Fantasy Art For Sale

Artists Describing Their Art:

Ingemar Hardelin - Prior to my exhibitions I have ever wondered what really is relevant to point out. Generally I would not say much because my basic position is that the paintings may speak for themself. They live their own lives behind the words. But something overall may be said after all. I choose to summarize most of my production under the term "motion". Since I througout adult life has been a performing cellist on the side of my civilian profession, has music in mostly been a driving force and inspiration. Music is movement, and movement is an expression of life. In the same way I experience my painting. In colors is life, music, rhythm. In colors and forms are everything we recognize, but in addition there are infinite opportunities for new discoveries and experiences. We may be affected, seduced, upset and make voyages of discovery in constant dialogue with what we see. Seeing a picture is like hearing a peace of music over and over again. The experience will never be the same. Most of the time I paint from inner visions where freedom, imagination, rhythm, form and balance are important keywords. Thus, the same criteria that characterize music. The result is...

Bert Menco - Though they may seem simple, especially my drawings and intaglio prints but also my paintings are actually quite elaborate; half a year's work on an image is no exception for me. I draw directly or use small sketches, even doodles, as image-generating nuclei, often combining two or three that appear to complement each other. I rarely use concrete references, but rather work from inner visions. I tend to be narrative in my own art, perhaps poetic narrative. I don't see my images as telling a story but rather as reflections of inner feelings, similar to some poetry, and would like observers to read them as such. I like to believe that my work carries a certain mystery. My images are very much "inside out.aEUR? I have usually some idea of what I want to obtain, but much of the image is generated while I draw or paint. The end product always surprises me; I am often amazed that there even is an end product. Analyzing my own art is difficult but I think that the dreamlike images tend to deal with confined spaces which contain certain characters that reach out to one another but do not quite ...

Alexandr Ivanov - OVERCOMING OF LONELINESS Painting as well as any present{true} art is improbably sensitive to an essence of time, its{his} secrets, fears, hopes aEUR| the Rhythm of an epoch, its{his} power, always D1/2DuD3/4ND3/4D*D1/2DdegD1/2D1/2D3/4 are reflected in music, the literary statement, is freakish and D?D3/4N,DdegN'D1/2D1/2D3/4 leave traces on a canvas of the artist. Time silently addresses to the master inquiry. The end of a century of the past - the beginning present ascertained weariness of a postmodernism in which EVERYTHING has been admissible, and any Text became the World in which settled ND,D1/4NfD>>NDoNEURN<, allocated D,D1/2N,,DuNEURD1/2DdegD>>NOED1/2N>NOED1/2D3/4NN,NOE emphasized D,NN++DuNEURD?DdegD1/2D1/2D3/4NN,NOE searches of the modern language, new dialogue with itself and with eternity - all was, was, was. The existential loneliness of the person who has lost in time aEUR| became obvious Alexander Ivanov - very modern and duly artist. Its{his} painting is interesting to me for a long time. That not noticing, it{he} as it seems to me, has passed{has taken place} a complex{difficult} way of influences of a postmodern on its{his} handwriting. I ...

Christa Skoff Oglan - The muse, the madonna and the goddess captured in an endless dream is a recurrent theme of the figurative paintings. I strive to provide a feeling of mystery and opulence that act as points of departure into personal inward journeys for the viewer. ...

Corrie Ancone - Artist statement : "I don't care for the certainty of what's in front of my lens, but the creativity, the fantasy, the invention, that can gush from a thought before or thereafter. Between the certain and the uncertain there is a possible space, as in dreams and fables. Heavily influenced by mythology, nature and the techniques and working styles of the early European Dadaists, Impressionists and Baroque artists, my creativity stems from my lust for finding and exploring sympathies between the human body, the landscape and its textures. Oscillating between transparency and opacity, colours and images collide in my work, creating new visual and emotional images, often painterly and somewhat surreal, which affect perceptions of natural reality. This is sometimes described as 'synthetic realism'." Corrie Ancone ...

