Artists Describing Their Art:
Margaret Thompson - Nothing is what it seems. I am fascinated by the mystery and ambiguity that can come from working with collaged painted papers, and multi-plate printmaking. The initial layering process is usually one of spontaneity and serendipity, and, only later, when the painting starts to take on a life of its own, do I think more consciously about its meaning, the composition, its form and colour. The title is only one way in to reading my pictures, and is merely a proposal: the most interesting aspect to me is what the viewer brings to the understanding of the work.I have a great admiration for Kurt Schwitters, the master of collage, Helen Frankenthaler, master of colour and subtlety, Kandinsky and Miro. I regularly exhibit in London, France and the US....
Dennis Mccallum - For a number of years I was the UK Government protected species rehabilitator to the wild of injured birds of prey. In this time I was able to observe and handle wild birds and animals. They were my inspiration and provided the subject matter for my paintings. Having been a surveyor with the UK Ordnance Survey which makes the British maps, I was trained to represent images with accuracy and detail and this I do in my paintings from studying the birds at close quarters. I also have the freedom to explore any subject that interests me. My work has been challenging, but always enjoyable and that is my reason for painting...
Suzanne Caron - A blank surface is quickly covered with fluid colour using a large brush or sponge. Gestural strokes in the still-wet paint suggest movement and form, and from there the painting evolves almost with a will of its own, an intuitive process, at least up to a certain point. As the work progresses, ideas form rapidly and are sometimes sketched on paper before applying more paint. I dont always know where to begin or even end, but thats what excites me about painting....the unknown ...
Elizabeth Griffith - Elizabeth Griffith, MA, LPC-I, ATR Supervised by Deborah Lindeen, LPCS, LPC, ATR-BC I am a mixed media artist, art therapist and counselor in training. My work mostly consists of oil and acrylic paintings. My artwork is inspired by my experiences throughout life and my strong desire to understand people and society. I believe art can be interpreted differently depending on the viewer and that the buyer should have a strong connection to the piece. Feel free to contact me with questions or comments about my portfolio. Thank you,...
Chad A. Carino - A quality which defines the life of any urban artist is the visible entropy surrounding us in the form of decay and despoilation of the desolation defining post-industrial urban America. Simply put, we live in darkness. This quality bends and controls me, defining my work, decaying into darkness and chaos. A solid idea will find itself dissolving into a series of dark scribbles, and a simple concept will belie its ultimate complexity. These images find themselves hovering between unconsiousness and depression; ultimately, cold, dark, and dead, like any planet or person....
Ross Hendrick - Ross Hendrick is an artist who has drawn comic strips for several of the UKs most famous publications such as The Beano and Viz. His work often has a satirical edge, usually with a dark sense of humour. He creates cartoon paintings which have a resemblance to the work of Beryl Cook, albeit a more gritty modern day version. He works with acrylic, marker pens, spray paint and digitally. ...
Sonja Tellison - More than simple faerie tales, myths can teach, heal, act as morality guides, or beacons of inspiration along a sometimes murky spiritual path. The myths of a culture are its soul. They are whats left behind when the political border lines have changed and the people themselves are gone. Myth helps us to understand our own nature as well as that of the world around us. Joseph Campbell, noted scholar and one of the foremost authorities on mythology states, Myth must be kept alive. The people who can do this are artists . . . . The function of the artist is the mythologization of the environment and the world. At a time when we, as a society, rely more on science and technology for answers to our various quandries, than a collective, traditional knowledge, refocusing on mythologization is more important then ever. Are you anxious Here, take a new pill Are kids more violent Must be the video games The adage Theres nothing new under the sun. is itself certainly not a new concept. If we delve deep enough, the answers are already existent, like diamonds in the dark. When we forget the stories of our ancestors, we forget our own past and...
Armineh Bakhtanians - I hold degrees in commercial art, design, and interior design from UCLA, Rio Hondo College and Mount. San Antonio college. Although my profession has been in the field of inerior design for many years, creating works of art in watercolor has been my passion. The world is full of colors, shapes, designs, and beauty, if we choose to see it. It keeps on moving to the rhythms of many sorts. As one observer of nature,and creator of art and beauty I am commited to telling stories in forms of shapes and images that have come to me through my herritage of centuries to the PRESENT MOMENT. My father was a great inspiration for me as a child, and led me to the wonderous world of art, and as an artist I am committed to the growth and change in my work just as it is innate in nature. Armineh...
Louise Parenteau - ARTISTIC STATEMENT I studied fine arts at the University Of Quebec In Montreal (1986-1991). I was involved in various artistic activities in which I took a strong stand against injustice, poverty, and social exclusion. My work took shape using different methods of research and observation. I articulated my artistic approach inspired by existential human sufferings. I created portraits of individuals with unusual physical traits, expressions, deformities, attitudes... These characters inspired me to use colour in contrasts and splashes. My aim was to express the life animating the characters by an internal light. For my installations, I used a physical space to transpose socio-political situations and dramatic events. With the barest resources, my intention was to stimulate the interest of the viewer. My material supplies: Acrylic, rubbish, wood, metal, rust, polystyrene panels, personal objects, used clothing, etc. In 1995, I realized that I had reached limits with my artistic approach. I decided to have a period of questioning with the aim of going further in my research in terms of intention and expression. This process enabled me to explore, to experiment with different materials and to reposition myself using sculpture as my main form of expression. Ever...
Tim Guider - Tims latest Protest Mural. To donate, search for - Tim Guider Artist Gofundme - to help fund more of Our Original Heroes Murals. Tim has collaborated with Aboriginal artist Frank Wright on this mural, and they want to create more of these murals in Sydney and in other cities and towns across Australia. Born with a natural talent for art, at age 22 years Tim decided to pursue a career as an artist. He studied at the National Art School, Sydney and received an Artists Development Grant from the Australia Council. He now has 45 years of professional artistic development to bring to his work. Since the mid 1980s his murals, canvas paintings and sculpture have attracted an enormous amount of television and press coverage both nationally and globally. A few image examples of Tims work are included in this portfolio which clearly show the wide range of materials and techniques this artist has mastered. He includes sculpture effects in murals. He has painted his sculptures and even uses internal illumination as well as mechanical movement in sculpture. Much of Tims artwork has a theme of multicultural Australia and our Aboriginal heritage. I have known Tim for over 30 years. I was ...