Black and White Photographs

Artists Describing Their Art:

Gencho Petkov - I believe that photography is a very unique and international language. It is universally understood by all people throughout the world, regardless of their color, language, religion, As a creative person, I focus their interests in specific areas: - Fine Art Photography (as subject): everlasting charm and enduring female beauty (bodygraphia), Portrait, Nature, aesthetic searches by shape and color,experiment. I shoots to create something special and unique for each subject and situation. My desire and passion to explore, learn and better himself is apparent to any eye that views my work. I thinks of himself as a photographic interpreter of beauty, with an eye for the details, shape, light and that turn a simple photo in to a aesthetic standard. I do not time to stop, self-educating; experimenting, studying, and practicing are my primary enjoyments in life, and the results speak for themselves with images that capture each unique body, highlighting the curves and individuality of each subject and exploring the dynamic interplay between the two. Nudes type scenes feature strongly in photos - controlled lighting, unusual shaping and all kinds of visual inspire me. Don't expect my work to fade away anytime soon. My thirst for new adventures ...

Mark Charles Fox - Photography has often had an identity problem. Over its nearly 200 years, it has won sometimes grudging and other times enthusiastic cultural acceptance. Today, everyone is a photographer. In my view, what I am is an image manipulator. Image manipulating is a daily yoga, I do it for the intrinsically meditative state it induces. In college, oops too late, at the end of my thesis preparation I realized what I should have been doing all along, studying iconography, how we might share wonder and convey the ineffable. This is part of my motivation and a hoped-for result of these externalized meditations. During the past decade or more, IaEURtmve engaged in image manipulating in a dedicated way and have created thousands of them. Each one starts with a photo I have taken and IaEURtmll begin to imagine transforming its shapes and colors. There are just a few rules for instance, never cut and paste, nor combine source images into one, work with one at a time. My preferences extend to the most spaced-out looking images, but I also do ones that might be called aEURoecontemporarily traditionalaEUR. Earlier on, it was all about experimentation, working an image until ...