Contemporary Art For Sale Price Range: $200 - $299

Page 6 of 140
Over 4056 works of original contemporary art for sale in the price range $200 - $299. On this page you can find works by William Christopherson, Jim Lively, Geo Sipp, Edward Guzman, Paola Di Renzo, Lora Vannoord, Stephen Mead, Ted Schaal, Bonie Bolen, Tamara Sorkin, Eve Co, Lucille Coleman, Lou Posner, Andree Lisette Herz, Robert H. Stockton, Eric Jacobson, Lucille Rella for the follwing mediums: 1. Links to more artwork and 140 pages for works in the price range $200 - $299 and links to further artists' works at the bottom of this page. To view a work by any of these visual artists simply click on the image or browse the artist's portfolio.


Contemporary Art / / Previous / Next
William Christopherson: 'Acadia Maine Bar Harbor Beech Mountain Desert Island', 2013 Oil Painting, Landscape.     Title:
Landscape - Painting
16 x 20 inches (40.6 x 50.8 cm)
Like It   indepth artwork information   Add To Shopping Cart
Jim Lively: 'A Cow Jumps Over Four Coffee Cups', 2013 Acrylic Painting, Surrealism.                                            Acrylic and gallery wrapped canvas. Part of the going small
Surrealism - Painting
8 x 8 inches (20.3 x 20.3 cm)
Like It   indepth artwork information   Add To Shopping Cart
Jim Lively: 'Fallen Cappuccino', 2012 Acrylic Painting, Surrealism.                                         Acrylic and gallery wrapped canvas                                                                                                                                          ...
Surrealism - Painting
8 x 8 inches (20.3 x 20.3 cm)
Like It   indepth artwork information   Add To Shopping Cart
Geo Sipp: 'Algerian patrol', 2008 Intaglio, War.  Algerian patrol is a 3- plate color etching, illustrating a scene from a graphic novel about the French- Algerian War, entitled Wolves in the City, which I am currently illustrating.                     ...
War - Intaglio
5 x 3 inches (12.7 x 7.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
Geo Sipp: 'Untitled', 2008 Intaglio, War.  Untitled is a 3- plate color etching, illustrating a scene from a graphic novel about the French- Algerian War, entitled Wolves in the City, which I am currently illustrating.                    ...
, 2008
War - Intaglio
5 x 4 inches (12.7 x 10.2 cm)
Like It   indepth artwork information   Add To Shopping Cart
Geo Sipp: 'Explosion', 2008 Intaglio, War.  Explosion is a 4- plate color etching, illustrating a scene from a graphic novel about the French- Algerian War, entitled Wolves in the City, which I am currently illustrating.                   ...
, 2008
War - Intaglio
4 x 3 inches (10.2 x 7.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
Edward Guzman: 'Flaming Gold Arrow', 2012 Giclee, Visionary.  This is an inspiration for your inner warrior to battle whatever darkness comes your way. . . including your own inner darkness.  ...
Visionary - Giclee
18 x 18 inches (45.7 x 45.7 cm)
Like It   indepth artwork information   Add To Shopping Cart
Paola Di Renzo: 'throw', 2012 Textile Art, Abstract Figurative.
, 2012
Abstract Figurative - Textile Art
150 x 110 cm (59.1 x 43.3 inches)
Like It   indepth artwork information   Add To Shopping Cart
Paola Di Renzo: 'throw', 2012 Textile Art, Abstract Figurative.
, 2012
Abstract Figurative - Textile Art
150 x 110 cm (59.1 x 43.3 inches)
Like It   indepth artwork information   Add To Shopping Cart
Lora Vannoord: 'Lily Garden', 2012 Oil Painting, Landscape. Original oil painting on canvas board of a yellow Lily garden.  I spotted this lovely landscape in upstate New York while visiting Elizabethtown.  The green sets off the yellow flowers making a large floral picture.  Framed...
Landscape - Painting
20 x 16 inches (50.8 x 40.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
Stephen Mead: 'For Souls Should Touch', 2000 Watercolor, Spiritual.  I recently came across my sketchbooks for the 31 Kisses series and was surprised to find I did drawings as well as paintings.  Scanning the sketchbooks directly on to the computer I discovered these originals had much more details than other published versions and finally got around to putting this...
Spiritual - Watercolor
8 x 10 inches (20.3 x 25.4 cm)
Like It   indepth artwork information   Add To Shopping Cart
William Christopherson: 'Singer Castle Thousand Islands Saint Lawrence', 2011 Acrylic Painting, Seascape.  Titled
Seascape - Painting
14 x 11 inches (35.6 x 27.9 cm)
Like It   indepth artwork information   Add To Shopping Cart
William Christopherson: 'Greece Siros Cyclade Islands Nightscape', 2011 Watercolor, Seascape.   Title:
Seascape - Watercolor
16 x 20 inches (40.6 x 50.8 cm)
Like It   indepth artwork information   Add To Shopping Cart
Ted Schaal: 'Vista', 2011 , Landscape.  Landscape relief carving cast in bronze ...
, 2011
Landscape -
10 x 8 inches (25.4 x 20.3 cm)
Like It   indepth artwork information   Add To Shopping Cart
Bonie Bolen: 'Gravity', 2011 Oil Painting, Love.
, 2011
