Fantasy Art For Sale

Artists Describing Their Art:

Kirstin Mills - Here is just a taste of the enchanting artworks of Australian fantasy artist Kirstin Mills. Each artwork is created with the same intense energy, love and care and with that magical inspiration that makes it so special. To find more artworks, enchanted giftwares and information about Kirstin, visit her enchanting website: www.kirstinmills.com. Here you will find a whole world of magic and enchantment, with new artworks and products added each month, a free magical newsletter with special discounts and art tips, art tutorials and many fabulous links to other online places of fairies, fantasy and magic! Follow the links below to The Magical World of Kirstin Mills: www.kirstinmills.com....

Matei Enric - My art is a combination between easel and wall painting. More pieces which are assembled together, creating a full image, a piece of work. Space, as usual, circumscribes the work, the wall ( the vital space around the picture ) is inserted in the piece of work, becoming in this way an element ( having plastic valences) of the composition. The piece of work, in whose substance is also integrated the wall where it is placed, remindes of the wall painting , having a better comunication with the environment unbeing isolated from it by a frame or a closed shape ( square, rectangle etc). The base of my painting consists of the plastic rhythm ( the whole composition relying on the arrangement of similar elements) and the use of different ways of the elements materialization ( brush-up ) ....

Alkistis Wechsler - Reality meets myths. Personal visual impressions of chosen English gardens ... lately also Mediterranean seaside, are coming together in imaginative collages and alchemic transformation. . Sensitive to the environment as well as to human interactions and expressions it all translates into visual myths . Not only travels between geographical points, but also a thirst for such trips in the mind through myths and readings of initiatic rituals of metamorphosis, infiltrated as well my art of painting. At the end, every archetype (for example Heliogabalus, Persephone and Artemis) and every movement reaches back to the source of rhythm and scales creating a personal mythology and so I understand my self and the world after each painting is done by a hypersensitive process and not a premeditated rational plan. The seasons or the elements and their rhythm are interwoven with my vision of human soul and the soul of the sea ...

Alexandr Ivanov - OVERCOMING OF LONELINESS Painting as well as any present{true} art is improbably sensitive to an essence of time, its{his} secrets, fears, hopes aEUR| the Rhythm of an epoch, its{his} power, always D1/2DuD3/4ND3/4D*D1/2DdegD1/2D1/2D3/4 are reflected in music, the literary statement, is freakish and D?D3/4N,DdegN'D1/2D1/2D3/4 leave traces on a canvas of the artist. Time silently addresses to the master inquiry. The end of a century of the past - the beginning present ascertained weariness of a postmodernism in which EVERYTHING has been admissible, and any Text became the World in which settled ND,D1/4NfD>>NDoNEURN<, allocated D,D1/2N,,DuNEURD1/2DdegD>>NOED1/2N>NOED1/2D3/4NN,NOE emphasized D,NN++DuNEURD?DdegD1/2D1/2D3/4NN,NOE searches of the modern language, new dialogue with itself and with eternity - all was, was, was. The existential loneliness of the person who has lost in time aEUR| became obvious Alexander Ivanov - very modern and duly artist. Its{his} painting is interesting to me for a long time. That not noticing, it{he} as it seems to me, has passed{has taken place} a complex{difficult} way of influences of a postmodern on its{his} handwriting. I ...

Terri Cabral - Artists Statement I am a painter of people, animals and the natural world. I strive in my painting to reveal the unique essence of each of my subjects through the distillation of light and color into recognizable form and substance. I continue to be greatly influenced by my uncle, Cuban Vanguardia painter Antonio Gattorno. He was known for his versatility and his ability to paint masterfully in a variety of styles. I am constantly experimenting with styles and developing my sense of versatility. ...

Nathalie Vin - When not working on fixed commissions or client-led designs, Nathalie is drawn to expressing philosophical notions, "permanence and impermanence, life and death, man versus nature, the future and our responses to it." There are undoubtedly recurrent themes in her work, an outcome of her innate instincts and interests. She is fascinated by the notion of the essential'now', that ever-fleeting moment when eternity is glimpsed but never retained. She is intrigued by nature and how small our human concerns are in comparison to it. The concept of microcosm within the macrocosm and how fragments are echoed and repeated to form the larger picture, embodies her work. Her fundamental activity is with fine art mosaics but her life and explorative curiosity informs her art, working with installation (perhaps the most monumental example of this is The Glow project), film, commissioned photographic documentaries for Holocaust Memorial day, sculpture and painting. Considering the process, Nathalie's work investigates the small and how it builds into a larger whole. Whether she is making film, a mosaic piece or an installation she puts elements together like a puzzle. These could be mosaic tiles, wood elements, photographic or video images, memorabilia of people's ...

Bert Menco - Though they may seem simple, especially my drawings and intaglio prints but also my paintings are actually quite elaborate; half a year's work on an image is no exception for me. I draw directly or use small sketches, even doodles, as image-generating nuclei, often combining two or three that appear to complement each other. I rarely use concrete references, but rather work from inner visions. I tend to be narrative in my own art, perhaps poetic narrative. I don't see my images as telling a story but rather as reflections of inner feelings, similar to some poetry, and would like observers to read them as such. I like to believe that my work carries a certain mystery. My images are very much "inside out.aEUR? I have usually some idea of what I want to obtain, but much of the image is generated while I draw or paint. The end product always surprises me; I am often amazed that there even is an end product. Analyzing my own art is difficult but I think that the dreamlike images tend to deal with confined spaces which contain certain characters that reach out to one another but do not quite ...