Nicole Pereira - NICOLE PEREIRA Nicole Pereira is a young rising artist who started producing artwork at the young age of 4. Nicole noticed that she had a gift for art when her artwork was selected in her local public school and community art competitions. The local press also started raving about Nicoles work. With encouragement from her family and friends, Nicole now devotes all of her free time to paint abstract portraits that express her feelings and emotions. Originally, she started drawing realistic portraits of individuals and celebrities, but felt that she wanted to add more. By careful reinterpretation of the portrait, the use of broad brushstrokes and vivid colors, Nicole conveys her thoughts, feelings and emotion to the canvas to create unusual artwork. Nicole is just beginning to get recognition in the art world as a gifted and unique artist and her potential is unlimited....

Elisha Sherman - My craft designs are elaborate with hidden objects or intricate designs waiting to be seen. Process is essential to my work and begins with the medium of paper. I use a unique form of decoupage working with handmade papers and an assemblage of found objects. I like symmetry in my work and often balance size, shape, and color with pattern, and texture. I love to have fun with my designs and enjoy working with clients to create custom pieces for their special occasions. I continue to create my work with exuberance as it is a nice respite from the constraints of formal teachings as the possibilities are endless in multimedia. The evolution of my line continues, as I am currently designing bottle cap art with genuine gemstones, handmade papers, and charms that can also be turned into necklaces. ...

Dana Zivanovits - Dana Zivanovits was born in 1958 in Columbus, Ohio and received his art training from the Columbus College of Art and Design (1978 to 1982). After art school, he went abroad for a year and studied the art of the old masters in London, Paris, Madrid, Rome and Venice. Returning to his studio in Columbus to develop these influences into a new body of work, he then traveled to Mexico and studied the sculpture and painting of that country for an extended period. The unique and vivid colors of Palenque and Vera Cruz intensified his palette. After a period in Ohio, he then moved to Venice Beach, California where the brilliant light of the region reinforced his desire to capture effects of sunlight and atmosphere. Returning to Ohio in 1995, he has continued to paint themes deriving inspiration form sources such as world mythology, classic and B-grade cinema, literature and dreams. However his primary inspiration is direct observation from nature, versus an approach based in art theories or cultural critique. Dana has been widely represented by galleries and exhibition projects including Julie Rico and Mega Boom in Los Angeles, the Venice Art Detour, Around the Coyote Festival in Chicago ...

John Neville Cohen - PAINTING WITH LIGHT 'Painting with light' is all about photographing projected images that surprisingly are not often projected on to a screen. John discovered the projector really is a magical magic lantern! Computers and digital images were unknown at the time when some of his finest pictures were created (some of them nearly 50 years ago). Yet they have stood up to the test of time and are still considered exceptional, making quite a statement! It was by chance, seeing an image projected, partly on the curtains and wallpaper that started this unique art form. By moving the projector and focusing on to other objects, noting how they distorted the image and influenced the texture and shape, led to the idea of photographing what could be seen. Then by adding more projectors he was also able to blend different images too and so 'painting with light' began. John started with an idea and experimented with various images, but he explained that sometimes something unforeseen happened, that sent him down a totally fresh route to create a very different picture than was originally planned, it is these 'inspired accidents' that have since turned out to be his very best works. The ...

Vanessa Bernal - Artist's statement: My earliest childhood memories are those of painting with my grandfather and frequently visiting the Art Institute of Chicago where we would spend countless hours together. He taught me that everything we come in contact with has the potential of becoming a work of art. My grandfather and I would take walks together to hunt for "treasures" of discarded objects that later he would turn into beautiful collages and assemblages. It is those lessons I carry with me and -today- in my work I see his influence. I have never been comfortable with expressing myself verbally. I am not one to strike up a conversation with a stranger, nor do I feel comfortable speaking to a group of people. Visual expression comes naturally to me; it is through this means I can best communicate with others and feel the most comfortable. At a young age I became aware of the injustices being perpetrated in the world and was deeply disenchanted with the political process as a means of creating effective change in our global community. For me, becoming an artist was inevitable. Through the visual arts not only did I communicate my life's passions, my fears, ...