Love - Painting
14 x 14 inches (35.6 x 35.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
Tamara Sorkin: 'Golden heart flower', 2011 Other, Mythology.   Based on a well known story about a woman going to look for a flower to cure a child. This is a pulp painting. It was currenly exhibited at the botanical gardens in Jerusalem  ...
Mythology - Other
45 x 42 cm (17.7 x 16.5 inches)
Like It   indepth artwork information   Add To Shopping Cart
Eve Co: 'Dreamland Lily Closeup', 2010 Watercolor, Floral.  Dreamland Lily Closeup - This painting depicts a very close up view of the lily' s Stamens and Antlers   The main body of the work is the Stamens with the background detailing the petals close up. This painting is NOW for sale, I donated it to the Easter Seals Society, in...
Floral - Watercolor
9 x 12 inches (22.9 x 30.5 cm)
Like It   indepth artwork information   Add To Shopping Cart
Eve Co: 'Calla Lily in Leaves', 2010 Watercolor, Floral.  Calla Lily in Leaves - This painting depicts a lone calla lily engulfed by leaves.  The lily could be suffocating in its own reality, but it bursts forth with such simplicity and beauty that I had to paint its awesomeness. . .  This painting is NOW for sale, I donated it to the...
Floral - Watercolor
9 x 12 inches (22.9 x 30.5 cm)
Like It   indepth artwork information   Add To Shopping Cart
Lucille Coleman: 'Salsa Eclipse', 2010 Digital Art, Dance.  This is a figurative romantic painting of man dipping woman at the end of a dance with expressive digital brushwork. Art and frame in total size are 16x16. A(c)2010 Lucille Coleman...
Dance - Digital Art
14 x 14 inches (35.6 x 35.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
Edward Guzman: 'Sundance Tree II, A New Vision', 2010 Giclee, Visionary.  This painting came to me as I was chillin on my futon, eyes closed and thinking of nothing. It's a painting about hope and the fulfillment of our Sacred Dreams.  ...
Visionary - Giclee
18 x 18 inches (45.7 x 45.7 cm)
Like It   indepth artwork information   Add To Shopping Cart
Lou Posner: 'Yubucoa Puerto Rico', 2010 Watercolor, Beach.  Robert Leedy and I painted this same scene in January, 2010.  See www.  robertleedyart.  com for his interpretation of the view.  He included me at work on this painting + the doggie friend who had adopted us.  While I was working a young couple came by and parked themselves at the...
Beach - Watercolor
12 x 9 inches (30.5 x 22.9 cm)
Andree Lisette Herz: 'machine age red', 2010 Fiber, Abstract.      fabric , stitching found objects , copper, mica, iron     ...
Abstract - Fiber
24 x 24 inches (61.0 x 61.0 cm)
Like It   indepth artwork information   Add To Shopping Cart
Lou Posner: 'Antique Bronze muscadine wine dry version label', 2010 Other Printmaking, Vintage. This is one extra label that was left over after bottling 16 bottles of Antique Bronze bronze muscadine wine on Mar.  14, 2010.  The label art is based on an oil painting on canvas board, signed and dated, by the artist.  The label design and layout is by Mary E.  ...
Vintage - Other Printmaking
6 x 4 inches (15.2 x 10.2 cm)
Lou Posner: 'Antique Bronze muscadine wine sweet version label', 2010 Other Printmaking, Vintage.  This is one extra label that was left over after bottling 17 bottles of Antique Bronze bronze muscadine wine on Mar.  14, 2010.  The label art is based on an oil painting on canvas board, signed and dated, by the artist.  The label design and layout is by Mary E...
Vintage - Other Printmaking
6 x 4 inches (15.2 x 10.2 cm)
Robert H. Stockton: 'Crash Course', 2009 Mixed Media, Abstract Landscape.  This mixed media composition is created from a variety of weathered and found papers, as well as acrylic paint.  It is matted with white museum board, and framed, under glass in black metal. ...
Abstract Landscape - Mixed Media
10 x 14 inches (25.4 x 35.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
Eric Jacobson: 'Brass Whale', 2009 Other Sculpture, Animals.     This sculpture is an elegant interplay of organic forms, movement.    ...
Animals - Sculpture
1 x 1 feet (0.30 x 0.30 m)
Like It   indepth artwork information   Add To Shopping Cart
Ted Schaal: 'Stash Box', 2009 Bronze Sculpture, Other.  This is a special place for special objects. Please allow 2 months for casting and delivery....
, 2009
Other - Sculpture
4 x 3 inches (10.2 x 7.6 cm)
Like It   indepth artwork information   Add To Shopping Cart
Lucille Rella: 'Rebirth', 2009 Oil Painting, Theater.
, 2009
Theater - Painting
7 x 5 inches (17.8 x 12.7 cm)
Like It   indepth artwork information   Add To Shopping Cart
Lucille Rella: 'Glass Candies', 2009 Oil Painting, Still Life.
Still Life - Painting
7 x 5 inches (17.8 x 12.7 cm)
Like It   indepth artwork information   Add To Shopping Cart
Bonie Bolen: 'Moonflower', 2009 Oil Painting, Music.
, 2009
Music - Painting
13 x 11 inches (33.0 x 27.9 cm)
Like It   indepth artwork information   Add To Shopping Cart
(Page 6 of 140) - MORE ARTWORKS
  • MORE »
  • Artists Describing Their Art:

