech Republic where he operated his own gallery until 2005 year. Boyko lives and works in Chicago,United States...

John Tierney - The paintings I make are charts of wanderings; what I mean by that is: you can wander around a painting and have, at least sometimes, a feeling of recognition of the place where you are. But the place can shift into a new location, you lose your bearings and then find yourself by intuition. You don't know how you got there, but you know where you are. There are well-beaten tracks and waymarkings that appear familiar. When I set off on a new canvas, white, pristine, in the morning, I often think why should I want to mess this up? It's like an empty mirror, but when the first few marks are made, it changes. It has direction, it begins to beckon you. Making the decision to start is the important thing, it doesn't seem to matter what you do. Disparate things can be united, related somehow. Dialogue begins. You're conscious of what is going on in one direction, but a lot is happening along the wayside. Contrasts are important: for example, organic versus geometric. Organic forms arise from memory. There is the energy of the life form against the rectangle of geometric space. Color...

Alexandr Ivanov - OVERCOMING OF LONELINESS Painting as well as any present{true} art is improbably sensitive to an essence of time, its{his} secrets, fears, hopes aEUR| the Rhythm of an epoch, its{his} power, always D1/2DuD3/4ND3/4D*D1/2DdegD1/2D1/2D3/4 are reflected in music, the literary statement, is freakish and D?D3/4N,DdegN'D1/2D1/2D3/4 leave traces on a canvas of the artist. Time silently addresses to the master inquiry. The end of a century of the past - the beginning present ascertained weariness of a postmodernism in which EVERYTHING has been admissible, and any Text became the World in which settled ND,D1/4NfD>>NDoNEURN<, allocated D,D1/2N,,DuNEURD1/2DdegD>>NOED1/2N>NOED1/2D3/4NN,NOE emphasized D,NN++DuNEURD?DdegD1/2D1/2D3/4NN,NOE searches of the modern language, new dialogue with itself and with eternity - all was, was, was. The existential loneliness of the person who has lost in time aEUR| became obvious Alexander Ivanov - very modern and duly artist. Its{his} painting is interesting to me for a long time. That not noticing, it{he} as it seems to me, has passed{has taken place} a complex{difficult} way of influences of a postmodern on its{his} handwriting. I ...

Mert Ulcay - Mert Ulcay was born in Istanbul, Turkey in 1974. After studying to obtain a Bachelor of Economics in Istanbul, he moved to Italy and successfully completed a Masters Degree in International Economics and Management in Milan. He started his painting studies in 1996 with Mehmet Guleryuz (one of Turkey's leading contemporary painters) at his Bilsak Atelier in Istanbul. He moved Sevinc Altan in 2000, who was a former assistant to Mehmet Guleryuz, opening two exhibitions with her atelier. His works were chosen by the Cagdas Sanat Committee in 2001, for an exhibition with other "up and coming artists" at the Contemporary Art Center in Istanbul. In 2003, he participated in the "International Art Action for Peace" exhibition, with several leading painters in Turkey and moved to Stuttgart, Germany, where he now lives and works, painting from his own atelier. Mert Ulcay's paintings can be described as being emotional, somewhat introvert and very figurative. Always being interested in different expressions of people and of hidden feelings shown from behind "the mask". MERT ULCAY- www.mertulcay.com ...