    William Christopherson - The viewer sees a finished canvas. The artist relishes its journey of creation. A thought, a feeling, an experience, a place. These are the most essential of supplies as the artist tasks to expand, explore, and evolve along the path. All are welcome here, to view, appreciate contemplate, and possess the journeys I have made, and the journeys yet to come. Over the past several years I have explored the oil medium, borrowing technique from both historical and present day impressionism. Its a medium I love to work in, even though my wardrobe and studio surfaces have suffered immensely. Much of my work now reflects the pallet knife, and explores a prolific use of heavy colorful brush stroke. Everything continues to evolve, and thats a good thing Enjoy. William Christopherson, 2017 ...

    Jim Lively - Whether portrayed in the abstract, realism, or somewhere in between, I am most influenced by both the beautiful and unattractive components of contemporary urban culture. Many times, one painting will reflect both components. My art tends to focus upon interesting juxtapositions of close-up images of human faces. Often, the larger images border upon realism and are caught expressing a panoply of emotions usually directed at the other images that share the canvas. Several of my recent works such as the tongue in cheek entitled "Lenin and Things" contain unlikely combinations of images such as a statue of Lenin which is dwarfed by a billboard size fashion model displaying a vacuous stare. A number of works contain both large images and interrelated small images. For example in the painting "Staring at Natalie", all the smaller images are a depiction of a collective group of voyeurs staring at a larger image of a posed fashion model. I want those viewing the painting to be the ultimate voyeur. The viewer is not only drawn initially to the larger image in its own right but also cannot help but then notice the relationship of the smaller images to the large image. Works displayed ...

    Geo Sipp - Geo Sipp Artist Statement: The primary emphasis of my images is to reflect our experiences as consumers of the media in the aftermath of September Eleventh. As we go about our lives the media constantly reminds us of our exposure and vulnerability. The visual perception that is promoted is of our being continuous observers of the human condition. A sense of being under threat heightens our awareness and is implicit in our roles as parents, friends and guardians. The media trivializes threats by distilling them into short, dramatic events. Meaning and emotion become codified. I create images as responses to social and political situations, but no attempt is made to editorialize the content. The work is intended to reevaluate the visual narrative to which we've become conditioned. A variety of media is used to create my work. The decision to create a drawing or a painting or a print is primarily intuitive. Yet, because they are multiples, prints reference the mass marketing of published imagery in a news cycle. The Algeria Series references the Iraq War and Middle East instability. The fact that the images are multiples printed from several plates alludes to the tradition of photojournalism and role...

    Edward Guzman - Painting is one of the ways that I express my soul to the world. It is through a deep felt connection to spirit that enables me to envision the images that eventually become paintings. My style is best described as Shamanic. In this mystical,spiritual style I move the viewer to a deeper level of experience as the images transport one to other realms of existence, to places within and long forgotten. The images, energy and intent may also elicit a healing of sorts. By accessing deeper levels of awareness we become attuned to higher levels of ourselves and if the time is right we are able to heal our many facets of existence. My work has also been described as Contempory Southwest as well as Visionary. My paintings are Mixed Media. I use watercolor, acrylic and 22K gold leaf. I have originals as well as Giclee prints that are hand embellished with 22k gold leaf available. Most recently I was in the 2013 Ontario Open Art Exhibition at the Ontario Museum of History and Art in Ontario, Ca. This is the fifth time my work has been shown at this wonderful little gem of a museum. For more information ...

    Paola Di Renzo - Born in Abruzzo, I live and work in Sardinia .Pure amateur artist,I used to work with paper,mainly magazine paper,sand,acrylic and tempera.Nowadays I look for the pleasure of playing with colours with which I try to express feelings and emotions. If I was able to express in words what I try to convey with colours.......I would be a writer!...

    Lora Vannoord - I am a Florida Artist originally from a small town in Michigan, now painting in Florida. My works are original oil paintings inspired by Mother Nature. I want to communicate my love of nature to help others see and appreciate the natural environment around them. My goal is to give others a calming and imaginative experience in their homes when they contemplate my oil paintings. I enjoy the creative composing of my landscapes using my store of images and my imagination. I combine my sketchbook images and photos to form my imaginary landscape. I then feel excited and fulfilled when my work goes well. Even as a child my happiest times were when I was creating art or attending art activities and museums. I am a member of the Tarpon Springs Art Association and NOAPS. I have been chosen to show my original oil paintings in many of their juried exhibits. I have had solo exhibits in Grand Rapids MI, Dunedin FL, Oldsmar FL and Tarpon Springs FL. I have shown oil paintings in group exhibits in Clearwater FL, Crystal Beach FL, Tarpon Springs FL, Oldsmar FL, Dunedin FL, Sarasota FL, Safety Harbor FL, Tampa FL Art Museum, Miami FL...

    Stephen Mead - In the early 1990's Stephen Mead's poems began appearing in such journals as Onionhead, Bellowing Ark, and Invert, but upon moving to Provincetown, Mass., Stephen decided to concentrate more on visual work. It was in the year 2000, after moving back to NY, that Stephen started seeking publication again for both his writing and his art combined. Since, then, thanks to the wonders of the World Wide Web, his work has appeared internationally both in cyberspace, hard copy, and physical Gallery Space. Often the writing has appeared along side his paintings, and at other times with the text superimposed. In 2004 Stephen began experimenting even more with these poetry/art hybrids creating a series of e books, including the award winning "We Are More Than Our Wounds". From there Stephen began experimenting with his art and poems as films, at first creating slideshows with captions, and then doing his own soundtracks and voice overdubs. These DVDs are available through Indieflix.com In 2006 Stephen put this technology to use releasing a CD of poems set to music "Safe & Other Love Poems" (CDBaby.com), as well as two print editions of his image/art hybrids, "Selected Works" and "Tree ...

    Ted Schaal - Lately I have been exploring the use of two enduring materials, bronze and stainless steel. I enjoy the juxtaposition of the primitive texture in the bronze with the mirror polished modern look of the stainless. Balance and symmetry dominate simple geometric forms. These sculptures are made to last through the ages with the highest level of craftsmanship and quality metals. Most of my latest work can be scaled up for public or corporate settings and commission inquiries are welcome. With over 20 years of sculpture experience anything is possible from desk top size to monumental fountains and sculpture. ...

    Tamara Sorkin - I have always worked from organic subjects- plants, animals, or the human body, but usually I arrive at an abstract, "zoomorphic" description, that enables me a wider perspective. ...

    Eve Co - I began painting and drawing in 1987 and have not stopped. I have a wide range from, landscapes, still-lifes, Hubble art galaxies nebulas, abstracts, florals, architectural art and so much more. I draw every day and paint as much as I can afford. I paint more watercolors than acrylic and oil canvas art. I would prefer more canvas art, but I make do with what I have. I try to express myself in artwork as well as with words. I paint landscapes, the glorious colors of nature, water, the ever expressive sky and more, primarily with watercolors on paper. These paintings are usually thought out and planned because they represent nature as I see nature. I paint still-lifes of everyday objects. To teach me about one particular color, shading and or painting glass. I think of still-lifes as a learning process that literally has me pulling my hair out in frustration, but I still paint through how they make me feel... I am fascinated with Hubble Space Technology so, I paint galaxies and nebulas on canvas with acrylic paints. I have sold many of these paintings and I must admit they are some of my favorite subjects...

    Lucille Coleman - Although I'm able to produce other imagery, the figure has been my main subject. I believe that if an artist can capture and express the figure well, he can master any subject. I have explored the following themes to name a few: chic erotica, forms of dance such as latin and hip-hop, the family, conceptual themes pertaining to people in business, men and women in positive leadership roles and societal issues. I enjoy painting subjects and themes by using a loose, bold, direct and painterly brushstroke or flat graphite strokes over a solid drawing. Spontaneity and making visual statements by the "less is more" method is very gratifying for me. In addition, the chiaroscuro lighting of subjects fascinates me and I never tire of its effects of light and shadow. I am influenced by the works of Joaquin Sorolla, John Singer Sargeant, Caravaggio and other painters of his era, Wassily Kandinsky, Phillip Corey, Impressionism, and many great illustrators. ...

    Lou Posner - FLASH New offer on the classic 1982 Posners Pocket Guide to Oil Painting. Hand-written, then reproduced by offset process. Hand-assembled. Original, unique art attached to EVERY cover. No two alike. Some in oil paint, some in other media. Collectors item. Best pocket guide to oil painting, ever. For beginners as well as advanced artists. 450 dollars each plus first class postage. Indiana residents add 7 percent sales tax to merchandise not including postage and shipping. Selection of cover art offered, but not guaranteed. Use email messaging here to contact the artist. No postage if you pick it up about 10 mi. north of Tell City, Indiana. Not set up for credit card sales. Check or cash only. Buy one or more, OR later on, kick yourself in the behind for passing up a real bargain and an investment opportunity. After you reach the main or first Posner portfolio page, the tour is pretty intuitive. Please click on an image to enlarge it and bring up further details about the piece of art and a description or story about it. Once you have done this, you may also click on zoom-in, a function, which may or may not...

    Eric Jacobson - My work is influenced by a variety of sources from mandalas to contructivism "drawing in space" and nature: artists like David Smith, Mark Di Suvero, Miro, Picasso, etc. My current work incorporates brass tubing with mobiles and water. Some of these create sound as well. I have also created steel "frames", often octagonal that enclose a series of elements floating within this environment. I have been exploring the use of depth(perspective), color and balance in my work. I am very interested in the "layers" that make up each person's life history and mind, and therefore create layers in my sculpture to symbolize this. I often see things in the world as having an" inner and an outer", sometimes revealed to the world at large and sometimes hidden. This includes the human mind. People often keep parts of themselves hidden or protected even sometimes from themselves. Sometimes thes things are revealed in artwork. My sculptures also involve the relationship of the natural and man-made environments and the balance or imbalance between them....

    Lucille Rella - Color, I can't imagine life without it. We are surrounded by it. Our attention is drawn to it and it creates a variety of moods in our environment. It motivates me to paint. A spectrum of lights and darks, high colors and muted tones get me involved in a painting. The wonderful transparency and spontaneity of the watercolor medium, helps me to utilize these qualities in expressing my art work. ...